Showing posts with label Beckett. Show all posts
Showing posts with label Beckett. Show all posts

Friday, January 9, 2015

The Comcast ClusterF*ck Continues Unabated

due to the unimaginable response from COMCAST -- after Fred's three phone "conversations," my three (transcripted) "chats" -- coupled with my profound sadness about what is happening (has been happening/will happen) in my beloved FRANCE -- the following email was sent to Fred, ensconced in the computer turret since early this morning, trying to decipher the terrorist training that COMCAST operator-operatives under go when becoming customer service representatives. the competition for sales commissions apparently justifies the lies upon lies that these COMCAST lying liars spout with such facility. i say again, and never often enough, "dear, wonderful, brilliant, sweet Fred!" say it with me, DEAR READERS, say it with me: "dear, wonderful, brilliant, sweet Fred!"

anyway, upon receiving our fifth email from COMCAST detailing what our new billing will be -- last promised, on the phone, to be a much boosted superheroic internet speed and 140 mind-numbing television channels at a locked-in rate of $89, only to be an actual $188.86 monthly bill... my aforementioned numb mind imploded. odd, because i usually EXplode my brain matter onto the ceiling, right next to the coffee splatters.  you know?


***************************************************************************************


pertinent, if incoherent, email to Fred, this friday morning, ce vendredi néfaste, maléfique::



we will prevail over The Evil Comcast Empire, without doubt. 
but... "j'accuse" * to quote a REAL quote from émile zola versus the misquoted voltaire! 
if they won't give us decent internet speed/power, won't budge on the cost (if you can get them to say the ACTUAL cost), then: 
**tell them we will budge on the television service.
"give us the best television price you can that will bring the total,.actual, complete cost below $100."
i will go into television withdrawal before i will pay these ridiculous "triple pay" prices for "double play" services that are really ground balls hit to the first baseman!   
**if lowering the television service does not bring the price down to what they have promised (in writing and on the phone), tell them we will keep the present crappy service."
at this point would you please ask them to purge the line to the turret router (remind them that it runs through the barn and over the rope ladder to the turret) -- and maybe that will at least clean up, and maybe speed up, my internet (since yours seems to be acceptable, if i understand correctly.  are you still able to stream video without interruption and glitches? load pages quickly? i can barely get through short youtube vids and it takes between 45 seconds and 8 HOURS (okay, 4 minutes, jeez) to load the stupid COMCAST page! but then, you have the luxurious computer turret, and i, i have the creepy suite in the outer northwest manor wing.
satiric trivia below, mon chéri, in honor of what's happening in FRANCE-- 
beginning of zola's wonderful letter "j'accuse":

