Showing posts with label Neil Young. Show all posts
Showing posts with label Neil Young. Show all posts

Wednesday, November 12, 2014

Neil Young: Thrasher

Neil Young has said "Thrasher" references Crosby, Stills, and Nash, and the turbulence of the 70s. All I know is that it's fine writing, and that it elicits those sudden, firm, knowing nods when the music hits a chord.





They were hiding behind hay bales, 
They were planting in the full moon 
They had given all they had for something new 
But the light of day was on them, 
They could see the thrashers coming 
And the water shone like diamonds in the dew. 

And I was just getting up, hit the road before it's light 
Trying to catch an hour on the sun 
When I saw those thrashers rolling by, 
Looking more than two lanes wide 
I was feelin' like my day had just begun. 

Where the eagle glides ascending 
There's an ancient river bending 
Down the timeless gorge of changes 
Where sleeplessness awaits 
I searched out my companions, 
Who were lost in crystal canyons 
When the aimless blade of science 
Slashed the pearly gates. 

It was then I knew I'd had enough, 
Burned my credit card for fuel 
Headed out to where the pavement turns to sand 
With a one-way ticket to the land of truth 
And my suitcase in my hand 
How I lost my friends I still don't understand. 

They had the best selection, 
They were poisoned with protection 
There was nothing that they needed, 
Nothing left to find 
They were lost in rock formations 
Or became park bench mutations 
On the sidewalks and in the stations 
They were waiting, waiting. 

So I got bored and left them there, 
They were just deadweight to me 
Better down the road without that load 
Brings back the time when I was eight or nine 
I was watchin' my mama's T.V., 
It was that great Grand Canyon rescue episode. 

Where the vulture glides descending 
On an asphalt highway bending 
Thru libraries and museums, galaxies and stars 
Down the windy halls of friendship 
To the rose clipped by the bullwhip 
The motel of lost companions 
Waits with heated pool and bar. 

But me I'm not stopping there, 
Got my own row left to hoe 
Just another line in the field of time 
When the thrashers comes, I'll be stuck in the sun 
Like the dinosaurs in shrines 
But I'll know the time has come 
To give what's mine.










© 2013 L. Ryan

Tuesday, November 11, 2014

Five Dollars an Hour

I've got the Neil Young of "Harvest" and "Comes a Time" in my head, impossible tasks at hand, and late night coffee on the way.  There's a heartfelt post waiting for the courage of a button-push that likely won't come.  In a majorly disappointing show of personal weakness, I've allowed people who toss around the word "love" and "God" as the predictable preface to condemning me to those warmer climes of fire and brimstone into my space, even into the holy interstices.  More personal weakness -- I fed the "love/God" Trolls.  These Trolls are already overweight, either in body, in malice, or in avarice, so I did at least limit their kibbly treats to low cal, tartar control, high protein pork products.

What has their "love" and public references to "God"schtuff taught me?  Well, there is the reminder that stress is terrible for CRPS, and derails my neverending efforts to control soma with psyche. It might be better put to say this instead of alluding to "control": Nothing can squelch my ardent desire for soma and psyche to so ardently entwine as to fog the view from these formerly sparkling big baby browns.

Actually, the glaucoma meds have these neat side effects!  No, not the itchy, redness and blurry vision, you jokers!  The double ring of beautiful greens that now surround my previously ordinary iris of backroad mud.

If you've never indulged, indulge -- take a look at your iris in a hand mirror.  It's a thing of beauty, no matter if brown, blue, or some exotic blend.  There are feathers in there, and light.  Infinity. The iris of a living eye puts the most masterful kaleidoscope to shame.

This will sound morbid, and for the longest time the memories were used in morbid fashion against me by that previously mentioned actor, psyche, but if you ever are with a being as life leaves his body, keep talking, and keep watching the eyes.  They are always beautiful and they always fade, sucked inward, subsumed, gone, at the moment of true death.  Keep looking as long as the situation allows, for the iris remains beautiful, and a marker, worth remembering.



In any event, maybe I just wanted the distraction of Trolls -- they're easy; they're stupid; they feed that misguided sense of "mission." Anything to avoid thinking about whom and what matters.

I don't think I've published this poetic effort before.  Don't much care because it brought me joy and back into contact with, as just stated, that which matters.

It was written "for" an unimportant poetry contest about three years ago. There was a time when my brother Bob ("shrink, tunors, shrink!"), my stepsister, and I were, all three, of "babysitter" age. Our dad was in Vietnam and, sad to say, that was the happiest year of our lives. The street we lived on -- off base, in civilian freedom for the first time ever -- was full of fun, young families. A big need for babysitters!

