Tuesday, August 26, 2014

REPOST: The Convention Made Me Do It

photo courtesy of Business Insider


Apparently, just about two years ago today, I published this post as my "end of hiatus" triumphant return to blogging.  Well, "yay" for that.  
But what's disturbing is that, looking about at the discussions going on today, the "dialogue" on race hasn't progressed.  As in: at all.
Yet we continue to feign surprise and haven't let up the speed in which we produce these precious, precious "teachable moments."

photo: Christian Science Monitor




***********************************************

The hiatus is officially ended.

The spell, somehow, broke around 10 pm last evening, during a ventriloquist failure at the Republican Convention, as a broken and weird-haired Clint Eastwood opened network coverage of the circus, basically introducing former Governor Mitt Romney with a routine that I'd bet a bazillion dollars wasn't... vetted.

So much of our troubles are due to this vetting obsession, so much of the loss of our fun.  What should have been the guiding light of my life is this seussian bit of wisdom:  “If you never did you should. These things are fun and fun is good.”

And then there is the iconic Seuss, meant for my gravestone:  “Being crazy isn't enough.” 

Back to vetting, the idea that we can know it all by what all we can dig up in the peaty dirt, the dirt old enough to get peaty rich, that old, old dirt.  Like an imaginary President Obama perched on what looked to me to be an insultingly uncomfortable folding chair, mouthing off at Clint with a big old "Go fuck yourself." 


Presumably, Obama was pretty lit, having had to be forcibly removed from Boehner's bar.


Yes, I suspected that the Republican Convention would end my blogging hiatus.


The balance, the scale, isn't just the symbol of justice, blind.  Balance and scale are needed to make it safely head-to-pillow each and every day -- provided head-to-pillow denotes, for you, day's end.  What people consistently fail to point out is the grin on Lady Justice's pocked and bruised face.  And she's not *blind*, people, she's blind-folded.  Big difference.  I think she peeks.  And I think she joneses for Seuss as much as I do.



She-Hulk #1


“I know, up on top you are seeing great sights, but down here at the bottom we, too, should have rights.” 

― Dr. Seuss, Yertle the Turtle and Gertrude McFuzz

“The words in this book are all phooey. When you say them, your lips will make slips and back flips and your tongue may end up in Saint Looey!” 
― Dr. Seuss

In addition to vetting, I propose ciphering, or coded words, as enemies to my political fun, at least. I would like "Chicago" to reference a city in Illinois and not become the millionth Other Word to mean "a gathering of people of color," "black," or "African American."  What was so wrong with "urban"?

The day has come, O Jehovah, in which I quote with approbation the inimitable Michelle Malkin, from her half-assed researched and cent pour cent aware articlette, entitled "The Condensed Liberal Handbook Of Racial Code Words."  Oh, and it was published in the... Patriot Post.  Quick!  If you are a J. K. Rowling fan, eat chocolate!  If not, if you're the lazy sort:  "You take the blue pill - the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill - you stay in Wonderland and I show you how deep the rabbit-hole goes." 

As Malkin slipslides her way down, she writes this graffito in the slime accumulated on her ill-kept rodent burrow, and it *is* a good one:



--Kitchen cabinet. Radio talk-show host Mark Thompson jumped on Romney for using this phrase -- coined to describe Andrew Jackson's administration in the 1800s -- at the NAACP convention in July. Romney was referring to a close member of his staff during his tenure as Massachusetts governor. 
"To talk about being in the kitchen and not talk about an African-American actually being in your cabinet is really not a good metaphor to use with African-Americans," Thompson blasted. Is it racist to ask: Huh?



I'm so fully aware of racist speech and racist code words in political speech, in particular, that I've developed linguistic bulimia, polysemic purging.  As Lee Atwater, Malkin's godfather put it:

You start out in 1954 by saying, "Nigger, nigger, nigger." By 1968, you can't say "nigger" — that hurts you. Backfires. So you say stuff like forced busing, states' rights and all that stuff. You're getting so abstract now [that] you're talking about cutting taxes, and all these things you're talking about are totally economic things and a byproduct of them is [that] blacks get hurt worse than whites. And subconsciously maybe that is part of it. I'm not saying that. But I'm saying that if it is getting that abstract, and that coded, that we are doing away with the racial problem one way or the other. You follow me — because obviously sitting around saying, "We want to cut this," is much more abstract than even the busing thing, and a hell of a lot more abstract than "Nigger, nigger."[9][10]
You all know that I am an expert in everything, being something of a specialist in 16th century French Literature, although, through circumstances completely out of my control, I ended up writing a thesis concentrated on the eighteenth -- which explains my real and actual fascination with the relationship between word and image, the whole ut pictura poesis thang.  If you're with me, then you'll understand that simply seeing a fleeting image of Jan Brewer is cathartic for someone with my predilections.  She simply makes me spew -- and go into a five-minute routine of poking people with a witchy index finger.

Thank goodness there are not too many occasions for using that old chestnut of a phrase, "blah people." 


"We're not going to let our campaign be dictated by fact-checkers." asserted Neil Newhouse.
Now, there you go!  It's not exactly MY take on the Good Seussian Life, but I can stomach such an open-armed hug to fun... I mean, it's not quite ipecac, and that's progress.  So thank you, Neil Newhouse!  I'm laughing and so far, lunch is staying down.

The lower you go, reading-wise, down, down, where the hard work, the hard digging is done, the more ano-friendly the texts.  There are no codes in use.  The First Lady is called a "fat black cow."  This same author pondered summore and came up with:  "id like to take obamas big fat black lips and make them kiss his own buttox." 

One of my favorite writers on the interwebs is a frequent tweeter of Our President and his First Family, excitedly anticipating their love of a spicy African soup, and frequently deciding that Michelle Obama must be pregnant.  She's a fan of those who are fans of her, and so I pray and frequently beg my friend, The President, to send her a letter full of praise of some of her original ideas -- you know, how sex is solely intended for those intending procreation, and acknowledging the incredible guilt of newborns, in general, and in specifics -- from unemployment to shady welfare suck-ups.


I HAD to come out of sabbatical.  The world was going to Hell and being led there by people blaming climate change on Hell itself.


Captain Haddock may, however, need to extend my FMLA job-protected and unpaid loafing, that invitation to sloth so obligingly enacted by that impeached bum Bill Clinton, who stole it from the blessed founding father of the free lands west of the Lone Alp, now known as the Tête de Hergé.

"You can only take so much Colonel Angus..."

I've no excuse except a resurgence of my natural depravity.

Nothing to see here, move along...





Colonel Angus

Written by: Tina Fey

Melinda.....Amy Poehler
Daddy.....Chris Parnell
Miss Anabelle.....Rachel Dratch
Farm Boy.....Jeff Richards
Bedelia.....Maya Rudolph
Colonel Angus.....Christopher Walken


[ open on exterior, Civil War-era plantation home, as members of a Southern family sit on the porch and reflect. A banner above the eaves reads: "Welcome Home, Colonel Angus!" ]

Melinda: [ sitting on the steps ] When's he gonna get here, Mama?