Me permettez-vous, dans ma gratitude pour le bienveillant accueil que vous m’avez fait un jour, d’avoir le souci de votre juste gloire et de vous dire que votre étoile, si heureuse jusqu’ici, est menacée de la plus honteuse, de la plus ineffaçable des taches ?
Vous êtes sorti sain et sauf des basses calomnies, vous avez conquis les cœurs. Vous apparaissez rayonnant dans l’apothéose de cette fête patriotique que l’alliance russe a été pour la France, et vous vous préparez à présider au solennel triomphe de notre Exposition Universelle, qui couronnera notre grand siècle de travail, de vérité et de liberté. Mais quelle tache de boue sur votre nom — j’allais dire sur votre règne — que cette abominable affaire Dreyfus ! Un conseil de guerre vient, par ordre, d’oser acquitter un Esterhazy, soufflet suprême à toute vérité, à toute justice. Et c’est fini, la France a sur la joue cette souillure, l’histoire écrira que c’est sous votre présidence qu’un tel crime social a pu être commis...
[....]  J’accuse le général de Pellieux et le commandant Ravary d’avoir fait une enquête scélérate, j’entends par là une enquête de la plus monstrueuse partialité, dont nous avons, dans le rapport du second, un impérissable monument de naïve audace.
J’accuse les trois experts en écritures, les sieurs Belhomme, Varinard et Couard, d’avoir fait des rapports mensongers et frauduleux, à moins qu’un examen médical ne les déclare atteints d’une maladie de la vue et du jugement.
translated, but you must imagine COMCAST personnel (the CEO plus the chat and telephone "customer service" lying liar experts) in place of the french president Félix Faure, General De Pellieux, commander Ravary, and the "experts" Belhomme, Varinard and Couard.  the "dreyfus affair" would become "the Comcast Clusterfuck." france, herself, would be the irreligious USAmerican Corporate Conglomerate, i guess!
Would you allow me, in my gratitude for the benevolent reception that you gave me one day, to draw the attention of your rightful glory and to tell you that your star, so happy until now, is threatened by the most shameful and most ineffaceable of blemishes?
You have passed healthy and safe through base calumnies; you have conquered hearts. You appear radiant in the apotheosis of this patriotic festival that the Russian alliance was for France, and you prepare to preside over the solemn triumph of our World Fair, which will crown our great century of work, truth and freedom. But what a spot of mud on your name—I was going to say on your reign—is this abominable Dreyfus affair! A council of war, under order, has just dared to acquit Esterhazy, a great blow to all truth, all justice. And it is finished, France has this stain on her cheek, History will write that it was under your presidency that such a social crime could be committed[....]
 I accuse General De Pellieux and commander Ravary of performing a rogue investigation, by which I mean an investigation of the most monstrous partiality, of which we have, in the report of the second, an imperishable monument of naive audacity.
I accuse the three handwriting experts, sirs Belhomme, Varinard and Couard, of submitting untrue and fraudulent reports, unless a medical examination declares them to be affected by a disease of sight and judgment.

END OF EMAIL TO FRED

*****************************************************************

BEGINNING OF COMMENTARY ON FRANCE, AS THAT IS WHAT I AM OBSESSIVELY WATCHING ON COMCAST TELEVISION (despite our apparently nose-bleed inducing new rates!):


i MUST add: à bas Jean Marie et Marine Le Pen, aussi bien que le Front National.  Ça va sans le dire que nous condamnons l'extrémisme sous toutes les formes, y inclus les islamistes dit jihadistes --  faux et dégoûtants -- déguelasses -- qui m'ont fait vomir hier et encore une fois ce matin, mais ça, c'était pour la dernière fois, JAMAIS ENCORE...  (mais je suis incapable de ne rien dit, de cesser de parler, comme mon cher samuel beckett dit dessous...)

[ADDENDUM: these quotes of Beckett are part of the manifesto of my life, are my essential last will and testament, if i were to have a manifesto of my life and were my last will and testament not so redundant with the minutia of debts and investments and equity and gratitude.]

