Showing posts with label Tumbleweed. Show all posts
Showing posts with label Tumbleweed. Show all posts

Wednesday, December 3, 2014

For Baba: Made New

i am brimming with new posts, some very funny, some of scien-tific/istic ilk, some so personal as to succeed as universal.  more than a few are essays that would make montaigne sniff a dusty dead man's egotistical sniff.  so long as he does not sneeze, we're okay.

the post below was originally published on 3 december 2013.

i did not know, on 3 december 2013, that my brother grader boob, now better known as "lumpy," was very ill with cancer.  he had only the soupçon of the beginning of a barely nascent suspicion. he was then suddenly a very grumpy lumpy grader boob, and could not seem to get his bearings, seemed perpetually under that pathetic fallacy of the weather.

he pushed me to reconnect with our stepmother.  this man who now will not connect with anyone! he had that frustratingly perfect impulse -- outward.  i did not remember that he was the impetus, that he was the sweating, grunting worker plying the splintering board that leveraged the boulder... that was me (the boulder, if i lost you).

a gift.

i have two brothers, so similar, so different.  they give gifts like maniacal gift givers, crazy-assed coo-coo givers, scented personal shoppers in the virtual world we now share and the vague shadow of a long gone world. we all meet in the lobby in my dreams -- that dream lobby that morphs into a music room of bean bags and comfy mattresses and vinyl, into softball fields, hot sidewalks, the backseats of cars, tiny basketball courts, much like the end of a concrete driveway crowned with a backboard and a hoop.  always, there is music.  gifts.

there are things i remember clearly.  these things may not be true.

i remember the both of them, evil in their older age. i was in [very baggy] diapers.  you know, i have always been remarkably slim in the hips.  anyway, i am crawling, vaguely bothered by the drag factor of these very baggy diapers. i want it clear that they were not messy diapers, just not well fitted to my slim hips. i fear that soon i will renew the experience this unfortunate fitting difficulty, but we're not there yet, oh no, not just yet. yes, right, so... there i am, in ankara, turkey, exercising my cute little tush off.  i presume i am in a dining room because the trajectory of my efforts seem to end under the carved legs of our famous dining table.  the one i inherited and finally destroyed just before fred and i became squatters here at marlinspike hall.  it had, by then, been painted white and the cushions were of a scary yellow plastic -- that was stepmom baba's treatment, to make it match her "breakfast nook" concept.  that table must have seemed an albatross around her thin neck -- highly stylized, obviously "foreign" and not conducive to her admittedly matchy-matchy decorative ways.

oh, that woman could decorate!

ya, so, my two good-for-nothing siblings are egging me on, making great use of that linguistic "come hither" known as intonation ascendante by my later french linguistic professors.

"c'mon, you droopy-drawered excuse for a baby sister, c'mon!" and so they dangled a cup of something in front of my cherubic visage, luring me closer to the little fort made of table legs.

when i finally made it, drooling as only such a diva can drool, the chant became, "c'mon, take a sniff of this!  you're gonna love it!  c'mon, would we lead you astray, hmm?"  reaching the cup, smiling like the innocent baby i was and always would be, i took a dedicated whiff.

it was ammonia.
my first, but hardly last, loss of brain cells.

okay, so there's that in the negative column for those two.  i could add grader boob/lumpy almost taking my head off with a powerful warm-up swing with a solid wood baseball bat... but that was an accident.  so was the time that one of them (no recollection which of 'em did the deed) threw a dart in my arm.  see, there was a wooden fence.  they were on the "inside" -- picture a poor man's courtyard
-- innocently playing darts.  i was on the "outside," oblivious, and made the turn inward, stepping directly in front of the dart board just as a projectile was released.

big whoop -- a tetanus shot. still!  still!

other than that, it's been nothing but gifts, gifts, gifts -- from the both of them.  in return, i've given them terrible gifts, as in, stuff that i think they should want. lumpy/grader boob has also received more than his share of "things that a person very ill with cancer needs." they are, i know, piled high, box upon box, almost reaching heaven, unopened, and possibly tripped over.

i blush to think of the olde english curses that may be heaped upon my head every time lumpy grader boob sees or sidesteps my gift pile. an auditory heap on the head is detectable only to those who attain nirvana. i'm about two-fifths of the way to enlightenment, to having those individual desires and suffering go... away. so for now, he curses into the void, he pisses into the wind.

the gifts left to give may be few, but they're the best, the saddest, the silliest, the happiest, the most meaningless.  there's no suitable box, which is good, as i lack the dexterity to pack.  thank god for teleflora and the saints be praised that godiva chocolate delivers.

there is still music. there will always be music.
and, somehow, harder to explain, animals.
words. rhythms. winds. rivers. oceans.

yeah, so i wanted to make an effort to write something today.  anything.  and seeing this from exactly a year ago, and thinking of baba, the nickname given our stepmother by her baby brother, frankie something-or-other...

...thinking of how this dream of the beach house, and her ending her days there, painted toes dug in the sand, a silly hat keeping off the harmful sun, a book and a drink at hand... or having coffee on a front porch that leads your eye into an infinity of water, of sky...

well, once upon a time, pretty much just as lumpy was having his fears of terrible illness confirmed, baba required emergency surgery. she experienced a mental decline, as old people often do when wrenched from their familiar environments, particularly those that offer infinities of sky, of water. she lost much weight, developed bedsores.  a trial run was made back at the cottage but it was untenable. back she went into that euphemistic hell called "rehab," while her daughter, my stepsister, did the research and the calling, vetting of the scary, sad work of placing your parent in as great a place as you can find and they can afford.

she's a bit of a pushy person, this stepsister, but she will tell you, probably, to kiss her grits if you requested that she cut if the fuck out.  it is, she thinks, the only way to get things done. if a bit of the truth falls by the wayside, if someone else's wussy sensitivities become obstacles instead of whimsical happy hour stories, well, a bass track will start in the background and soon sweet baby james will be screeching something about Well, I'm a steamroller, baby, I'm bound to roll all over you-u-u.

the thing is, she's sweet, too. extremely nice. i'd try to relate to the goings-on of her life but -- jeez, i'm clueless. probably it's punishment for my natural reticence, because hell's bells! if i think something, it's going to be a secret from the entire blessèd world. no way are you going to weasel a thought or scuzzily judgmental opinion out of this tête!

she doesn't trust me. how could she?  she does not know me, nor care to.  do you know what it's like to ask someone several times for their address and not be answered?  that's me:  the bedridden psycho-killer, drooling in droopy diapers, ready to show your zombie-self a little zombie "mercy." and yes, that's me, who doesn't get the message the first two times!  it makes the moment of realization ("oh, this is actually all bullshit!") that much more embarrassing!

until, until, until --  in my effort to force friendship, force relationship, i betrayed lumpy, and hurt, very likely, his polite elder sibling, the unsullied wise one. it involves a letter that NO ONE forced me to write but which fed my desire to control and dictate.

it was about -- bleck! ick!  yuck! -- wills, as in last, as in testaments.
and the stepsister i am trying to make look villainous? she's not. she's careful, and she's smart to be that way. she and i, we will journey on, learning.

i'm sorry, rolling one, o winged pigweed, for sending you a copy of that letter. i cannot say "sorry" to the lumpy one, because there is not enough space there, even for that one word.

the ace i have in the hole? ["ace in the hole": This term comes from the game of stud poker, in which one or more cards are turned face down, or “in the hole,” as bets are placed.] i have the weightless gift of a greeting and good wishes from our elder brother-unit, safely tucked there where i safely tuck things. (hey! what is this? a "tell all"?  i don't THINK so.)  it's a greeting with good wishes and a memory from him to baba.  i've not delivered them yet, dear brother. but the time is now, apparently, because a bunch of well-dressed, colorful, handsome and beautiful strangers holler about "'tis the season" from the blaring idiot box.