Miss Anabelle: [ setting on her rocker ] Anytime now, child.. be patient.

Melinda: Is he very handsome?

Miss Anabelle: [ chuckles ] He's been away at war so long, I don't rightly remember.

Melinda: Mama! Look! There's a carriage on the horizon!

Miss Anabelle: Oh? [ looking about ] Well, where, dear child?

Melinda: There! [ points ] Traveling down the road! Darting in and out of the cotton!

Miss Anabelle: Oh.. oh! Well, that must be the Colonel! Colonel Angus!

Melinda: [ excited ] Could it really be, Mama? Could it really be Colonel Angus?

Miss Anabelle: ..I don't know, uh.. We haven't seen Colonel Angus around these parts for years..

[ Daddy steps onto the porch, from inside the plantation ]

Daddy: Are you ladies out here talking about Colonel Angus?

Melinda: Yes, Daddy! I can't wait to meet him!

Daddy: Oh, watch out, Melinda! Once a woman is introduced to Colonel Angus, she'll settle for nothing less.

Melinda: Daddy, they say all the womenfolk just love Colonel Angus!

Daddy: Hmm.. I don't know why people make such a big fuss over Colonel Angus!

Miss Anabelle: I myself never much cared for Colonel Angus! He rubs me the wrong way. I'm not sure why.. can't put my finger on it..

Daddy: Colonel Angus is an acquired taste! Bedelia!

[ Bedelia, the maid, comes running onto the porch ]

Bedelia: Yes, Sir?

Miss Anabelle: Break out some fresh linens, Bedilia! We're gonna have Colonel Angus here tonight!

Bedelia: Colonel Angus? I don't know nothin' about no Colonel Angus!

Daddy: Well, get ready, Bedelia. If I remember correctly, Colonel Angus can be very messy!

[ at last, Colonel Angus steps onto the porch ]

Daddy: As I live and breath! Colonel Angus!

Miss Anabelle: Oh, Colonel Angus! You old Carpetbagger!

Colonel Angus: Anabelle! I fear my visit.. is an inconvenience.

Miss Anabelle: [ laughing ] Nonsense, Colonel Angus! We're always happy to see your shiny face!

Daddy: Colonel Angus! What brings you to these parts?

Colonel Angus: I'm headed.. down South!

Daddy: Hmm. Of course!

Miss Anabelle: Uh.. how far south are you headed, Colonel Angus?

Colonel Angus: T'ain't really sure. I prefer the Deep South.. I like the heat.. the humidity..

Daddy: Hmmm.. sir, I do not!

Colonel Angus: [ ] And who is this.. little rosebud?

Daddy: This is our daughter, Melinda.

Melinda: Colonel Angus. The pleasure is all mine. I've heard so much about you.

Colonel Angus: Well, my dear.. don't believe everything you hear.. about ol' Colonel Angus. Colonel Angus might be rough.. Colonel Angus might not smell like a bed of roses.. but, deep down.. Colonel Angus is very sweet.

Miss Anabelle: Well, we hope you'll spend the night with us.

Colonel Angus: Well, thank you, Miss Anabelle. And if I overstay my welcome.. just tap me on the head.

Melinda: I always dreamnt of the day.. Colonel Angus would rest his head at Shady Thicket. I always begged my Daddy: "Tell me stories about you and Colonel Angus!" But he never will.

Daddy: [ chuckling ] Well, that's because all of my experiences with Colonel Angus end in embarrassment!

[ they all share a hearty laugh ]

Daddy: Colonel Angus.. I hear rumors.

Colonel Angus: [ sighs ] The incident.. at Big Beaver..

Daddy: Yes?

Colonel Angus: It's true, I'm afraid.. ten men were lost.. and I suffered a great injury.. to my jaw.

Daddy: Is it true you've been stripped of your rank?

Colonel Angus: Yes! It is. There'll be no more "Colonel Angus", ladies. Call me by my given name.

Miss Anabelle: Oh, Anal..

Melinda: I so love the sound of "Colonel Angus".. but I guess I could give Anal Angus a try.

Colonel Angus: [ to a passing farm boy ] You there, Boy! ride into town and tell the Postmaster.. that if anyone is looking for Anal Angus.. to come knockin' at the rear entrance.. of Shady Thicket.

Farm Boy: Euuuggghhh..

Colonel Angus: If you'll excuse me.. I'd like to freshen up.

[ Colonel Angus turns, and enters the plantation home ]

Miss Anabelle: Of course! We'll call you when it's time to eat, Anal! Bedelia lays out quite a spread.

Melinda: Well, I think Colonel Angus is delightful!

Daddy & Miss Anabelle: Hmmm....

Miss Anabelle: You won't.. after forty-five minutes.

Daddy: No-o-o.. you can only take so much of Colonel Angus.

[ fade ]


Sunday, August 24, 2014

"he was no cream puff..."



good night, sweet readers.  just finished the perpetual recharging, have my enduring mp3 player all queued up for the first 90-minutes of night -- and this is my first "scrambled" song offering.  a favorite for all the dehydrated out there...

the break-out (with panache)

good sunday evening, my dearest, darling readers.

i just organized one of the slickest, coolest ev-er hospital escapes, ev-er (worth repeating the annoying ev-er] -- and i am world-famous for my slick and cool hospital departures.

i simply played my FAMILY card, whilst weeping from the glaucoma drops placed stealthily in mine eyeballs.  my world-class, one-of-a-kind, uber-compassionate professor of a brother has been stricken with the universally unjust plague of c-word curses, metastatic renal cell carcinoma, and i must be by his brave side, pronto!  that was my first missile volley aimed at the almost english-speaking hospitalist in charge of deciding whether i could be discharged or not.  as she did not immediately begin writing discharge orders, i loaded volley number two:  my blessèd 86 year-old sweetheart of a stepmom, weighing only 81 pounds, has three [3] wretched bedsores, and my truly saintèd sister had been forced to remove her from her idyllic beachside cottage to an ugly institution of a rehab center for wound care and for fattening-up!  clearly, what this saintèd woman needs is fugly me, spoon-feeding her peaches and cream!

i glanced at the hospitalist, who still was staring laser-eyed at my feigned tears, and was, most importantly, still NOT writing orders for discharge, sighed, and played my final card in my deadman's hand of aces-over-eights.

the FRED card, i played the FRED card!  "my poor partner of some 24-odd-years, Fred, is completely lost without me..." poor fred couldn't handle the sassy-mouthed Marlinspike Hall staff, and running a medieval Haddock-family owned manor is no easy business, letmetellyou!"  then i slowly added on his never-ending battle with the militant lesbian feminist existentialists at his church, emphasizing his christian and druid tendencies.  i may also have leaked a few details about life with Bianca Castafiore, the Milanese Nightingale who treats us to unending, unerring iterations of Gounod's Air des Bijoux...