[i am close to another treatise on translation, as the Beckett quotes from his fiction were NOT translated by Beckett, when originating in the French, as he never did his own translating.  the French originals are much... truer, stronger?]
I pause to record that I feel in extraordinary form. Delirium perhaps.
SAMUEL BECKETT, Malone Dies
My mistakes are my life.
SAMUEL BECKETT, How It Is
Where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.
SAMUEL BECKETT, The Unnamable
There’s man all over for you, blaming on his boots the faults of his feet.
SAMUEL BECKETT, Waiting for Godot
In me there have always been two fools, among others, one asking nothing better than to stay where he is and the other imagining that life might be slightly less horrible a little further on.
SAMUEL BECKETT, Molloy
If by Godot I had meant God I would have said God, and not Godot.
SAMUEL BECKETT, The Essential Samuel Beckett: An Illustrated Biography
another story leave it dark no the same story not two stories leave it dark all the same like the rest a little darker a few words all the same a few old words like for the rest stop panting let it stop
SAMUEL BECKETT, How It Is
Ah, the old questions, the old answers, there's nothing like them!
SAMUEL BECKETT, Endgame
All this business of a labour to accomplish, before I can end, of words to say, a truth to recover, in order to say it, before I can end, of an imposed task, once known, long neglected, finally forgotten, to perform, before I can be done with speaking, done with listening, I invented it all, in the hope it would console me, help me to go on, allow me to think of myself as somewhere on a road, moving, between a beginning and an end, gaining ground, losing ground, getting lost, but somehow in the long run making headway.
SAMUEL BECKETT, The Unnamable
Every word is like an unnecessary stain on silence and nothingness.
SAMUEL BECKETT, The Letters of Samuel Beckett
Yes, yes, it's the most comical thing in the world. And we laugh, we laugh, with a will, in the beginning. But it's always the same thing. Yes, it's like the funny story we have heard too often, we still find it funny, but we don't laugh any more.
SAMUEL BECKETT, Endgame
Tears and laughter, they are so much Gaelic to me.
SAMUEL BECKETT, Molloy
Deplorable mania, when something happens, to inquire what.
SAMUEL BECKETT, The Unnamable
Yesterday is not a milestone that has been passed, but a daystone on the beaten track of the years, and irremediably part of us, within us, heavy and dangerous. We are not merely more weary because of yesterday, we are other, no longer what we were before the calamity of yesterday.
SAMUEL BECKETT, "Proust", Samuel Beckett: Poems, Short Fiction, and Criticism
He who has waited long enough, will wait forever. And there comes the hour when nothing more can happen and nobody more can come and all is ended but the waiting that knows itself in vain.
SAMUEL BECKETT, Malone Dies
in reality we are one and all from the unthinkable first to the no less unthinkable last glued together in a vast imbrication of flesh without breach or fissure
SAMUEL BECKETT, How It Is
My life, my life, now I speak of it as of something over, now as of a joke which still goes on, and it is neither, for at the same time it is over and it goes on, and is there any tense for that? Watch wound and buried by the watchmaker, before he died, whose ruined works will one day speak of God, to the worms.
SAMUEL BECKETT, Molloy
The end is in the beginning and yet you go on.
SAMUEL BECKETT, Endgame
Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.
SAMUEL BECKETT, Worstward Ho!
The fact is, it seems, that the most you can hope is to be a little less, in the end, the creature you were in the beginning, and the middle.
SAMUEL BECKETT, Molloy

(i must add, i cannot stop from adding, that i wish my gothic wonderland students had bothered to read, to really read, to think, to really think, the beckett i forced down leurs gueules de bois ... but no, they managed to decide, in an incident of mass hysteria, that en attendant godot was "about" homosexuality. no, i'm not kidding. those essays, taken with the berkeley student, a brilliant young man, who chose to write his first composition in the form of a suicide letter, were among the most horrific teaching moments of my career.)


© 2015 L. Ryan

Thursday, April 24, 2014

A Letter From My Buddy Barack Obama

I love it, more Secret Service Envy headed my way!  Having been the only instructor at Major Gothic Wonder Land University to hold a required class on the day Ronald Reagan came to jabber at the undergraduates, and wave at the picketing grad students, I am a favorite of the Secret Service.  What they can't figure out is the "no-make ups allowed" major exam question that equally (always *equally*) excited my students -- made up of 14 upperclass undergrads and 1 relieved Divinity School doctoral student:
Explain, dissect, conjugate, and defend the following assertion:Michael Reagan, son of United States of America President Ronald Reagan will one day serve on the board of The John Douglas French Alzheimer's Foundation.

Of course, this pretty standard "no-make ups allowed" major exam question was in French, as this was a course designed to dunk -- by which I mean, of course, immerse students into French Lit.  As you can tell from the question, we had just finished reading Samuel Beckett's Waiting for Godot.

Oops.  Train of thought problems, yet again.  I was telling you about the letter I just personally retrieved from my private email account -- known only to my best of best Facebook Friends. [Loud guffaw! I have a fake Facebook account and about, oh, two Friends, all the rest being right-wing relatives.  My two Friends are right-wingers, as well, but tolerant.   Very tolerant.]