My sister and I earned a fair amount of spending money as run-of-the-mill, adequate sitters, but you know who everyone really wanted? Bob! Six foot four, a pony tail, and a kid magnet. The softball games he organized after dinner were the stuff of legends. A fielding position for everyone in the neighborhood, a turn at bat that always produced a play, if not a run. Sudden new rules!

He would pick up toddlers, carry them over his head and run them around the "bases" -- a telephone pole, the fender on The Rabbi's station wagon, the Smith's holly bush, and all the way to someone's front door home. He cooked, he cleaned, wore everyone out (clientele or not), and even groomed pets. I used to stay awake, waiting for him to come home and turn his evening into a bedtime story. I remember falling asleep to the soft cadence of "Meanwhile, back at the ranch..."

********************************************************************

Five Dollars an Hour


My brother Bob was the most popular sitter,

the Vicar of Fitzgerald Street,

as baseball runners coasted home, zig-

zag tagged lamp posts, car bumper bases,

magic places, all, triumphant!



Hitters held their crouch,

proud of his boast of "way to watch

the ball, there, buckaroo!," suburban

cowboys and girls, night's gloam

softened even in Baghdad, believing

beloved and loving because of his six

foot four, pony-tailed dominion

over locusts and Pentecost.



The birds, most house sparrows, moved

stumbling, criss-cross clawed and closer

to his soft "hey, batter,

hey, batter" banter poise of noise,

to roost and erase the day's

gateposts, attacks, door

posts, counterattacks, lacy graces,

and atlases with their gridded ghosts.



Because Bob was big and strong, scooping

gurgle-bubble babies, carried directly

from danger straight into fun [aloft! the roosting

birds approved with rustles!], to dunk them

in bathtubs and sinks, have them dreaming,

scrub-dub, of outrageous happy endings

to farflung bedtime stories

begun before tater tots,

strumming guitars through broccoli

-- "the giant's shrub" -- and after asking,

"Are the pets all fed?" -- it was off

to bed, exhausted, safe, fear quashed,

memories of catching, hitting, chasing

balls, and phrases of soft praise.



Monsters and thieves ran fast away

when Brother Bob flew front doors open:

Dismayed and afraid -- though a few came to stay,

reformed by joshing scoffing and the fun

of washing cookie sheets and tossing

foil wrap in the trash, "Three pointers!"

But then they'd loiter, unsure, until by his pied

piping, terror's buffer, they slipped, too,

far from suffering, ushered, sliding into dreams'

home plate, like cloud cover, while he surveyed

the kitchen, stowed the butter,

and swept the floor. Big-handed

tender, he was the favorite, too,

for brand new babies, newer-than-new

preemies, who soaked the august promise

of sun, chrome fenders, and one-

day line drives from his slender fingers.



I would wait at home to hear the tales

of naughty boys and bawdy daughters,

dogs that nipped and cats that scratched,

or -- giving up all that -- I would

wait at home for my turn, my viewing,

my comfort at his comfort, my turn

at his standing tall, the flash of

his "I know you" smile,

his "What are you doing up, kid?"



My beloved own once-in-a-while,

never bitter sitter...






© 2013 L. Ryan

Saturday, April 23, 2011

From the Cutting Room Floor

When I grow up I want to be an old woman
When I grow up I want to be an old woman
Oh, an o-o-o-o-old, an old, old woman

Then I think I'm gonna find myself an old man
Then I think I'm gonna marry myself that old man
An old, an old, an old, an old, a really old man

We're gonna have a hundred and twenty babies
A hundred and five, ten, fifteen, twenty babies
Uh huh, that's what I said a hundred and twenty babies

We'll raise 'em on tiger's milk and green bananas
Mangoes and coconuts and watermelon
We're gonna give 'em that watermelon when they starts yellin'

Here's what they'll yell...

In the summer we'll sit in a field and watch the sun melt
In the winter we'll sit by a fire and watch the moon freeze
Me my old man and a hundred and twenty babies
Me my old man and a hundred and twenty babies
I said, me my old man and a hundred and twenty babies
Oh, when I grow up I want to be an old woman
When I grow up I want to be an oooooold...