...and yes, i may have done a very garbled interpretation of my BFF Bianca.  because it was at that precise point that my tenderhearted hospitalist began scribbling orders into my chart.

while she was writing, i layed upon her distracted ears all the sob stories emanating from lincolnton, north carolina, site of the other wing of la familia -- or, more accurately la cosa nostra -- with exceptions being made for the innocent drug cartel mafiosi children under the age of 13, and for my bio-mom, of course, and her various rockin' and law-abiding POAs.  whether the hospitalist was actively listening or not, her writing speed advanced considerably.

then she paused to consult ms. prissy infectious disease doctor who was vacillating, irritatingly, between continuing i.v. vancomycin [boo!  hiss! though it worked well, or got the work started well!] or clindamycin in pretty pink pill form [no need for an i.v. to finish the vanco's work!], and sputtering about clostridium difficile at soul-decimating intervals.

so i launched into the ultimate deal-closer -- who will properly groom, entertain, and oversee the intricacies of feeding the Feline Triumvirate?  whom does Dobby truly trust with his most intimate secrets?  whom does Marmy Fluffy Butt allow to even touch her pristine long hairs?  and to whom does Buddy the Maine Coon whisper his sweet, babyish "gentle giant" heart's desires [just before declaring jihad].

***  please keep in mind that Buddy is not muslim, he is simply a confused, sweet, and gentle heart trapped inside a territorial, prey-oriented maine coon's body.  granted, he does take the following statement as his raison d'être --  but only if you substitute "feline" or "confused maine coon" for any war-like islamic statements -- which also are far less than true for most bona fide muslims, as well:
"But in a place where muslims [FELINES] are oppressed, tortured,  dishonored,  and targeted for their belief in Allah and His Messenger [THE MOST HOLY CONFUSED MAINE COON SPECIES],  the leadership [CONFUSED MAINE COON] of that place [MARLINSPIKE HALL] may declare a Jihaad [A CAT-WHOOPING] to defend themselves."
at this juncture of my speedy narrative, my darling chinese hospitalist slammed shut the chart, after flipping up the red "flag" denoting "urgent doctor's orders," and left me with these words of wisdom:
"you gotta take life easy, ms. profderien, you gotta take life easy. not good for body if you don't take life easy, got it?" 
she's a good'un, she is. and dr. chaya is her name-o.

There was a doc who had a patient,
And Chaya was her name-o.
C-H-A-Y-A
C-H-A-Y-A
C-H-A-Y-A
And Chaya was her name-o.
okay, enough of my silly stuff.  fred arrived, saved the day, got my wheelchair out of the bathroom (i could not figure out where the nursing staff had stashed it!), loaded me up, and off we went to the elevators, which led us to the 15-minute "patient loading zone," and my liberation.

before busting me out of hospital hell, fred was able to pick up the kick-ass antibiotic that dr. chaya browbeat our famously lazy local pharmacist into filling on an ASAP STAT status.  i noticed that her english suddenly and markedly improved when she was instructing said pharmacist in how rapidly she was going to fill that rx.

hmm.

and off we went to fret over much more important people, that lumpy grader boob, that "baba," little wise brayden... unfettered fretting, unleashed from the i.v. and the infernal touching of caring care givers -- anathema to those with CRPS.

remember the chant for lumpy GB (and Brayden Martin, as well):  "shrink, tumors, shrink!" alternating with a vigorous counterchant of "pain, pain, just plain go away!"

much love to you out there, and thank you, dr. chaya.


© 2013 L. Ryan

Monday, August 18, 2014

balm

Cuando el sol no tiene calor para dar al mendigo --
a mi alma fría, a mi alma congelada --
una hermosa canción, una canción de calidez, de calor lento.



Sunday, August 17, 2014

A Touchstone: Robert Duncan

Often I Am Permitted to Return to a Meadow

as if it were a scene made-up by the mind,
that is not mine, but is a made place,

that is mine, it is so near to the heart,
an eternal pasture folded in all thought
so that there is a hall therein

that is a made place, created by light
wherefrom the shadows that are forms fall.

Wherefrom fall all architectures I am
I say are likenesses of the First Beloved
whose flowers are flames lit to the Lady.

She it is Queen Under The Hill
whose hosts are a disturbance of words within words
that is a field folded.

It is only a dream of the grass blowing
east against the source of the sun
in an hour before the sun’s going down

whose secret we see in a children’s game
of ring a round of roses told.

Often I am permitted to return to a meadow
as if it were a given property of the mind
that certain bounds hold against chaos,

that is a place of first permission,
everlasting omen of what is.


--  Robert Duncan





Uploaded on Feb 6, 2011 by pennsound (One of the most remarkable treasures of literature, ever...)
to hear more, go to: http://writing.upenn.edu/pennsound/x/1960-Symposium.php
Ron Silliman on The Opening of the Field by Robert Duncan

"KWH Faculty Director Al Filreis curates a remarkable gathering of poets to present brief commentaries of books of poetry published in 1960 -- to help mark the 50th anniversary of each. Each poet will read his or her 500- to 750-word critical commentary or retrospective review, after which there will be a Q&A session and a celebratory reception. The poet's commentaries will later be published as a special feature on the poetry & poetics of 1960 in Jacket2."

Highly recommended:  Silliman's Blog

Sunday Phone Calls: When Even Death is Funny

It's been a rough week, the kind where the best communication turns out to be reminding the people whom you love that you do, indeed, love them.  It makes for a shorter phone call, a blink-of-an-eye visit, and calls for just a tiny greeting card, though the cost of postage does not change.

Growing up, Sunday was the day for obligatory phone calls to family members living far, far away.  Granted, it was usually my immediate family that bore the responsibility for the distance issue.  We tended to be overseas, or living somewhere inaccessible to even those relatives who enjoyed travel.  Or I could be honest and say that no one really gave a crap, and the Sunday telephone ritual was just another thing to check off the list.

I managed three calls today.

Those Dear Readers who've been with me a while know that my use of the telephone is, itself, miraculous, as I find it the least endearing mode of communication of the many modes we have in this technological age.

For instance, Grader Boob, one of my two beloved Brother-Units, is now so weak that his voice does not carry efficiently to the telephone receiver.  He prefers "Lumpy" now to GB, but that's just trivia.  And a lie. He has no sense of humor discernible any longer, cancer's gift, pain's offering.  As for his voice, part of it is also, I am guessing, change brought about by impingement of various nerves by those nefarious Lumps about which we so want to joke.

He could out grim the Grim Reaper, and will, I hope. Grumpy Lumpy seems to be so intensely in a snit because his life has been destroyed in what must feel like an overnight happening, despite what hindsight now reveals as a vine-like underground creep over a decade, culminating in Kudzu's blazing speed once that first tendril found the sun.

His pain is unimaginable, even to me, the Queen of Pain. His perennial lack of social graces, once endearing, now has the edge of a feudal samurai sword, his made to accommodate one-handed lunges. It's just a matter, really, of a shorter grip.  Maybe a tanto grip with a freaking 4-5 foot ōdachi blade.  I carry a small antique tanto in my obi, as do all my female friends.  Bianca Castafiore, we all know, is never without her 06 F.A.S.T. from Gerber.  She swears by the G-10 handle.  In a nod toward beauty, my dagger handle is a subtle, but distinctive, teal-green silk cord and black samé -- ray skin -- topped with a black iron tsuba bearing a dragonfly motif.