i can already tell you that she will be happy, this ancient dancing woman who has almost worked her way back up to a hundred pounds.

we have traversed the seasons and are not where we started.  the orbit is a bit skewed but still an awesome testimony to arcs, gravity, and the-way-of-things. i choose to admire what the universe managed to keep within reach, and to thank it for what i can still see, and everything that i can remember... or imagine remembering.

i want to thank lumpy for taking this picture of our collective beach, from the vantage point of baba's former and forever front yard.  the stepsister-unit would kill me, but i continue to give baba hope that she can get back there.  i use a line that i used on myself when that older, wiser brother-unit, something of a photographer himself, was missing to me -- i have dusted the old line off for dearest baba, made a few verb tense adjustments:

"mom, maybe you'll go home in the spring..." then we talk... about the dangers, about her dog, about her cute hunky man neighbors, about the fears... and then we talk.

to completely ruin the mood, i have to reference the beginning of last year's post.  un-freaking-canny! in all my recent travails -- in case you can't keep track, i'm losing the use of my hands -- i never once remembered fracturing my left hand. not once.  never mentioned it to my new doctors. of course, this time it started in the right hand... oh, never mind!  it's just kinda creepy.

mwa ha ha!

hey, dear readers, especially you dear siblings (and associates -- i know who logs on, for nothing is secret in marlinspike hall) -- thank you for letting me wade far enough into the gentle waves to get my ankles wet.

because -- gasp! -- the days are long gone when lumpy grader boob and i swam far far out, way past the pier, where there was just the sounds of undulating ocean and wind on the water.  we'd float on our backs and play battleship. then just float, saying nothing.  eventually, in big brother fashion, he'd suggest i go back in, that he'd watch to make sure i didn't get eaten by a shark. then i'd sit on the porch with the binoculars, making sure that he made it in, too. he'd stay out there a long time.

be good to one another.



used without permission, this photo was taken by the inimitable grader boob


if you will kindly refer to an earlier post, titled -- with such gentility -- "i flushed the toilet," it will partially explain my latest round of stealing posts from other -- better but still "other" -- sources.  you know that it is never for lack of something to say.

sure, it's usually the same something, but i'm broadening my vocabulary and massaging the play-dough twixt the ears for the malleable fiction of neuroplasticity.  i'm trying.  but when i so famously flushed the toilet, i fractured my left wrist/radius and somehow also developed ulnar nerve palsy. CRPS has a weirdness not often discussed, as one tires of sounding insane, which is its perverse preference for symmetry.  i have developed the same symptoms, minus the palsy, in my right hand, which is completely uninjured.

in some other words, typing is a bitch.  be that as it may, this blog post needs writing.

since my "family," meaning the clan in its traditional form, has begun the unwieldy process of reconstituting its early semantic glory, a sontag metaphor-for of chipped and crackled bits of anachronistic mosaic tile, these full-blood, half-blood, and no-blood relations... are dropping by this blog in decline.

most of you are used to having kin.  i'm out of practice.  let's put it as it is:  i have to consult the dictionary to untie the knots of meaning behind cousin, nephew, niece, and sometimes, even aunt, uncle.  i tend to cling to the memory of loving people, whether it was me they loved, or not, and their anthropological kinship designation fell into the garbage heap of my wayside long ago.

there is an equal and opposite reaction of attraction for and [obliquely] toward the relations who hate me, whom i disturb, a new phenomenon born just within the last few months.  here is a very true truth upon which you can rely:  beware new "friendships" of the familial sort who quickly and with nary a bead of sweat clinging to their upper lips (or eyelids -- since my eye surgeries, my eyelids betray more emotion than your run-of-the-mill rosy cheek, and not by blinking but by their creepy dampness) speak of love, and declare it for you as a lifelong yearning, based on your fledgling, chubby, pigeon-toed stunted five year old self.

do not trust anyone who tosses the love card with the wily acumen of a lifelong gin rummy pro, thanks to many hot, humid, buggy southern summer nights under bare bulbs, cards smartly slapping on real oil table cloths, red checks marred by cigarette burns, the buzz of mosquitoes broken by a smoker's cackle:  "gin!" the good ones, the best, are self-effacing, and languidly caress the discard, take it as their own... and knock. they utter "love" the same way.

yes, so i'm feverish, in severe and unrelenting pain, spasming like a done-for flopping fish, glaring as best a fish can with one eye on a rotting pier, and dealing with keeping home a center for holiday cheer with a broken wrist.  i cooked some overly herbed fish last night.  that's my only clue as to the intrusion of the fish into my tight, linear narrative.

it was an excess of tarragon perfume at fault -- i mixed it with lemon pepper, a pretty strong flavor in itself, and holmes himself wouldn't have deduced its presence, so overdone was the tarragon.

i'm in love with tarragon.

and this one, most recent sample of rosemary.  more perfume.  i like a slight artistic char on my rosemary. it served as counterpoint to wonderfully roasted vegetables -- and those vegetables with sufficient sugar content achieved that perfection of combined char and caramelization.

if i rummaged in the remains of my work ethic, i could eke out clever comparisons about perfumed fish and relatives i cannot recall ever meeting but who have "loved" me since i was but a near microscopic translucent guppy.

okay, for those relatives not in the evil category of easy love, for those who, without forethought, closed our first conversation in over 23 years -- telephonic, of course -- with a natural, casual "love ya," and who began what we decided to designate as "the breaking of the ice" with joyous laughter that cannot be feigned...

for such people, in this instance my step-mother margaret, about whom i thought during every one of the days making up those 23 long years -- when cogent, of course -- i owe more than a little bit of an explanation.

or maybe not.  somehow, it doesn't feel evasive to have picked up the fiendish phone and chatted and laughed for eight minutes without giving a single detail of my life.  we both have followed the other by means both imaginative and wheedling.  well, okay, nothing so very dramatic -- we made discomfiting use of one of my full-blooded brothers, the famed "grader boob."  lately, he's been getting a bit disgruntled serving as middle man, and in a wildly uncivilized move, simultaneously released home phone numbers to all interested parties.  he may have called me a "cowardly girly-girl," and mocked my telephone phobia (it's real!) with a professorial version of "nah-nah nah nah nah": "derr-i-da-da dah dah dah dah."  he should keep well in mind that i serve as his gate-keeper for the nefarious side of our family tree.  these are people with little sense of our cultured culturing of boundaries and who constantly threaten to appear on one's doorstep, unannounced, uninvited.

but in this instance he did well, grader boob.  "pick up the phone, damn it. what are ya, anyway, a freaking emotional misfit"?

well, yes.

margaret said something that made my heart stop, just a quick phrase but that wasn't a throw-away. she hoped i'd come visit her, there at the beach cottage where so much happiness happened, and tragedy, too. it's a touchstone of a place.

i talked over her, i think.  i said the same sentence three times, a pitiful diversion for such a smart old lady who had just extended herself -- the cottage is her sacred place, was the center of her childhood family, a tradition of sand, sun, storm, paperbacks, boiled shrimp, and happy hours.  it is also where she found my father curled up dead on the couch, and into her atlantic ocean did she cast his ashes. and i did not even acknowledge the graciousness of her invitation back into that space.

margaret, i'm basically bedridden, except when i take my breakthrough pain meds and antispasmodics, then i foist myself upon my limited world, and perform with aplomb what now defines me:  my ADLs, my activities of daily living.  basic hygiene, dressing myself, cooking.  i always think of you as i attempt to clean house -- our homes never looked lived in, they were so uncluttered and clean.  your standards became my standards, and when fred looks at me askance as i pry off the knobs to our gas burners so as to soak them clean of non-existent oil splatters and to clean the spotless enamel underneath... i always laugh and say, "but what would my mom say if i didn't do it right?" and to myself i imagine how living at the beach must have both complicated that aesthetic and simplified it, beautifully.

i miss tea and melba toast with you, a wonderful reason to come home from high school. i remember, at the oddest times, the afternoon we went sailing in a thunderstorm.