--Michelle Shocked, When I Grow Up

Michelle Shocked is among those artists I like to listen to during ketamine treatments.  It's kind of an odd mix, I suppose, though maybe not:  Sam Cooke on gospel (he was there when they crucified my lord, y'know) The Stones prancing around on my cerebellum, Jacques Brel to satisfy that inevitable nostalgia for accordion-driven café music, Keith Jarrett's Koln concert, anything from After the Gold Rush Neil
Young --
(Hey, hey Cripple Creek ferry



Butting through the overhanging trees


Make way for the Cripple Creek ferry


The waters going down it's a mighty tight squeeze...)

-- early Bonnie Raitt, like before I understood how old she was, Jennifer Warnes, the bits of Laurie Anderson that crack me up, Marvin Gaye -- all the Marvin Gaye in the world, wanting to undo what was done -- but no more Motown because I shake the gurney in some kooky ketamine spastic dance craze, apparently -- though I bet I could tolerate some Temptations -- I don't so much want to dance to their music as pretend to be them, slick with moves... some Jackson Browne but always Your Bright Baby Blues --

(I'm sitting down by the highway
Down by that highway side

Everybody's going somewhere

Riding just as fast as they can ride

I guess they've got a lot to do

Before they can rest assured

Their lives are justified

Pray to God for me baby

He can let me slide

'Cause I've been up and down this highway

Far as my eyes can see

No matter how fast I run

I can never seem to get away from me

No matter where I am

I can't help feeling I'm just a day away

From where I want to be

Now I'm running home baby

Like a river to the sea

Baby if you can see me

Out across this wilderness

There's just one thing

I was hoping you might guess

Baby you can free me

All in the power of your sweet tenderness

I can see it in your eyes

You've got those bright baby blues

You don't see what you've got to gain

But you don't like to lose

You watch yourself from the sidelines

Like your life is a game you don't mind playing

To keep yourself amused

I don't mean to be cruel baby

But you're looking confused

Baby if you can hear me

Turn down your radio

There's just one thing

I want you to know

When you've been near me

I've felt the love stirring in my soul

It's so hard to come by

That feeling of peace

This friend of mine said

"Close your eyes, and try a few of these"

I thought I flying like a bird

So far above my sorrow

But when I looked down

I was standing on my knees

Now I need someone to help me

Someone to help me please

Baby if you need me

Like I know I need you

There's just one thing

I'll ask you to do

Take my hand and lead me

To the hole in your garden wall

And pull me through... )

Sometimes there's some Dylan, sometimes there's not, often he's replaced by Nina Simone -- it is necessary to assess my mood, to make those all-important last minute decisions, sitting in the fume-filled parking garage, getting my last swigs of diet root beer, feeling oh-so-glad I quit smoking all those years ago.  I'm not concluding anything from it, but I get the same feeling at this hospital for catastrophic brain and spinal cord injuries as I did the times I dragged a long ago roommate to AA meetings.  We started going the evening of the day she crashed her orange Vega through the garden wall and smack-dab into my bedroom.  Anyway, I am referring to the coffee and cigarettes.  The smell of them is everywhere, and because they're molecularly linked somehow, not even the coffee smell smells good.  I mean, like, you'd never slip up and use the word "aroma" for it.

My second ketamine treatment, I had not yet made a playlist for the occasion, and managed to land on Jethro Tull's Aqualung.  We're talking major depression.  I mean, there I am, losing myself, falling into the K-hole, serenaded by...
Sitting on a park bench

eyeing little girls with bad intent.

Snot running down his nose

greasy fingers smearing shabby clothes.

Drying in the cold sun

Watching as the frilly panties run.

Feeling like a dead duck

spitting out pieces of his broken luck.

My mp3 player selections for the ketamine experience are hardly remarkable... but they are mine, you know?  A little something of me to have, in case I get lost and can't find my way back -- to Fred, down at the end of the bed, to Nurse Monique, so sweet and learning not to promise me anything, to my brothers, to my friends, to Dobby and the Rest of the Remnant.

We had our first early morning session this week, on Thursday.  You will note that it is now Saturday and that the only blog piece I've published in the interim was something already pieced together.  And I am not sure I should be writing this post, even. 

I've been in a world of pain.  Past caring, really.

Ah, but Friends, I ask you:  Might the fact that I somehow managed to delete all of my music during the ride to the hospital -- Might that devastating loss be at the heart of how awful that treatment turned out to be? Might being stuck with just the radio have set me up for days of suffering, for nights of... well, for plain old long-assed nights?