None of us bother with saya, or scabbards. Marlinspike Hall's women are famous for our mastery and obsession with fabrics of incredible tensile strength, and their artistic draping, which most men assume comes from a lurid obsession with shiny, metallic, decorative threading.  Yes, we live for the glint of reinforced brocade on a clear, hot summer day.

"The effect is elegant and rich without becoming fussy. "


Lumpy's issue is the same problem that turned the ōdachi into a ceremonial thing, a spiritual weapon.  The answer, I think, to the obstacle of how to carry his very particular sword, and successfully draw it, lies in providing him with a trusty steed, though that might attract undue attention as he canters about the hallways of higher learning. Better might be an unobtrusive trusty sidekick.  Like a dedicated sister in a wheelchair. I could pass off six feet of sword as a stylized assistive mobility device, no problem.  Who better to have his blessèd back?  Plus, I can help with any grading duties, and be the one to chuck chalk at any undergraduates who dare nap during class.

And here you thought a samurai sword reference was to end in its metaphorical stage! We are a knife-wielding clan, we are.  You should see some of Fred's knives. His nonchalant explanation for seemingly artless features -- a notch here, an odd finish to the metal, a strange blunt affect -- can chill my blood. He and Abbot Truffatore do not so much resemble Boy Scouts comparing five-tooled pocketknives as handy camping tools when they extricate their shiny toys from humble scabbards and lay them on felt-covered table tops as they seem men under the ancient enchantment of war.

So, though weak in body and voice, this Brother-Unit remains obstinately militarized, and determined to try teaching this semester -- two courses in person and one as an internet prof.  I want him to succeed;  I know he won't.  And so pardon my fantasy of squiring him à la Sancho Panza, ready, in the end, to do wheelies and behead the archaic administrators who failed him, impale the students who worked him into weakness, slash the desks and podia that his university maintained instead of providing health care for those who sat and leaned there.

I hate these Sunday calls.

And then there was the dear sister, caring for a waning mother, blindly navigating the end-of-life barriers thrown in their way by that same health care system that has failed the rest of this fucked-up family.  Mom is unaware of the obstacles she dodges, her memory gone, or maybe that stealthy faculty forces her to relive each trouble more than is useful.  The Sister-Unit has become a faithful nurse, tending three bed sores, feeding a weak 81-pound matriarch.  Her partner has leukemia -- that's some punchline, eh?  He is doing well, however, though they are smartly close-mouthed about it.  He's a Prince, a Peach, a Pear, which is the highest accolade of my people.

I did not even consider asking to speak to Mom.  In my mind, likely as confused as hers, I am an abstract construct to her.  The child who caused so much trouble.  The child who said "thanks, but no thanks" some 24 years ago, and by letter, not phone.  I'd had enough, enough doublespeak, enough lies, enough suppression, oppression.  I was careful to express my real gratitude for the raising, for the good times, for the afternoon on the sailboat, for the tea and toast, for the tips on dumping drinks into potted plants at cocktail parties, and the admonitions to stand up straight and be proud of my height.

She taught the art of thank-you notes, of indexing social debts (keeping a tit-for-tat list of Christmas card recipients and a neat list of who attended what party and what outfit she had worn to each). She taught the power of obligation, the complexities of generations.  She was, too, a teacher. Of little ones, but they are the most precious of all.  I did a brief stint as a substitute in a second grade classroom and was more terrified than when I faced a room full of savvy, educated, bright-as-the-moon, inquisitive young men and women.  It was Mom's influence that tainted my university teaching with the same urge to protect and defend that comes so naturally on behalf of six-year-olds.  (Sometimes that was a problem.)

I wished the Sister-Unit good courage and good luck, as she fights for some semblance of coordinated care, hires nurses, and deals with an overfed dog now prone to urinary incontinence.  Oh, and a doctor who opines only the glaringly obvious and does not return her polite phone calls.  It's not his mother, what does he care?  Oh, I take that back.  He's perfectly competent.  There's nothing to do but muddle through.

The other mother, the biological Mother-Unit?  I don't call, or not often, and cannot face it today.  She's likely to make a perfunctory inquiry about her first set of boys, and I cannot spit out the perfunctory lies, not today.  Maybe I should call, but have ready the most non-perfunctory of retorts.  "Lumpy? After winning Wimbledon, he took a brief rest in Monte Carlo -- you know what a gamer he is -- before sporting the yellow jersey on the Tour.  Right now, he's gearing up for a stint as Compositional Inquisitor.  He gets to wear flowing robes and a pouffy hat, Ma.  Isn't that grand?"

Of the other sweet Brother-Unit, I could just wow her with the truth, but her dementia, like her normal state, won't admit too much of the stuff.  So I'd say something like: "He still proudly marches to the beat of his own drum and radiates compassion and equanimity into the wavelengths of the universe, Ma, just like I told you last time."

The third call?  To an evangelical busybody who delights in telling me what to do and then, in undermining my efforts.  This week she taught me a valuable lesson about trust, as in:  Don't do it.  So the third call was harsh but easy. Her proselytizing had brought her no Godly approbation, just the stench of manure spread on burning sulfur. That may be overstating the matter.  I'll let you know.

How am I?  How do you think?  I'm in terrible physical pain, my right hand and foot have seceded from the union, I cannot eat, barely drink, sleep in fits, spasm at the whim of invisible cattle prods, and am returned to the days of fever and sweats, lethargy. Despite that, I take my cue from my siblings, a hardy bunch, smart enough to know that the only way through is through. That there is still music, and that even death is funny.

I cannot bear much more of this, but we all know I will.  My piddling troubles are as nothing. I still recognize beauty and humor -- but they must be either exquisite or of admirable kitsch.




© 2013 L. Ryan

Friday, August 8, 2014

BRAINPAN Bam ba lam...

I'm easy today.  In a hard way.  In a don't-mess-with-me kind of way.  Were you here, and don't you wish that you were?  Were you here, you'd observe, however, a laughing, Buddha-belly-rubbing me, full of cogent witticisms, and a wild overflow of Acts of Kindness. No, I don't expect that my Acts of Kindness will tip the Scales of My Personal Justice Plasticene Statue, mostly because, Hell, the scales are made of Plasticene.

Which brings this celebration of incomplete sentences and thoughts -- much of that lack done as an Act of Kindness toward vous et envers toi, usted y tú, toward the formal and informal, the plural and the singular, the public and the very private, and the greater sin of needing to throw off, burn, and bury the ashes in a truly leak-proof, environmentally perfect, sealed drum.... of those things that are now fiercely private but in need of the fresh air of a gentle, compassionate revelation.  Which brings this celebration of incomplete sentences, thoughts, and diring [neologism du jour], daring challenges of hidden derring-do to its natural first break, a celebration of the "tangerine skies and marmalade skies" that go so naturally with the "Plasticine porters with looking-glass ties" -- words that have been drumming an old beat in the Very Best of My Beloved Readers' brainpans since today's first paragraph.