my standards have fallen.  i am not physically able to do all the things i "ought." it shouldn't plague me, yet it does.

i can walk for very short distances and lately risk falls when i "step out." and i flash on the day in washington, d.c. when you finally explained to my dad that i despised being grabbed by the elbow and told to "step out." i talk to myself -- hey, we all do, to some extent --and sometimes i hear chastisement from my his lips through mine -- "straighten up and fly right," that sort of thing. there are moments of hysteria, too.  i tried to teach fred that "it only costs ten percent more to go first class." fred didn't buy it, and, let's face it, it was one of dad's less successful aphorisms.

i have lupus, which led to something called avascular necrosis [AVN] or osteonecrosis, which led, in turn to adrenal insufficiency (and a few scary instances of adrenal failure).  but what has me beat, mom, is something called CRPS.  a lot of folks still call it RSD.  i'm coming up on my 12th year anniversary with CRPS.  it's made me pretty much unrecognizable and you'd be shocked.  mostly, it's a central nervous system degenerative disease but it shows itself -- when you have it as long and as all over as i do -- by what it does to your arms and legs.  in my case, naturally, it also does a number on my face!  in actuality, despite the skin, blood vessel, and bone damage, the havoc it loosens on the brain in terms of spasticity and neuropathic pain testifies to how monstrous it can be.

the only honest "cure" for AVN is to replace the joints destroyed by the lack of blood supply.  so i'm close to being bionic!  unfortunately, somewhere along that journey, my prosthetic joints picked up bacteria which slowly grew, and being the leftist that you always knew i would be, the little buggers formed communes that secrete a kind of antibiotic-proof material... so i finally declared "uncle" at the end of last year.  it's spreading from one piece of hardware to another, these socialist "biofilm communities."  so that adds to the discomfort of dealing with CRPS, as there are daily fevers and the general nonsense that goes with chronic bone infection -- osteomyelitis.  i ultimately lost my left shoulder, and to be honest?  i'm ready to give up the right one, it hurts that much.

however, mom, i have a great internist who tells me, when i hit the more grating notes of whining about pain:  "this, too, shall pass." i used to curse him under my breath, now i repeat his belief as if it were my guiding light, a mantra.

you've likely had enough.  i know i have.  a few more things, then i'm going to bed.

i don't know that you'd like fred, at first, but he would grow on you.  i've been with him for precisely as long as i have been absent from you.  he's gentle, intelligent, but struggling -- right now with the possibility that his hearing loss is due to an acoutic neuroma.  he's scared.  i need to think of your example, again, and make him my priority.

i'm never going to see you again, i don't think.  won't be for lack of wanting, i can tell you that.  i'm embarrassed and ashamed about so much -- but also secure in who i am, what i became, the life i've lived, getting things right with a gratifying increase in frequency!

you once tried to help me by listing my "accomplishments," and were shocked when i thought you were mocking me.  you were not, of course.  you were trying to build up my sense of worth, my pride.  but i was right, too, because even in that very low moment, i knew that awards, scholarships, and degrees were not important.

but they did allow me to work at what i loved.  everyone always points to dad's mom, to nana, as the source of the "teaching" bug, but let's say that you honed my technique.

when it rained while we vacationed at the cottage, we'd go to what had to be the only pharmacy in town, and get to buy a paperback.  with such nonchalance, you steered a stubborn reader to the fruits of childhood. one year, it was harriet the spy, another, it was jane eyre.  [of course, we still have to discuss the year you took a razor blade to "offensive" passages in one of my christmas wish list books! "too adult," you said,]

my best teaching came when i managed, through sleuthing and careful planning, to allow a struggling student to find the piece of writing, a print of a painting, a translation, a song that would lead them into the "français." they had to find it but i had to learn their need, and supply its want.

it's what you tried to do for me, so faithfully.

thank you. [and good night!  i am going to imagine the sound of the surf...]  stay warm, stay safe.

© 2013 L. Ryan

Tuesday, November 11, 2014

VETERANS DAY REPOST: In Honor of Lieutenant Colonel "Wild Bill" [USAF]

originally posted 3 July 2012






HIGH FLIGHT

Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I've climbed, and joined the tumbling mirth
Of sun-split clouds, — and done a hundred things
You have not dreamed of — wheeled and soared and swung
High in the sunlit silence. Hov'ring there,
I've chased the shouting wind along, and flung
My eager craft through footless halls of air. . . .

Up, up the long, delirious burning blue
I've topped the wind-swept heights with easy grace
Where never lark, or ever eagle flew —
And, while with silent, lifting mind I've trod
The high untrespassed sanctity of space,
Put out my hand, and touched the face of God.
— John Gillespie Magee, Jr



[reposted from July 3, 2012]

My father died last night, apparently, and all I can think of, at the moment is the first line of Camus' L'Etranger, one of his greatest, but beyond absurd in my situation.  And so, of course.

I cannot get hold of an actual obituary but I assume that my blood relatives wouldn't lie to me about a thing like that.  But I've been wrong before, and it's a crazy bunch.

So -- for him, the pilot, I offer "High Flight," which I believe was posted here just recently, for some eerie reason.

What's eerier?  A few nights back, I dreamt that the man gave me his watch.  It was not a Rolex.  Not even a Timex.  Just bulky and silver, with lots of do-dads on it.  That was it.  The extent of my dream profundity.

I had to go to the Infectious Disease doc's place in spite of the colonel's death, and it turned out my temp was a bit over 101 and that my blood work from last week sucked.  They drew blood cultures, stared at my staring eyes, and sent me home.  I'm screwed -- normally, I don't answer the phone.  Now, because of the colonel and the ensuing phone-yappers, I will also have to deal with the medicos who love to telecommunicate.  In short, the infection seems to be beating the crap out of the antibiotic.  "The one antibiotic we have left," El Infectious Disease Doodaloo reminded me.  He's a sweet guy.  One day, I'd like to sit out at a café, and I know the one I want, very Tuileries, very Café Renard, and have a beer with him.

One night, my father picked me up from a late baby-sitting job. I was in high school.  We lived sort of out in the boonies, on a lake, and he was an avid amateur astronomer.  There was a meteor shower.

We set up lawn chairs and watched the shooting stars.

When men walked on the moon, he and my brother-unit Grader Boob successfully convinced me that I could see the men through our backyard telescope.  They had me giving excited descriptions of all their lunar activity.  Have we discussed my gullibility much here on the blog?

I hope for him -- the after-death is flying, flying, flying... occasionally flipping his plane to smoothly bisect the space between silos and chimneys... a claim of his I always believed, mostly because I saw some other Fly Boys laugh and nod, ascots never askew.  Fighter pilots are grace-blessed nuts.

My thoughts are with his beloved wife, Margaret, his daughter Kathryn, and her son, his grandson, Brian. His sister Nancy, too, and brother Jim. Mostly, though, I am thinking of Tumbleweed and Grader Boob, his Good Sons.  

He's to be buried, I guess, tomorrow, Sunday, at 3 PM, with military honors.  I  guess that means an honor guard, a presented flag, salutes.  Were I there, I'd raise a scotch, and remember stars like bullets, his caring for his own aging mother and father, his love for a certain cock-a-poo, and the bevy of air evac nursing personnel who loved to scream out "Heyyyy, Wild Bill," whenever they scooted by in a jeep.  He flew many a mission, low over Cambodia, no lights, to rescue the wounded and bring them to Clark for medical treatment.  He also dropped a lot of bombs, and deforested with Agent Orange.  He lost, I was told, two barracks of men in a bizarrely successful nighttime shelling at Phan Rang.  He liked the album Sounds of Silence by Simon and Garfunkel.

But then, too, he adored Herb Alpert.