I did give the experience a try -- honestly.  I lay there and tried to focus on something besides listening.  But I cannot focus on seeing and looking because I cannot... focus.  My vision BENDS with these higher doses -- bends as in I-can-see-around-corners-but-not-right-down-the-middle-of-the-visual-field.  Also, there is the issue of foreshortening.  When I tried to zero in on Fred's legs, which I knew to be stretched out from his nasty plastic chair and propped on my wheelchair seat, they were as badly elongated tooth picks. 

And I know you'll understand that I could only see around the corner (the far left corner, of course) when I trained my eyes straight ahead.  It was, in fact, Nurse Monique who occupied that just-around-the-far-left-corner spot.  Sometimes she popped up at bedside, asking me probing questions like "What's wrong?" and sometimes she was striding -- she has an officious walk -- toward the supply room behind the nurses' station.  I never saw her actually enter the supply room because the supply room extends past the line ending the square of permissible vision.  You know it is there, kind of a humongous maw of emptiness, its door a blind rectangle to my visible square.

It would be ideal to just sleep.  I can't, though, not even with the pre-infusion 10 mg of valium.  I can't because of pain.  Funny, huh?! 

The dose was a hefty 155 mg and we noticed that they gave me considerably longer than the others to try and regain some equilibrium after it had run in.  Normally, everyone gets about 20 minutes, then it's on with the shoes and outer clothing, flush the portacath with saline and heparin, transfer to the wheelchair and weave one's shaky way out.  My shaky way out.  Part of the wait was also due to the doctor failing to show up to sign my discharge paperwork... Even so, I couldn't have left any sooner than I did, and even then, wanted to spew, weep, and be unconscious, all at the same time.

It only got worse as time went on.  We stopped at Home Depot, since we were right there near Tête de Hergé's Lone Alp -- and lone Home Depot store.  Fred ran in "just for a minute" and I pretended to read Dorothy Allison's Cavedweller.  It was hot, people were streaming by, the sun hurt my eyes.  I had to pee and got to, an hour later, when we pulled into The Manor service road and zipped right up to the Emergency Secret Loo nestled in the Orchard Wall.  (There was no toilet paper!  Arg!)

I've tried taking my pain meds. 
I've tried not taking my pain meds.
I've tried opiates, no opiates, biofeedback, crying.
I've slept.
I've made myself get up and work.
I baked a batch of awesome scones, not too sweet.
I promised and failed to deliver on a soup.
I put a kitten under my chin.
I paid bills.
I shooed the kitten away, and felt the urge to hit him.
I ate.
I abstained from eating.
I overate.
I ran fevers, had sweats.
I cut my hair.
I stopped saying "I" -- as a verbal and moral exercise.

The only thing that helped, and then only for twenty minutes or so, was darkness. And silence.  As if my entire body had a migraine.

Some years back, I remember feeling this way -- physical horror wrapped up in depression and regret.  I tossed the remains of my dissertation, and erased the evidence from my hard drives.  I burned photographs. I ran the air conditioner at obscene temperatures, applying ice air to my burning dystrophic body.

The ketamine isn't working.  It's failed.  I came out of this one worse than I went in.  Fred says it's too early to say, that I did get some benefit from the fourth infusion but it showed up way late -- as in the day before receiving the fifth one.  I cannot say if he is right.  (That means that I think he is wrong.)

I'll do the next one as the last one and then keep my appointment with this doctor... who promised me a miracle.  No, I am not angry.  It's what I wanted to hear and longed to believe.

There is one song that will never make the Ketamine Playlist -- I'd never disrespect it so.  But it might be the one and only piece of the Post-Ketamine SongFest -- the only song worth remembering after bathing the brain in toxin, Dylan's I'll Keep It With Mine. This is not the cover I'd choose but it's certainly more than okay:



And so it was in this sorry state that I got up this morning, and then got up again two hours later. I had the urge to DELETE, beginning with videos... before I gave in to it, I made myself do a "Magic Movie" treatment of about 15 meaningless cat clips. This is what the FlipShare do-hickey program came up with, this is what has been preserved.

Buddy has been going through a "leaping" phase. He will suddenly leap in the air, sometimes from a dead standstill, sometimes adding a quarter turn or a twist, always exuding Extreme Joy. Marmy has begun to accept him and now he gives her this really scary, mean hiss-s-s-s when she frightens him, and she never fails to frighten him, just by showing up. He has mounted Dobby several times, and Dobby fairly sighs -- Sammy used to do the same thing. Poor Dobby. Poor Buddy. Sexual confusion is never fun.

I am *this* close to deleting the blog.  It is a tough call.