* Wikipedia admonishes, in its Plasticine entry:  Not to be confused with Pleistocene or Industrial plasticine ["mainly used by automotive design studios"]
Plasticine, a brand of modelling clay, is a putty-like modelling material made from calcium salts, petroleum jelly and aliphatic acids. The name is a registered trademark of Flair Leisure Products plc. Plasticine is used extensively for children's play, but also as a modelling medium for more formal or permanent structures.

Take a few moments to dance -- horizontally or vertically -- or to sway -- sinuously or to some personal sassified jazzy beat -- with Lucy in the Sky with Diamonds:



[The Beatles, written by John Lennon and Paul McCartney for the group's 1967 
album Sgt. Pepper's Lonely Hearts Club Band.]



Picture yourself in a boat on a river,
With tangerine trees and marmalade skies.
Somebody calls you, you answer quite slowly;
A girl with kaleidoscope eyes.

Cellophane flowers of yellow and green
Towering over your head;
Look for the girl with the sun in her eyes,
And she’s gone.

Lucy in the sky with diamonds!
Lucy in the sky with diamonds!
Lucy in the sky with diamonds!
Ah...

Follow her down to a bridge by a fountain,
Where rocking horse people eat marshmallow pies.
Everyone smiles as you drift past the flowers
That grow so incredible high.

 Newspaper taxis appear on the shore,
Waiting to take you away.
Climb in the back with your head in the clouds,
And you’re gone.

Lucy in the sky with diamonds!
Lucy in the sky with diamonds!
Lucy in the sky with diamonds!
Ah...

Picture yourself on a train in a station,
With plasticine porters with looking-glass ties.
Suddenly, someone is there at the turnstile:
The girl with kaleidoscope eyes.

Lucy in the sky with diamonds!
Lucy in the sky with diamonds!
Lucy in the sky with diamonds!
Ah...
Lucy in the sky with diamonds!
Lucy in the sky with diamonds!
Lucy in the sky with diamonds!
Ah...
Lucy in the sky with diamonds!
Lucy in the sky with diamonds!
Lucy in the sky with diamonds!

To keep things as kaleidoscopic as possible, here are the words that Merriam-Webster's online site lists as rhyming with "brainpan." Take this offering, those of you who do not know the beauty of Lucy sparkling in Botticelli's half-shell of a heaven, those of you who are still, despite this deficit, also Very Dear Readers. If you feel excluded from the Reader Types being celebrated today, rejoice in the knowledge that Google's beloved animation celebration department partied down a few days ago in honor of John Venn's 180th birthday. Familiarity of, and inordinate fondness for, Venn diagramming are prerequisites for any True Reader of This Blog.

A Venn diagram or set diagram is a diagram that shows all possible logical relations between a finite collection of sets. Venn diagrams were conceived around 1880 by John Venn. They are used to teach elementary set theory, as well as illustrate simple set relationships in probability, logic, statistics, linguistics and computer science.
Ready, set, rhyme!  BRAINPAN Bam ba lam...
adman, Afghan, aidman, ape-man, Bataan, bedpan, best man, Bhutan, birdman, boardman, boss man, brogan, caftan, caiman, cancan, capstan, captan, caveman, chessman, claypan, clubman, Cohan, cooncan, corban, cowman, Cruzan, C-Span, cyan, deadman, deadpan, deskman, dishpan, divan, doorman, dustpan, fan-tan, Fezzan, fibranne, flight plan, flyman, FORTRAN, freedman, freeman, frogman, gagman, game plan, glucan, G-man, Greenspan, hardpan, headman, he-man, iceman, inspan, Iran, japan, Japan, jazzman, Kazan, kneepan, Koran, Kurgan, leadman, liege man, life span, liftman, loran, madman, main man, Malan, Mandan, man's man, mailman, merman, Milan, milkman, newsman, oilcan, oilman, oil pan, old man, one-man, pavane, pecan, plowman, point man, postman, Poznan, preman, pressman, propman, Queen Anne, ragman, rattan, reedman, reman, rodman, routeman, Saipan, salt pan, sampan, sandman, saucepan, schoolman, sea fan, sedan, sideman, snowman, soundman, soutane, spaceman, Spokane, spray can, stewpan, stickman, stockman, straight man, straw man, strongman, stuntman, Sudan, suntan, T-man, TACAN, taipan, test ban, tin can, tisane, toucan, trainman, trashman, trepan, triptan, Tristan, tube pan, unman, vegan, Walkman, weight man, wingspan, wise man, yardman, yes-man
Why yet another post full of snark?  Well, one thing is that I managed to sync my entire music library into my relatively small, yet disturbingly faithful, mp3 player, which promptly ceased to function, forcing me to recall which songs were a true solace in the night and which were just ear candy.  That I was forced to do this by the criterion of megabytes and the tempering memory of hearing each song through cramping, seizing legs hips hands... and the pure fun of tossing the little music machine in the air every few minutes as proof positive that the memory was no memory at all but a real function of my reality.  Better, Grasshopper, to toss the mp3 player than the hot mug of coffee.  Now snatch the damn pebble from my hand spastic hand.

For that bit of mental evil, I made myself create a batch of lucious baked goods for Fred's Congregation of Mostly Fiery Aging Militant Lesbian Existentialists.  And for the Carteresque sinning in my heart that occurred while soaking the prunes in ancient brown-sugared rum?  I made the Hang-Over Gang coffee, taking individual orders as though they amounted to Divine Dicta -- which, of course, given the circumstances, they did.

I know you, vous, tu, tú, y usted, as well as I know you, you, and you over there hiding behind the Ray Ban Wayfarers and the frail, chipping diamonds on the soles of your old Italian shoes.  I mean, Buongiorno, amico mio, but, really, closed-toed Italian shoes require socks, temperate socks, of the discrete sort, and long, not those screaming fantasmini, intemperate things that women used to call "footies."

But perhaps I stray?

No, I don't.  I am just giving you set-types the chance to make a fun array of Venn diagrams. HiLArious allusions to meld, from many cultural highs and lows.

Synthesize away.

My smiles don't reach my eyes.
My Kind Acts leak the last of their kindness not long after conception.
There are no solutions to some problems that are not the answer of Nature -- not heartless, cruel Nature, but balanced Nature. Just excise my soul.
My tears reach my smiles and sweeten the savory items from my ovens.

I set out to make incredibly healthy muffins at 4:30 am yesterday.  So tired that I rested my head on the hot stove top -- believing the best muffins to be, um, *flash*-baked, I had cranked up the heat.  Even pre-heated my muffin tins and set off two fire alarms.  Which probably saved my forehead from second degree burns. Incredibly, due to the fact that I closed doors and room dividers before taking a cane to the offensive safety devices, the Domestic Staff did not spring into the Bucket Line to save the Manor, but slept on, in peace.

Marlinspike Hall was smoking.