Saturday, March 1, 2014

REPOST: john trudell, courtesy of the family blog whore

First published on 2/24/2013

Tip of the hat, finger aside the nose, to TW, as I steal from his Valentine's Day post: "They Didn't Listen" -- and thank him for the find, and kiss the very center of his forehead.



Uploaded on Jun 27, 2009 by NancyRedStar·

"These Memories"


In the reality of many realities
how we see what we see
affects the quality 
of our reality 

We are 
children of earth and sky
DNA descendant and ancestor 
human being physical spirit 
bone flesh blood as spirit

We are 
in time and space 
but we're from beyond time and space 
the past is part of the present 
the future is part of the present 
life and being are interwoven

We are 
DNA of Earth, Moon, planets, stars 
we are related to the universal 
Creator created creation 
spirit and intelligence with clarity 
being and human as power

We are 
a part of the memories of evolution
these memories carry knowledge
these memories carry our identity
beneath race, gender, class, age
beneath citizen, business, state, religion

We are human beings
and these memories are trying
to remind us
human beings human beings
it is time to rise up,
remember who we are
~ John Trudell


Lyrics: John Trudell 
Music: Mark Matson & Hayley Hutt 
Vocals:John Trudell & Hayley Hutt 
Additional Vocals and Harmony:Deirdre Radford
Keyboards and Drum: Mark Matson 
Guitars: Byron Roberts
Produced and Engineered by: Mark Matson
Executive Producer: Nancy Red Star 




i don't think he likes it one bit but that's just too doggone bad.  someone in this family must be shameless, and i volunteered long ago ----->> if you love the land, this country, the solid comfort of the amazingly real, the white skull recognition of all that you forgot.... go read, revel,  and rest at TW's american idyll.

Friday, February 14, 2014

Grand Theft, Sibling Style: 35 Months Since the Disaster at Fukushima Daiichi

My eldest brother is my wisest one.  He also has the kindest heart and the most natural, unpolluted concept of living well and peacefully in community with one another and the Earth that is our gracious home.

I haven't ripped anything off from his blog, American Idyll in what seems like YEARS but is actually months.
Tonight, I'm scratching that itch, I'm cracking my knuckles, I'm gearing down for a casual five-fingered discount of digital thievery.  Ah, but thievery rich with attribution!  Go to American Idyll, browse, travel, dream, and learn - laugh, point, giggle, fall into awed silence the way you once were able to collapse into a bean bag contraption (and get up again).

He's democratic by nature and virtue, and so I'm hoping he won't hitch a ride on Elvis the Crow, leading a bazillion of the pointy-beaked creatures to peck on my head for violations of propriety, property, boundaries.

Not many of the voices raised or calmly modulated to float over the chaotic cacophony of the Fukushima accident and subsequent disasters are being heard.  Who wants to hear that stuff?  Unfortunately, the righteous question remains:  How dare we continue to play at being deaf, and prove our stupidity and arrogance, even if those attributes are the natural afterbirth of fear?  Fear is fueling our history of poor decisions, and our poor decisions are fueling the death power of these ecological man-made radiation disasters.  My brother-unit seems to recommend that we educate ourselves on what happened at the Fukushima nuclear power plant as well as what is happening at nuclear facilities around the world by staying abreast of this news via Energy News.

Hot off the presses at Energy News, by just minutes?

Radioactive cesium levels “never seen before” at Fukushima — New record as totals nearly double in under 24 hours — Officials admit ‘there may be a new leak’ — IAEA urging for ‘resumption’ of dumping contaminated water into ocean; ‘All options’ need to be considered...

The IAEA suggestions, by the way, are being roundly criticized, though I cannot discern, with what little I've read, what viable alternatives are being offered.  Here are, however, some of the reactions to the UN agency's proposals:

AFP, Feb. 13, 2014: Fukushima should eye ‘controlled discharges’ in sea: IAEA — The UN nuclear watchdog on Thursday urged Japan to consider “controlled discharges” into the sea of contaminated water used to cool the crippled reactors at Fukushima. [...] “This would require considering all options, including the possible resumption of controlled discharges to the sea.” [...] local fishermen, neighbouring countries and environmental groups all oppose the idea. [...] The agency also called for a careful assessment of the company’s plan to create a subterranean “freeze wall” to prevent radioactive groundwater from leaking into the ocean — an ongoing problem that has stoked fears about dangers posed to marine life and the food chain. [...]
Shanghai Daily, Feb. 13, 2014: TEPCO is still eyeing dumping toxic water into the Pacific Ocean as it fails to contain in makeshift storage tanks [...] a massive daily influx of water needed to cool the battered reactors, while nuclear experts believe that other methods need to be traversed before contaminating the ocean. Dumping radioactive water into the ocean is of grave concern to local fisheries cooperatives as the potential for radioactive materials to spread to marine life remains a distinct possibility, despite TEPCO’s assurances the levels of radioactivity will be kept well below the government’s and regulator’s limits. [...] Nuclear Regulation Authority (NRA) Chairman Shunichi Tanaka [...] said that even though three years has passed since the reactor meltdowns at the plant, TEPCO is still utterly inept when it comes to taking accurate readings of radioactivity [...] and “lacks a basic understanding of measuring and handling radiation.”
NHK, Feb. 14, 2014: IAEA: Consider discharging contaminated water — [The IAEA] advised [Tepco] to examine all options to treat contaminated water. These include resuming controlled discharges of radioactive water into the sea. [...] [IAEA's Juan Carlos Lentijo says] the situation remains very complex [...] the IAEA team believes it is necessary to find a sustainable solution to the problem of managing contaminated water at the plant. It says that this would require considering all options, including the possible resumption of controlled discharges to the sea.
Xinhua, Feb. 13, 2014: [TEPCO] said Thursday that samples of water tested contained radioactive cesium at levels never seen before by the embattled utility. TEPCO [is] admitting there may be a new leak at the site of a well located just 50 meters from the adjacent Pacific Ocean [...] The utility has failed to locate the source of the leak, in another major failing [...]
Tepco Handout, February 13, 2014: “The highest dose among the results previously announced” — 130,000 Bq/L of Cs-134, 137. Previous record set the day before at 76,000 Bq/L of Cs-134, 137.

I'm proud of my brother's voice joining with other activists' ways of speaking to the world.  But, as sisters do, I think his way of leading us to the information is gentler, and inspired.  (This is the part where I steal his post, all the while reminding you, Dearly Beloved Readers, that TW is its author, the artist who makes these beautiful collages of words, photography [his own], and subtle spell casting.  And maybe, right here, lost in all my verbiage, I can slip in how very much I cherish him, love him, and wish to sooth his brow.)

*************************************************************************


The mysterious manner in which this growing sense of unity commingles with a sense of utter goodness is worth noting. It arises by no effort of mine; rather does it come to me out of I know not where. Harmony appears gradually and flows through my whole being like music. An infinite tenderness takes possession of me, smoothing away the harsh cynicism which a reiterated experience of human ingratitude and human treachery has driven deeply into my temperament. I feel the fundamental benignity of Nature despite the apparent manifestation of ferocity.
Like the sounds of every instrument in an orchestra that is in tune, all things and all people seem to drop into the sweet relationship that subsists within the Great Mother's own heart.
--Paul Brunton
A Hermit in the Himalayas: The Journal of a Lonely Exile
************************************************************************


AMERICAN IDYLL  AMERICAN IDYLL AMERICAN IDYLL   AMERICAN IDYLL


WEDNESDAY, FEBRUARY 12, 2014

A Highway Of Diamonds With Nobody On It






Oh, where have you been, my blue-eyed son?
Oh, where have you been, my darling young one?
I’ve stumbled on the side of twelve misty mountains
I’ve walked and I’ve crawled on six crooked highways
I’ve stepped in the middle of seven sad forests
I’ve been out in front of a dozen dead oceans
I’ve been ten thousand miles in the mouth of a graveyard




And it’s a hard, and it’s a hard, it’s a hard, it’s a hard
And it’s a hard rain’s a-gonna fall