Recipes are not loved when I bake, and even so, I am remarkably successful.  Yesterday, I decided to cook with tea.  Chai tea. I saw a tin, I recalled the smell, I despised the acrid smoke of pre-production, and dumped it into what seemed, anyway, a too wet batter.

They're amazing.
Sustaining.
Prunes, raisins, oats, oat bran, a secret dried ingredient from a pilgrim known to rivers.
Moist. Yogurt. One huge freaking Jumbo Egg. A Szechuan-peppered hint of cream. All overmixed, by design, by inexplicable need.  They were half-cooked by the friction of my mixing, my beating, my scraping and stirring.

They're a blessing, but we're about out, and I woke today... Well, I woke like this post. Un-Venned, running from what I know to be true, hating the blending and compromise, no matter how well it works under reforming fires. I am not excited by what is the same, by what is shared; I long to keep the greater circle intact, impermeable.  Take me before the circles' skins are white-board fodder, collections of sets and hemmed-in relationships. Subsets smother.  Universal sets reek of desperation.

 Drown me in The River.

Symmetrical 5-set Venn diagram






© 2013 L. Ryan

Marmy Fluffy Butt, Elongated

Those attentive readers who are familiars of Marmy Fluffy Butt will gasp at the virtuosity she allowed the camera to witness, and then, without the usual *ack*::*ack* contrarian fanfare, capture.

Since her feline version of IBS has been brought under control, she's in love bug stage, and can often be found attached to my left hip.  She challenges Buddy the Outrageously Large Maine Coon for Manor leadership about every other day, and has inflicted several warning slashes upon little Dobby's face when he moved in for an innocent traditional DNA check.

She's full of herself, in other words.

We like this version of a long, slinky Marmy Fluffy Butt -- she is not hiding out with abdominal pain, she is, in fact, stretching to new lengths, she winks at me and cracks the worst kind of jokes, then *ack*::*ack*s to her heart's content!

Should Marmy enthrall you, these two old posts describe how she got her and her reign since:
Wednesday's CatCam -- Full of Woe and Wednesday Morning Blahs.



 photo 2d90792b-832e-4406-9975-a8757f28fa10.jpg


Please allow me to share my etymological discovery of the day!  One cannot observe the magnificence that is Marmy without eventually entertaining the term "hoity-toity."  Most often, her attitudinal fluffiness causes a mental stutter, leaving you psychically mumbling, "hoity, hoity, hoiteeee!"  Ah, but... anyway! The term "hoity-toity" actually made snopes.com!

"Hoity-toity" begs for a hoity-toity origin.  And so was born an etymology with an accent, from an older world with smaller cobbled streets, and where the habit of looking down on people whilst sipping on a thick, caramelly espresso from the comfy vantage point of a limestone or bluestone or concrete tile perch:  "The term "hoity-toity" comes from the French words haut toit, meaning 'high roof.'"

Berlitz called it this way:  "The expression 'hoity-toity,' for ; pretentious,;  comes from the French haut toit — high roof — from which the pretentious looked down on the literally 'lower' classes."

In swoops snope to do what snope does:

Origins:   In common English speech, "hoity-toity" is an adjective used with disdain to refer to the pretentious, those who put on a show of pretending to possess refinement and sophistication (similar to "highfalutin"). So, some people naturally assume that such an unusual expression, referring to the cultured, must itself have a cultured origin — in this case a French-language reference to the (literal) upper class, people who looked down upon others from atop their high roofs (i.e., haut toit). 
"Hoity-toity" has nothing to do with French (or the French), however. The expression comes from our penchant for creating rhyming phrases such as "loosey-goosey" or "helter-skelter," and in this case its base is "hoit," an obsolete 16th century verb whose meaning is "to play the fool" or "to indulge in riotous and noisy mirth." ("Hoity-toity" was more commonly used to describe those who engaged in thoughtlessly silly or frivolous behavior before it became more of a synonym for "pretentious.") Attempts to find the word "haughty" to be an ancestor of "hoity-toity" are equally specious. 

I thought of mourning the loss of a lovely etymology.

Then, thinking of the Queen who prompted the whole half-arsed search, I realized how much closer she is to silliness -- *ack*::*ack* and a wink, followed by a seductive, round-bellied flop and presentation of one white-fuzzed, pink-skinned abdomen in need of rubbing -- than to serious haughtiness.








© 2013 L. Ryan

Wednesday, August 6, 2014

A Reminder




Into this pitch darkness we're hurled
Where there's not a glimmer of light
It's not the end of the world
It's just the middle of the night

And the blackest of flags is unfurled
In all this absence of light
It's not the end of the world, good people,
Merely the middle of the night

The middle of the night, that's what this is
If death is the real test, this is just a quiz
When grey creeps through your window, it will be day light
The end of this darkness is almost in sight

Into a ball of fear you are curled
And you're holding on with all of your might
But it's not the end of the world, little sister,
It's just the middle of the night

In the maelstrom of your mind you are swirled
You're almost down the drain but not quite
It's not the end of the world, my brother,
Rather the middle of the night

The middle of the night when you fear everything
But the birds will awake soon you will hear them sing
You doubted you'd make it not sure you'd survive
Now you're dead tired, you're still alive

Around fate's fickle finger we're twirled
Small wonder we're all so up tight
But it's not the end of the world, good people,
Merely the middle of the night
No it's not the end of the world as we know it
It's just the middle of the night

Friday, August 1, 2014

Pointe Work

       Great by association


I was great once,
by association.
I imagine that I sauntered
and twirled my tossed curls
passing under Sather Gate
with a grand crème and shiny briefcase.

A few nights after The Great Writer
shared his love
for a breakfast waitress,
I rose from our bed in the middle of the night
-- he was not there --

And I did not know where he was.
(Oh, yes, I did.)
My heart was broken so
I was extremely naked
under a thin pink gown.

I ran into the cool night,
the gown my comet tail in solar wind,
and down the street, stopping
on the corner of 59th and Telegraph.
almost the precise border of two towns.

I stood below the red neon cross
that marked that north edge of Oakland,
a mere shimmer of a woman
before the much more truly pink
Memorial Tabernacle Church.

Then running across the street
to the green-slatted bus bench,
I sat, knees folded in my arms,
and waited, we suppose,
for the bus, the every twelve minute bus.

A bus came, stopped,
whisked open its old doors
with a big wavy swoosh and creak,
but I shook my head "no."
The driver shrugged, drove on,
in a blue sweater with leather-patched elbows.

(Another stupid white girl
sitting on a bench,
may as well be naked
in those cheap pink gowns
shred to flimsy filmy pieces
in the street lamp light.
And they all know where he is.)

Humid air from the bay condensed
upon my body, the famous pink gown
stuck to all those moist places
where it shouldn't   And I knew

I had worn out my welcome as the crazy lady
on the green bus bench on the corner
beneath pink stucco and a red neon cross,
that had so many days guided me home. 

(Just hours ago
with an armload of fresh food
and Peet's unground coffee,
blessed by Chez Panisse
and all the makings of gazpacho.)