Oh, what did you see, my blue-eyed son?
Oh, what did you see, my darling young one?
I saw a newborn baby with wild wolves all around it
I saw a highway of diamonds with nobody on it
I saw a black branch with blood that kept dripping
I saw a room full of men with their hammers a-bleeding
I saw a white ladder all covered with water



I saw ten thousand talkers whose tongues were all broken
I saw guns and sharp swords in the hands of young children
And it’s a hard, and it’s a hard, it’s a hard, it’s a hard
And it’s a hard rain’s a-gonna fall



And what did you hear, my blue-eyed son?
And what did you hear, my darling young one?
I heard the sound of a thunder, it roared out a warning
Heard the roar of a wave that could drown the whole world
Heard one hundred drummers whose hands were a-blazing
Heard ten thousand whispering and nobody listening


Heard one person starve, I heard many people laughing
Heard the song of a poet who died in the gutter
Heard the sound of a clown who cried in the alley
And it’s a hard, and it’s a hard, it’s a hard, it’s a hard
And it’s a hard rain’s a-gonna fall


Oh, who did you meet, my blue-eyed son?
Who did you meet, my darling young one?
I met a young child beside a dead pony
I met a white man who walked a black dog
I met a young woman whose body was burning
I met a young girl, she gave me a rainbow
I met one man who was wounded in love
I met another man who was wounded with hatred




And it’s a hard, it’s a hard, it’s a hard, it’s a hard
It’s a hard rain’s a-gonna fall


Oh, what’ll you do now, my blue-eyed son?
Oh, what’ll you do now, my darling young one?
I’m a-going back out before the rain starts a-falling
I’ll walk to the depths of the deepest dark forest
Where the people are many and their hands are all empty
Where the pellets of poison are flooding their waters
Where the home in the valley meets the damp dirty prison


Where the executioner’s face is always well hidden
Where hunger is ugly, where souls are forgotten
Where black is the color, where none is the number
And I’ll tell it and think it and speak it and breathe it
And reflect from the mountain so all souls can see it
Then I’ll stand on the ocean until I start sinking
But I’ll know my song well before I start singing
And it’s a hard, it’s a hard, it’s a hard, it’s a hard
It’s a hard rain’s a-gonna fall

Bob DylanA Hard Rain's A-Gonna Fall










IT HAS NOW BEEN 35 MONTHS SINCE THE WRETCHED DISASTER AT FUKUSHIMA DAIICHI OPEN-AIR NUCLEAR POWER PLANT BEGAN.
STAY INFORMED.





Monday, September 30, 2013

Grader Boob: The Small Things That Tip Me Over

Poor Grader Boob, one of my two Brother-Units.  I would say "poor TW," referencing the other Brother-Unit, but he had his turn last week when I actually used one of those things, a phone, I believe they're called, to reach out and touch him.  For other phone phobics, it is worth it, friends, to remember the person on the other end and not the annoying technology in between.

I'm less embarrassed embarrassing myself with Grader Boob, having had so many more years of practice with him, and his unfailing compassion.

What he really thinks of me?  Now, that, I don't particularly want to contemplate.  For I am far from worthy.

Anyway (my favorite segue), I sent the following email to Grader Boob just about an hour ago.  Pretending that I'm posting some random, meaningless correspondence makes copying it here easier.  You may not understand it;  It has nothing to do with my politics, or any other ardent hobby;  It has to do with... my increasingly intimate relationship with the irrational, such that the irrational no longer seems...
 \sqrt{2} .

**********     **********     ***********     **********     **********
o grader boob!

why are the small things the things that tip me over?  hmm?  i was making some kind of point, that even i don't understand, by doing more than i know i can/should do... stemming from a near-fight with fred.  not even an actual fight.  and, to sum it up, it was a situation in which he deserved an "i'm sorry" from me, and i was just sick and tired of apologizing for myself, no matter how deserved the apology.

¿claro?

so i wake up determined to prove how i don't need help with anything.  my only venue for such demonstrations, now, is within the realm of domesticity -- basically, cooking, cleaning.

so i cleaned.  two days ago, i cleaned the house for about 7 hours straight, and paid for it, physically.  and paid for it, psychically, by the near-spat with fred, who did zero, nada, nothing wrong.  it was just the tip to the scale.

it used to be my self-imposed physical therapy schedule, cleaning the whole house every other day, with an alternation worked in for things like laundry and damp-mopping  (+ vacuuming of rugs only) versus vacuuming, alone. i had some sort of rhythm worked out for morning baking and late afternoon dinners.

then it got so i couldn't do it.  at least not on the every other day schedule, and not to the standards that mom would accept. which are my standards (modified because she never had three cats). still, it remains a goal, the work-my-gimp-ass-off-every-other-day CRPS PT plan.  the next days are spent, guilt-free due to the proof of my work ethic, reading and writing, and trying to defeat the pain spike i caused my self to my self.

i took on the back of the house, purposefully, because that is supposed to be fred's domain.  he could give a shit about "clean," whereas i not only give a shit, i have made the elimination of cat hair and cat odor a raison d'être.

so i was mopping cat litter that the lovely felines scatter in the process of doing their doo.  their poo. etcetera. i was mopping the remains of hair balls that he'd only half-assedly cleaned up.  this is the area where we do laundry.  so i track whatever is there into the rest of our (clean) house with the wheels on this goddamned wheelchair.  if i drop a piece of clothing on the floor while transferring from the washer to the dryer, that piece of clothing has become totally nasty.

we have a portable, folding ramp that allows me to descend, in style, from the heights of culinary creations to the attached bowels of litter boxes and washers and dryers, and fred's collection of tools, dyes, and assorted ADHD paraphernalia. i moved that sucker, mopped underneath, moved it back.  in the process, injury number one:  removal of skin over the second toe on the right foot, the same wound i have been trying to heal since... january of 2012.  incurred during the fall in the bathroom and worsened by the crawling on the floor to try and reach the wheelchair.  failure, called 911, ended up in ICU shortly thereafter.  that damned toe is a daily reminder of the hell of being eventually consigned to the "acute care" transitional facility in february.  a personal hell, because i won't tell anyone all of what happened there.  no one listens, no one hears, because no one can.

then i decided to cool it, and just vacuum the rest of the house.  i made it to the end, had just decided to watch some deadwood (your wonderful gift).

i dropped the box of DVDs and it hit to the right of my right shin bone.  the skin and schtuff is so fragile, it made a sort of Vee.  a very deep Vee.

so fred and i made up while sopping up the blood and bandaging.  making up means we had something neutral to talk about, we had care to take, one of the other.  and then, there was the news playing on the telly -- the right wing wackos shutting down the government and imperiling my much needed obamacare -- more good mutual conversation.

the slicing and dicing of my right leg as i sought to clean my house in retribution for a non-event has left me... desolate.  the pain is ridiculous, thanks to CRPS.  the cut is deep; we argued over the need for stitches.  i won the argument with this:  the skin is too fragile to even hold a stitch.

the pain, of course, is not centered where the slice diced, but on the sole of my right foot and deep in my right hip.

none of this did you need to know.

but i have no one to talk to.

and you know enough to shrug, and proffer an "oy" to the sky, with the proper rolling of the eyes.

oh yeah -- i got oral thrush from the amoxicillen they put me on last week for bronchitis.  the fluconazole to treat that is doing wonders.

this isn't even self-pity.  or a rant.  this is what is, and that's what sucks.

putting on my happy face, because fred has made pizza pie.  pizza pie is fred's answer to all of life's problems.

i love you so much.





© 2013 L. Ryan

Tuesday, April 30, 2013

happy b'day, o brother o'mine!






"Standing on the moon with nothing left to do. Lovely view of heaven, but I'd rather be with you." 








"When I had no wings to fly, you flew to me..."







i love you, tw.
and fred does, too.

plus, the menagerie thinks you're pretty damn cool... 