Packed by dawn,
when he came home,
I had gone.

We did this dance three times,
pretending a pas de deux --
entrée, adagio,
step pas pas step,
coda -- was just a fractured solo.

I did pointe work,
shreds of buffering cotton
following me around
in my affected dancer's stumpy walk,
until I could rise en pointe again,
ferocious tall, ferocious long.

Three times, I came back.
Three times, I left.

Always for his waitresses,
because "they like [my] poetry."
But the last time, the last time,
bloody-toed,
I turned left, for once,
and went west
-- left is always west --
into the hills, up rarefied high,

To Kentucky Avenue,
an ambassador's home,
and rented that room with its rocking chair,
from where, mute,
I could see the reflections
of five counties,
the Golden Gate,
but hear no poetry.


Photography credit: A Mélange Et Moi, "The Shoe in Art, The Shoe as Art," 7 January 2011







© 2013 L. Ryan

Blaise Pascal and Other Stupid People


I don't suppose this is a "real" poem as it recounts the two times I have actually argued with beloved and good-natured friends that I had written poems that I, of course, had not.  For one, they are both short and perfect.  For two, when had I ever shown such acumen or humor?  If you catch me sleepy, I still might argue that I could have written them, if temporal reality had not got in the way.


Blaise Pascal and Other Stupid People


Twice in my life
I became so confused
That I could not remember
If it was my poem

or not.

Once, I struggled to stuff
the recurring mumblemumble of Beatrice Ravenel,
Charleston's girl, branded an occasional
poet, when she really

was mostly not.

She'd written a poem
called Fear  that I so loved
I claimed it, renamed it, though,
a much more à propos Stupid People,

but i wasn't

the poet, no, it really was the mumblemumbled
Ravenel, herself, who penned that acid
brevity, that truth that could straighten the spines
of the scoliosed.

It was not me.

In the other instance of fugitive provenance,
I fought admission with ferocity
(It was so ridiculous!) and tried to make off
with Jacques Prévert's Les paris stupides,

and imagine, still that he'd not

mind at all, but might buy me a café at some
café, and laugh and laugh and laugh.
he knew how the mind can reel
before the shrinking chasm of the original.

Here is Prévert's poem, oh --
and I often confuse Prévert with Brel,
for reasons not worth the fathom --
in its lucious back-handed smack of a kiss:


Les paris stupides:   un certain Blaise Pascal   etc… etc...

You must understand, of course,
that paris is not Paris, that a pari is
a bet, and the Pascal's bet, or Pascal's
wager, has come to cause some of us to snigger.

Pascal said, in loose translation:  ""You must wager;
it is not optional... Let us weigh the gain and the loss
in wagering that God exists...
If you gain, you gain all;

if you lose, you lose nothing.
Wager, then, without hesitation, that He exists."
Some sniggered then, more snigger now,
And just as many secretly hope that he is right,

un certain Blaise Pascal, etc... etc...

The thing is, I could have written it,
had time and space allowed, if first writer
didn't have author's dibs. But as for
Ravenel, I shiver

knowing that that poem is so beyond me.

This is what the genteel lady wrote
under the rubrique of one-worded Fear:

I am only afraid 
Of the cold dull lids of eyes,
And the cold dull grain of sand in the soul,
ndurate, insensate, not to be made incandescent
Even by God.
I am afraid of the stupid people.  

All that I know, for sure,
is that I wish I could wield words
like laughing whips, riotous riata,
a sting and a laugh,
a sting and a laugh,
a slap and a deep, deep kiss.

© 2013 L. Ryan

One Hour and 57 Minutes Long

       US death row inmate Joseph Wood has died after an execution in Arizona took nearly two hours to kill him.

***************************

   Paradox is a luxury


I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.



But paradox is a luxury,

in poetry as in life,
except for its one hilarious application --
which you can bet is thick and snarled, and simply
twisted -- when you wait on death row, to die.

Yes, I have to specify "to die,"
honor-bound to those
who just don't believe it,
can't fathom it, and
who never see it coming.

(They think, too, that the moon walk
happened on a studio stage)
Their knees don't jangle as they stroll
all lanky and slack-jawed
down some last hall
to some studio-staged
final production, with gurneys
and men who don't look
you in the eye.

Oh, thick, snarled, and twisted -- that paradox
with a punchline that strains to win
before some other voice --
a preacher man, a governor --
sucks the perfect practiced laughter
into the pure static of white noise,
a vacuum, a saw, a toothed edge,
a just-out-of-range radio station,
offshore  -- some foreign language.

But if whispered the way Mama did,
way back before you can remember,
just at the beginning of some night's humid rest,
your sweaty head on her soft breast --
should that privilege of comfort's
remembrance  not be one
you've molested or stabbed
or drowned, or otherwise lost,
should that sweet rest still exist,
should sleep still mean sleep,
with its promise of waking,
and should open eyes still really see?

well, then bless your rapid heart, and bless
your wicked bones, because it's just like going
to sleep, washed clean and all-forgiven,
jammies fresh from the dryer,
stray cotton strands stink, almost burnt --
mama was useless, really,
couldn't do a damn thing right,
never bothered to scrape the thick
mass of nasty felt from the lint trap
the lazy bitch --

If not forgiven, at least,
you'll make up for it
tomorrow ["i promise and
i swear," she whispers
over your damp curls, now
a patterned part of her torn gown]
because you'll wake
with that forever
soapy floral scent,
no acrid smells,
no burnt flesh.

We'll need skin toner, rubbing alcohol,
(though wouldn't witch hazel be nice?)
new razors, for you, my baby,
with lotioned strips, and three, four blades,
sponges, loofahs, rubber bands,
a tourniquet, a cannula, a steady hand,
some pretty scalloped-
edged pink paper tape, and wipes
to sanitize our hands, and child,
smell the mix of lotion with my sweat,
and pump your fist to make those veins
stand up.

Dream of tomato sandwiches clotting on white bread
as we slap our knees, lined up in nantucket rockers
on someone's perfect sea front porch and
laughing, hear us whisper:

"It's just like going to sleep."



© 2013 L. Ryan

Thursday, July 31, 2014

At The Close

SCRITTI POLITTI Anomie & Bonhomie (1999 French 11-track promotional CD)



Riddle me this, BatPeople:  Why do my stocks invariably announce their stunning earning reports on a day when the market, overall, does not wish any investor well, and the DJIA is down over 1.5%?  The stock in question got an appreciated bump of just over 3%, but imagine:  What if earnings announcement day had been one when the prevailing winds were deemed favorable by all the made up and convoluted standards of The Street?  I mean, unprecedented GDP numbers had just been released for the previous quarter, a real boost to our national financial health!  In my scenario based on economic logic, might I have made enough money to actually pay off some of my accumulated debt (not that I accumulate debt)? Might I have been able to send my half sister for her much needed three group therapy sessions (with "me, myself, and i"), followed by the less expensive, fiscally responsible psychosurgery of the "ice pick" variety?  Done on an outpatient basis, it's a real deal.  Might I have been able to rebuild, respecting its long history of dilapitude, the original Pottery Barn that bordered the matchy-matchy pear-and-apple orchard between Haddock lands and the holdings of the Roman Catholic Church, upon which our fruit-loving brethren next door, the Cistercians, base so many of their amuse-bouches? We're talking pear and apple concoctions, a little tartelette to see you through from confession to mass. They've even cordoned off one of the confessionals for diabetics, who may need a boost of insulin. Anyway, the original Pottery Barn burned down in an overzealous run of its always questionable kiln.