(what with your catnip patch and all...)

Friday, April 26, 2013

FOLLOW -- Richie Havens (Jerry Merrick)


hat tip and a kiss on the nose to TW for this discovery.  it moved me to tears.  granted, i was close to tears anyway... TW, "family"? there is some genetic defect, i am sure of it. smooches galore to you, wise man.



Follow-Richie Havens from Scott Wright on Vimeo.


Follow
Words by Jerry Merrick

Let the river rock you like a cradle
Climb to the treetops, child, if you’re able
Let your hands tie a knot across the table.
Come and touch the things you cannot feel.
And close your fingertips and fly where I can’t hold you
Let the sun-rain fall and let the dewy clouds enfold you
And maybe you can sing to me the words I just told you,
If all the things you feel ain’t what they seem.
And don’t mind me 'cos I ain't nothin' but a dream.

The mocking bird sings each different song
Each song has wings - they won’t stay long.
Do those who hear think he's doing wrong?
While the church bell tolls its one-note song
And the school bell is tinkling to the throng.
Come here where your ears cannot hear.
And close your eyes, child, and listen to what I’ll tell you
Follow in the darkest night the sounds that may impel you
And the song that I am singing may disturb or serve to quell you
If all the sounds you hear ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The rising smell of fresh-cut grass,
Smothered cities choke and yell with fuming gas;
I hold some grapes up to the sun
And their flavour breaks upon my tongue.
With eager tongues we taste our strife
And fill our lungs with seas of life.
Come taste and smell the waters of our time.
And close your lips, child, so softly I might kiss you,
Let your flower perfume out and let the winds caress you.
As I walk on through the garden, I am hoping I don’t miss you
If all the things you taste ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The sun and moon both are right,
And we’ll see them soon through days of night
But now silver leaves on mirrors bring delight.
And the colours of your eyes are fiery bright,
While darkness blinds the skies with all its light.
Come see where your eyes cannot see.
And close your eyes, child, and look at what I’ll show you;
Let your mind go reeling out and let the breezes blow you,
Then maybe, when we meet, suddenly I will know you.
If all the things you see ain't what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream .
And you can follow; And you can follow; follow…

Saturday, April 13, 2013

Farewell, Farewell -- Mary Black






Farewell, farewell to you who would hear
You lonely travellers all
The cold north wind will blow again
The winding road does call

And will you never return to see
Your bruised and beaten sons?
"Oh, I would, I would, if welcome I were
For they loathe me, every one"

And will you never cut the cloth
Or drink the light to be?
And can you never swear a year
To any one of we?

"No, I will never cut the cloth
Or drink the light to be
But I'll swear a year to one who lies
Asleep along side of me"

Farewell, farewell to you who would hear
You lonely travellers all
The cold north wind will blow again
The winding road does call



shrike556 flickr

The melody of "Farewell, Farewell" comes from the traditional folk song "Willie O'Winsbury". Richard Thompson wrote new words for it and recorded it as "Farewell, Farewell" on the Fairport Convention album "Liege and Lief" with vocals by Sandy Denny.

Tuesday, January 22, 2013

REPOST: in a moment

Odd.  I have many things to write about, several amazing articles and speeches (the articles new, the speeches old, but new to me) to go on about and reprint.  There have been some funny developments in the Walmart Pharmacy saga (O, they are so screwèd!) and I spent the day with medical types, so you know I have an overloaded brain.

And yet, I saw that several readers had called up this post, originally published on 28 June 2011, when I was in the midst of my last shot at a CRPS "cure," via subanesthetic ketamine infusions.  It was a hard time, confusing, rushed, painful -- and then there are all the things such a chemical does to the brain and mind.

From that came this, which, frankly, has left me weepy.  I don't remember writing it.

So, Dear Readers, I give you -- again -- "in a moment"":

***************************************************************


There is an assisted living facility that we drive by frequently, a very neat and pleasant looking place, in front of which is a sign announcing a "special neighborhood for the memory impaired."

I figure Fred and La Bonne et Belle Bianca will push me out of a slow-moving Ruby, the Honda CR-V, with however much cash might be necessary to buy into that special neighborhood pinned to my lapel.  Fred will have written my name in my clothing with a Sharpie Rub-a-Dub® Laundry Marker.  For her part, Bianca will make sure I've several kilos of beluga caviar, carefully wrapped in my garment-dyed organic cotton tees. Oddly, her enormous cache of the stuff predates the September 30, 2005 importation ban from the Caspian Sea, and the October 2005 ban of the sturgeon roe from the Black Sea basin.

Anyway, they love me each in their own way.  Fred will make sure I've the comfort of my own clean clothes, something familiar when my mind wanders. The Castafiore?  Fish eggs.  *Old* fish eggs.

Bless their bones, I've plum worn them out.  Our lives together were supposed to only nominally be about really, actually, taking care of one another.  It wasn't supposed to be like this.

Anyway (my fallback segue) --

Technically, Ketamine leaves the body very quickly. My point being that I was told there are no lingering effects from the infusions in "normal" people.  Never mind that researchers give subanesthetic doses to elicit symptoms of schizophrenia, to mimic mental illness -- handy, I guess, on that day when we run out of actual schizophrenics amenable to study. 

I know, courtesy of doctors, nurses, and choice literature, that the psychosis and cognitive dysfunction that I simultaneously experienced, explored, and was terrified by, resulted from that one drug running through my veins.  I know that all deleterious effects officially ceased within minutes of stopping the drip -- despite the experiential evidence of dizziness, nausea, confusion, fatigue, and visual disturbances that linger and recur. Despite, despite, despite...

Still -- here I am, five days out from the last high dose treatment, downright obliterated, my sluggish, sloshing brain wrapped in the cotton candy fuzz of Ketamine's metabolites.  Except that that cannot be.

It's hard.  I'm looking and hoping for positive results from this recent approximation of Dr. Schwartzman's Ketamine protocol in the treatment of CRPS (as communicated by Dr. Schwartzman in an email, as delineated in published papers).  I am trying to be objective though that's a much tougher thing to approximate. 

On the up side?  My overall level of inflammation, and its attendant discomfort, is much lower than it was two weeks ago.  My feet and lower legs are less swollen, as are my joints in general.  Whether or not that's at all attributable to the Ketamine infusions, I don't know.  I was overdue a break in the cycle of what I call Red and Blue phases of CRPS, having been in the Red phase for a good while, and tired of it.  People kept enlightening me with helpful alerts like "Wow! The heat is just pouring off of your body." 

So now my feet and lower legs are blue, considerably smaller, and scary cold.  I've entertained giving socks another chance but then couldn't tolerate the weight of a sheet, and so end up slapping the nearest cat and joshing, "Golly Gee!"

I am working on a suitable chortle.

The pain is just as bothersome, though different.  Blue phase CRPS pain, for me, is an unrelenting burn that makes me, if possible, even more wary than usual of the touch of... *anything*.  I start doing all the weird things CRPS patients do -- going to ridiculous lengths to avoid the touch of ridiculous things.  Cringing and crying out just at the sight of one cat chasing another through the room.  Folding the edges of clothing, carefully arranging covers and quilts.  Making the constellation of pillows a task requiring advanced degrees.

Blue phase CRPS -- and again, this is my terminology, and not a generally accepted notion -- is fuelled by fear, heightened anticipation.  Much too much thinking and worrying, with fits of frustration that often involve throwing phones, remote controls, paperbacks, and a slew of assistive devices (like handy-dandy "grabbers"), because inanimate objects migrate, on purpose, threatening to bump hands, arms, feet, and legs.  One day, I will try to explain the peculiar, building, and sinister sensation of *potential* touch.

I can write about This Schtuff here, even as I am actively trying to deceive my Manor Denizens and Mavens.  The first wave of my effort involves biting my tongue instead of using it to mold the shape of my screams.

Yes, I have stopped screaming.  In the same vein that, yes, I have no bananas.*

It wasn't such a huge leap from that to a general shutting up, after all these weeks of methadone and percocet withdrawal, and the attendant chatter:spaz:chatter::scream::scream::chatter:spaz:chatter.

Having been the cause and nexus of so much worry and effort around Marlinspike Hall, I dedicate myself now to the cultivation of a very false front.


The cheshire cat in Lewis Carroll's Alice in Wonderland
drawn by John Tenniel (1820-1914) in the 1866 edition.

The Crooked Grimace becomes the Modest Smile that morphs into a Cheshire Grin.

(And why not invoke Lewis Carroll as one of the Authors of My Being? **)

The Cheshire Cat and the enormity of his grin, companion piece to the Mona Lisa's pursed and lippy near smirk: They aren't exactly lies, more like essential commentary, a reminder that little is as it seems, and if you don't want too much pain, it helps to revel in these snivels of diversion and repression.

[I tried to rewrite that last bit but feel honor-bound to leave it.  It may be that only such a tight sentence will be the key to my exit from the Special Neighborhood for the Memory Impaired...]

Wikipedia notes that "A classical dictionary of the vulgar tongue by Francis Grose (The Second Edition, Corrected and Enlarged, London 1788) contains the following entry: 'CHESHIRE CAT. He grins like a Cheshire cat; said of any one who shows his teeth and gums in laughing.'"

That'd be me. Toothy. Like my long dead grandmother's fierce and false good cheer, though, my laughter seems more a cackle now, mirth so unfunny

I enjoy Wikipedia entries that ache for supporting citations. Next to making scads of money by writing back-of-book blurbs and wine label spots, I'd love a life of writing detailed and mostly true Wikipedia entries just squirrelly enough to want a footnote or three.

Remember: The threshold for inclusion in Wikipedia is verifiability, not truth.

The only thing I enjoyed about my Ketamine hallucinations were snapshots of interwoven longterm memories, no matter how illogical their relationship with whatever visual or auditory wormhole encased the whole affair.  Memory was the touchstone of sanity.

It was also much more pleasant to dive into deep still waters -- a very pretty blue -- than to lie there struggling to remember my middle name and the city, my last address, the date.

Last Thursday morning, down in Cubicle 2, my brain held a slide show, complete with the clicking noises during view swaps, complete with the electrical whir of an old-fashioned projector's vibrating motor and fan. 

How my brothers each came to be such excellent photographers is something of a mystery.  In the years they spent together, and those years were, sadly, not many, there weren't many occasions for shutterbugging, and certainly the evidence from those years is kind of pitiful.  Overexposed.  Underexposed. 

I remember TW shadowing some polo-shirted man with a pot belly, which must have been the summer he spent working as a caddy at the country club.  It wasn't even our country club, as it wasn't our country. Also, TW'd rather die than acquiesce to the foundational notions of the intensely racist area of the world in which we were temporarily housed. We had been foisted upon our grandparents for the summer, at the end of which we three were to fly a few thousand miles to unite with an add-water-and-stir new family.

Brother Tumbleweed made money hand-over-fist, I remember some grown-up clucking.  I don't know TW well, never did, but I doubt he's ever been the least bit subservient, so I assume he really needed the bucks.  I think he saw himself as the sardonic twist in an anachronism, a modern white slave boy ripping off the institution, sticking it to The Man.

Anyway, he's standing slightly behind and to the left of the white polo-shirted pot-bellied man, his head at a jaunty angle and what had to be a very funny joke floating in the vapor before his pursed lips.  It would make sense that he'd have on a hat, but he didn't.  I love his hair because I have his hair.  Curly, a mind of its own.  People were always chopping off my hair so as to make it, and me, behave.  My father used a ruler to measure his sons' efforts at sideburns and the distance between a hair's end and a collar's beginning.

I spent that summer obsessed with a bird -- a baby Blue Jay pushed from a high nest by its mother but lucky enough to land on a soft bed of pine straw in the yard of a beloved neighbor, Dr. Ramsey, who promptly brought scrawny thing to me.  That was my I-wanna-be-a-vet summer.  My grandfather and I nursed him, taught him to fly, and just generally made up rules for the bringing up of an Honest Bird.  He went out during the day, played games with us, followed us around the garden and the woods, and then would come inside the house at night, when called. 

For the life of me, though, I cannot remember where in the house he slept.  (One of my favorite mental exercises is to trace the layout of every house I've ever lived in, sometimes even stretching the parameters to include any house I've ever visited.  I find this richly relaxing, enlivening.  It is my version of one of the Pythagorean Brotherhood's disciplines of memory.  That's what I like to believe, so if you've another suspicion, keep it to yourself, please.  No matter your opinion of the calisthenic, you can see, can't you, how not being able to place this bird within the architecture of that summer's night time is a barbed and sticking point, a cause for anxiety?)

You'd think my jay bird would have been a prime target for homegrown photography, but I only have one picture of him, and it was taken by a features photographer from the local paper.  Word got out about our charming boy when he decided to go to church with us one Sunday, rapping with his beak on the sanctuary door, and creating a hell of a racket.  He pitched a juvenile fit in the presence of those investigative journalists, the Maharidge and Williamson of that region and day, then flew up into the highest branches of the dogwood by the back porch door, and refused to come down.  Actually, he put himself in a pickle, because he didn't quite know *how* to get down, by gradation, branch to branch.  At that point it was still pretty much an all-or-nothing affair when it came to flight.

What we all liked most about Squawky (What can I say?  I was a kid.  The next bird I "rescued"?  I dubbed him Potty Pigeon and stuck him in a shoebox.) -- What endeared Squawky to those of us hanging out on Coffee Road that long hot summer of fly balls and mortgage-buster tomato sandwiches was his dedication to driving my grandmother crazy. 

Grandaddy and I were relieved when Squawky grew out of needing our unique mixture of baby bird formula.  It involved collecting the finest and freshest of morning's beetles and worms, local produce, though probably not completely organic.  I also gathered some (bedewed) berries, swiped some generic birdseed, added a dropper or two of some smelly liquid vitamins, and carefully mashed and ground that yummy goodness in a small white porcelain mortar and pestle that was meant to lend the goo an air of maternal predigestion -- again, all under the tutelage of my sweet pharmacist of a grandpa.  We'd hydrate it a bit so that a Kimax pipette could be put to use to plug up the gaping, griping maw at the center of the then very ugly bald and squawking creature.

Grandmother -- we called her Nana -- kept a clean house.  Our culinary efforts on  behalf of the baby bird about sent her around the bend, but she soon learned that our fine raw cuisine was infinitely preferable to the bird's own feeding habits, once he was over the formula stage.  Squawky loved to snack, it turned out, and didn't trust his humans to collect or store the juiciest of tidbits.  In anticipation of late night munchies, he snuck contraband into the house during those stupefyingly hot afternoons when all we thought he wanted was a bit of shade, and company.  He was a clever little cuss.

Nana's "living room" was more a salon.  It was uncomfortable and full of ridiculous fine furniture, and we were all obliged to sit in it for some prescribed period of time in the evening -- after dinner, after the washing-up of dishes, after ice cream on the dark porch, but before baths and other ablutions, and defionitely before bedtime books.  She was in her element at night, was Nana.  The woman could author and promote all kinds of conspiracy theories as she hustled from bathroom to bathroom, bedside to bedside, as she washed and you dried, as she propelled herself like a wild locomotive even into a child's fledgling sense of privacy.  She'd press folded, sweaty dollars into your palm, her face turned in the opposite direction, the better to disguise the Love Bribe.  She out-Cassandra-ed Cassandra -- condemned to see and know the future, and to be believed, even, but never in an actionable way, never in a way that told her we cared about her information, her future.  Doors you swore you'd locked flew open, and she'd give fierce directives about the disposition of her jewelry after her demise as she scrubbed your already clean back with a stiff brush of boar bristles.