Incinerated more than burned down, really.

To be exact.

Now how do you like that?  My stock just ticked down to 2.9%.  I had plans.  Big plans.  They involved maybe a name brand Greek yogurt and not the usual plain blended low-fat generic tub.  A new yarn ball to replace the smushed formerly round thing that the cats love to bring out to show visiting dignitaries. That Community Center evening course on Cooking With Cannabis (and the instructor supplied the mangoes!). My goal had been to add a surprise goodie, Green Fudge, to one of the vendor tables at ManorFest 2014, but, sadly, ManorFest 2014 isn't happening.  My Green Fudge, as it now stands, is a bit too literal, much too sweet, and... well, the green could use some shade-tweaking, some tint-shadowing...

Pot not figuring [yet!] in my approved formulary, I couldn't have produced much Green Fudge to begin with. A pipe dream!  Something that promises much but recalls nothing so much as saccharine floral foam -- perhaps purchased on clearance.

Whoop whoop, back to a gain of 3.08%.  Maybe we will be able to swing renting a movie that wasn't released before 1980 from Xfinity On Demand.

I've been stuffing pillows -- the softer ones -- in my mouth, screaming, having spasms, not sleeping, or sleeping in a Bizarro World where overhead fans are, as a matter of course, a metallic hodgepodge of helicopter rotors and a very bloody Edward Scissorhands. Weeping, as a matter of course, because what else is there to do when drugs, music, and weird formations of one's malleable hospital bed have all failed you.  However... I withdraw music from the Cauldron of Failure, for two songs actually pulled me from the abyss, one via wonder (wonder floats nicely above abysses), and one via belly laughter (belly laughter trumps any danger, and gives a jolly chuckle at the mere idea of an abyss).  The first song was Springsteen's Jungleland, which mostly just washed over me until my mind sparked to the final lyric:

Outside the street's on fire 
In a real death waltz 
Between what's flesh and what's fantasy 
And the poets down here 
Don't write nothing at all 
They just stand back and let it all be 
And in the quick of the night 
They reach for their moment 
And try to make an honest stand 
But they wind up wounded 
Not even dead 
Tonight in Jungleland

The other, the next song to pop up on my wicked and oh-so-tiny mp3 player was from The Freewheelin' Bob Dylan album.  I had forgotten I'd even loaded the thing, and the internal Shuffle Censors seemed disinclined to play any of the songs.  It took but 30 seconds before I was busting a gut laughing through my ridiculous tears, for what did the Shuffle Censors let through but... "I Shall Be Free."  Wikipedia soberly notes:

"I Shall Be Free" is a rewrite of Lead Belly's "We Shall Be Free", which was performed by Lead Belly, Sonny Terry, Cisco Houston, and Woody Guthrie. According to Todd Harvey, Dylan's version draws its melody from the Guthrie recording but omits its signature chorus ("We'll soon be free/When the Lord will call us home"). Critics have been divided about the worth of this final song. Robert Shelton dismissed the song as "a decided anticlimax. Although the album has at least a half dozen blockbusters, two of the weakest songs are tucked in at the end, like shirttails." Todd Harvey has argued that by placing the song at the close of the Freewheelin' LP, Dylan ends on a note of levity which is a relief after the weighty sentiments expressed in several songs on the album.

Well, I took me a woman late last night
I’s three-fourths drunk, she looked uptight
She took off her wheel, took off her bell
Took off her wig, said, “How do I smell?"
I hot-footed it . . . bare-naked . . .
Out the window!

Levity-schmevity!

Anyway, it's after the close now, and my little bit of wickedness closed with a gain of 3.26%. Now the big ass wheeler-dealers can have their way with her, and give me a surprise, lookie-here opening several dollars down tomorrow morning.

I don't care about the money, except that it's meant to keep Fred together, body and soul, after my timely demise.  The man is not gifted in financial matters, not that I am.  I'm just a tad bit more organized and reality-based.  I know how much it costs to live and I pay most of the bills that filter through the kindly net of generosity provided by Archibald Haddock and Company.  It terrifies me, the thought of Fred penniless. When I was able to work, I was able to sock away savings and the market was happy, so I felt proud of the nest egg I was building him.  Then there was Bush, and 9/11, and those of us who just watched our money go down the tubes, feebly waving a furtive good-bye.  About then, the reality of life with CRPS and such schtuff set in, as did the unlikelihood of molding, melding, and melting minds left in my charge in the guise of imparting an education based on foreign languages and literatures.  Then, when BCBS decided that my health care coverage should consume over 96% of my private disability income... well, the market became an ugly necessity, rather than just another fair-weather friend.

As things have evolved, I look at Fred, check the investment account, and opt for hope and maybe a lucrative late-life career in gambling.  He would love Nevada, though I am sure, as well, that The Captain would retain him as Carekeeper Extraordinaire of -- O, so many things -- the Manor Garderobes, the moat and the health of its wildlife (mostly, but not all, marine), the wormhole in the moat, and the maintenance necessary to the miniature submarine fleet.

I sometimes think that the Captain awaits only my departure before coming home to roost.  It will be a good fellowship:  Haddock, Fred, Sven, Abbott Truffatore, and communion wine dregs.  Bianca Castafiore warbling from under some table, aided and abetted by Sven's son, Cabana Boy.

Bonhomie.  A better goal than financial security?

[The next day's addendum: My savvy stock pick lost its entire 3% gain. O, giggles!]






© 2013 L. Ryan

Tuesday, July 29, 2014

Update on Brayden, Hugger Extraordinaire...

For those of you who have followed some of the CaringBridge kids that have been featured in this blog, here's an update on the irrepressible Brayden Martin, his Mom Maranda, wild brother Mason, and super grandmother Robin -- and more friends and family than a person could count.

Maranda took him to the ER due to behavior changes and a mother's instinct.  There's been a determination of disease progression in Brayden's brain, with the inevitable side effect of swelling.  In a heap of bad timing, his port has stopped working, and he won't get another until tomorrow.  If an MRI confirms the CT findings from the ER, Maranda has made the difficult decision to take Brayden home on hospice care.

He's been on corticosteroids and so is obsessed with food, and despite the dire situation, this has brought some levity to their days.  Hopefully, he'll be off the stuff soon, and his mind can shift to other things than constant hunger.







The goal is to raise money to help Brayden's Family with his hospice care. Right now, we want him pain free and to alleviate as much stress on the family as possible during this time as they look at options. Anything you can donate will help in doing so. If you have any questions, please contact me at ashley.klanac@gmail.com
Nolan Blake and Brayden Martin