It's from that tiny woman that came my many phobias centered around sleep and whispering -- two things that ought to signify intimacy and privacy.  If you need to witness abject terror, just allow me to fall into a safe, comfortable, deep sleep (*those* were the days!), then whisper my name. 

After which, you'll need to scrape me off of the ceiling.

Anyway, despite various family strategies for defusing the Nana Factor, it took a bird to take her down. I'm not sure how he did it, because I kept a very watchful eye, as well as a pocket full of paper towels to scoop up any juicy bugs or offerings of bird poop. 

Squawky hid bugs -- big ass bugs, we're talking -- precisely where finding a bug would drive Nana insane.  In her austere antique-y salon, under needlepointed pillows and oval doilies, in jugs, midst dried and powdery gray-green eucalyptus. [You've no idea  how much I want -- have, indeed, long wanted -- to reference antimacassars as well as doilies, but no one in that house ever rested the back of their heads on anything but monogramed pillowcases atop improbably tall and postered bedsteads.  In this modest country home, she maintained both clichéd and uniquely weird citations of chinoiserie -- that is, chinoiserie twice-removed -- in her faux Persian rugs, scattered black lacquer pieces, chinese-esque vases with young crackled glazes, but mounted on carved ebony pedestals that had the ring of truth.

Nana had an impressive assortment of cloisonné that lacked the space necessary to its appreciation. I remember thinking that I'd have had a leg up in my career if only she had dabbled in an orientalism both better and spread out over another 1,000 square feet.

Maybe it was the decor, the tiny insects and flowers, the small birds, like oversized bees, fairly buzzing in that cramped overheated room -- something made it the perfect place for a teenaged Blue Jay to strategically stash the kind of munchies that only a teenaged Blue Jay would stash -- avian Twinkies and nachos, topped with slightly smooshed malted milk balls.

Brother Unit Grader Boob didn't take pictures of people very often.  His best works, in my opinion, were vertiginous close-ups of leaves, tree trunks, new wood invading old.  There always seemed to be a swirl, and a question.  I know he recently took his camera up to Morehead City, to Atlantic Beach, to that pier I walked and stalked as a teenager, from where I made my first phone call as an honest-to-God Sovereign Person to my mother, just returned to the States.  It was a hangup.  Meaning, I hung up, my heart in my throat, a man with a bucket of bait slinking past, stinking.

But GB has taken remarkable portraits, nonetheless, particularly of the aforementioned Grandparental Units.

A good ten or fifteen years after that summer of our billetting, he showed up at their door at the end of a casual 500 mile bike ride, the last bit of it ascending the Blue Ridge Mountains, and his hair long, sporting cycling gear that made him even more foreign and therefore undesireable looking.  Of course, they didn't know who he was -- Grandaddy being quite blind from glaucoma by then, and Nana caught up in visions of rampaging hippies.  Good sports, though, they allowed my brother and his gang of bicycling friends to hang around for a few days.

They had the best water in the world there, from their well. 

Sometime the following day, when the place must have been looking like a freaking commune, what with those ne'er do well college students wandering around in a tomato sandwich haze, GBoob snapped a few frames of Grandaddy sitting atop the well cap, timing the pump.  He used a telephoto lens, taking the shots from right where the woods get deep.

Grandaddy lived in "gardening clothes," a uniform of khakis and long-sleeved cotton shirts, the whole topped by his old pith helmit.  He had a thin, austere face.  Patrician.  My memories of him are of a gentle man who was not particularly effusive, but who was essentially good-natured.  That is to say, you weren't going to get him to pose with a plastic smile at the ready.

So it is quite the coup, the smile that my brother caught.  He is lanky, even seated, elbows on his knees, one arm clasping the inside of the other.  He holds his face to the sun, relaxed, smells the growing vegetables, thinks, maybe, of his many bird houses or maybe how he's going to mow a few acres of grass later on, blind as a bat, and smiling like a fool. 

I look to a copy of that iconic photo whenever I ponder the accusations of my aunt, an honest and enlightened person, who tells of him beating her mercilessly, dragging her out from under one of those high postered bedsteads where she had hoped to hide.  "Grandaddy?" I ask.  He persists with that peaceful, laconic smile, counting, I suppose, "one one thousand, two one thousand, three one thousand," waiting for the well pump to kick in.

All of that was there last Thursday morning, though some of it was a hold-over from Wednesday afternoon. 

There was a photo of Grader Boob that served as some kind of place card in the sequence of tripping images.  He played a lot of baseball that summer.  He was pitcher, and so his team photo has him looking sharp in pinstripes, rearing back, getting ready for the wind-up and kick, just as soon as he sneaks a peak at the runner on first. 

You've got to keep those runners honest.

Well, that's all I can remember, and more than I want to know.  Sleep well, don't forget to turn your brain down before you go to sleep...

**** **** **** **** **** **** **** **** **** **** **** ****
**** **** **** **** **** **** **** **** **** **** **** ****

* Yes, We Have No Bananas!
[Folk Song written by: Frank Silver and Irving Cohn (1923)]

There's a fruit store on our street
It's run by a Greek.
And he keeps good things to eat
But you should hear him speak!


When you ask him anything, he never answers "no".
He just "yes"es you to death,
And as he takes your dough, he tells you...


"Yes! We have no bananas
We have no bananas today!!
We have string beans and onions, cabBAges and scallions
And all kinds of fruit and say
We have an old fashioned toMAHto
A Long Island poTAHto, but


Yes! We have no bananas
We have no bananas today!"


Business got so good for him that he wrote home today,
"Send me Pete and Nick and Jim; I need help right away."
When he got them in the store, there was fun, you bet.
Someone asked for "sparrow grass"
and then the whole quartet
All answered:


"Yes, we have no bananas
We have-a no bananas today.
Just try those coconuts
Those wall-nuts and doughnuts
There ain't many nuts like they.
We'll sell you two kinds of red herring,
Dark brown, and ball-bearing.
But yes, we have no bananas
We have no bananas today."



**I read some of Lewis Carroll's Sylvie and Bruno late this afternoon.  Time was on my mind -- how very mutable it is, and how,  if it flows like a river, it's no river of my knowing.  You know, the basics, what almost any drug-based trip will teach us!

Walking along in the "real world" of Chapter 22, The Earl tells The Narrator (The narcoleptic "Historian"):

"I have yet another theory for adding to the
enjoyment of Life--that is, if I have not exhausted your patience?
I'm afraid you find me a very garrulous old man."


"No indeed!" I exclaimed earnestly. And indeed I felt as if one could
not easily tire of the sweet sadness of that gentle voice.


"It is, that we should learn to take our pleasures quickly, and our
pains slowly."


"But why? I should have put it the other way, myself."


"By taking artificial pain--which can be as trivial as you
please--slowly, the result is that, when real pain comes, however
severe, all you need do is to let it go at its ordinary pace, and it's
over in a moment!"


"Very true," I said, "but how about the pleasure?"


"Why, by taking it quick, you can get so much more into life. It takes
you three hours and a half to hear and enjoy an opera. Suppose I can
take it in, and enjoy it, in half-an-hour. Why, I can enjoy seven
operas, while you are listening; to one!"


"Always supposing you have an orchestra capable of playing them,"
I said. "And that orchestra has yet to be found!"


The old man smiled. "I have heard an 'air played," he said, "and by no
means a short one--played right through, variations and all, in three
seconds!"


"When? And how?" I asked eagerly, with a half-notion that I was
dreaming again.


"It was done by a little musical-box," he quietly replied.
"After it had been wound up, the regulator, or something, broke,
and it ran down, as I said, in about three seconds.
But it must have played all the notes, you know!"


"Did you enjoy it? I asked, with all the severity of a cross-examining
barrister.


"No, I didn't!" he candidly confessed. "But then, you know, I hadn't
been trained to that kind of music!"

This I add in the spirit of "for what it is worth."