So, yeah, it was from Barack.  My buddy Barack.

[Look, let me settle this, as I just was barraged, nay, blitzkrieged by two Super Secret Facebook Friends who are actual full-blood relatives and consider themselves, and I quote:  "progressive as hell, girl!" Fine, let them assert their leftist tendencies.  Yes, their leftist tendencies surpass even my own, to the extent that I doubt either of them have ever voted in their entire political adult lives.  Not even for McGovern.  Okay... I'm telling lies now.  Let's just say that they may temper their support for President Obama due to expectations of a shift to the left by a rather large amount.  Not this profderien, no ma'am! I adore, respect, love, admire, and imitate this intelligent sign of life -- and his awesome family -- every chance I get.  Well, okay, so there are a few things, policy-wise, that could use a slight Marxist tweak, but, most days, I'm fine with that.]

That's right. The President, himself, writing to The Moi, care of, admittedly, the Haddock Corporation (now completely divested from Halliburton *).

 * Can you freaking believe that "Halliburton" pops up as a correction in SPELL CHECK?! How screwed up is that?  I mean does "amnety internatenal" show up in spell check? No, it does not, thankyouverymuch!  Jesus.

Cough.  Yes, my friend Barack wrote to thank me -- just me -- for my round-the-clock, high tech multi-year campaign on behalf of the watered-down Affordable Care Act.  I keep referring him to my other dearest pal, Bernie Sanders, but haven't heard yet how that's going (so much to talk about!).

In the past, as many a Beloved Reader of this blog recalls, I have shared a few of my personally keyboarded letters to our President -- never violating protocol, naturally, but always seeking advice from the now deceased Tante Louise on how best to post presidential correspondence
Well, okay.  Tante Louise and I may have flubbed a few posts in which my buddy Barack figured, but we toed the, er, red line in the, er, sand when it came to my personal, and by personal I mean one-on-one, tête-à-tête sorts of intimate, soul searching, letters.  The whole Flaubert and Bob Herbert catastrophe.  The admittedly odd basketball post.

Even when you limit a search of this blog to "Obama, ACA," there are just a half-dozen or so weird ones...  I mean, omit blog war waged on Walmart, and the regrettable incident in which I claimed not to be able to support "Obamacare" until Socialism was in place.  I was on drugs.  You can tell, I bet.  I mean, look -- clearly, I say often enough that Obamacare -- the ACA, the PCIP, whatever you like to call it -- saved my life.

Probably, that's all my vast reading public needs to know:  President Barack Obama saved my life.
And then pulls off this comedic email in which he pretends I had something to do with this brave legislative and moral effort [ ::waving:: at teddy!].

That is a true friend, indeed.

Oh hell, there is a man in a terribly plain blue suit that has been tailored, clearly, to hold a spare machine gun and drone in the small of his large back... peeking in the badly leaded hand-poured window panes that stud the upper chamber of the Computer Turret.  I have repeatedly and repeatedly asked Barack, even "cc"-ing Michelle, to have the damned Secret Service "STAND DOWN," already!

Jesus.


Lincoln's Presidential Seal



[Hi there, prof-de-rien!  How're they hanging?]

I had to take a moment to say thank you.

Lisa, you made history.

A long line of organizers fought for nearly 100 years to make health care reform a reality, and now we're seeing the results. Millions of Americans have health insurance today, thanks to reform -- some for the first time in their lives.

The work you did is how real, lasting change gets made, and I hope it will be remembered for years to come.

I'm so happy your name will be there, alongside mine, as part of OFA's permanent record of the people who made health care reform happen.

If you know anyone else who deserves to be recognized, tell them to add their name here:

http://my.barackobama.com/You-Made-History

Anyone who was part of this decades-long fight will tell you it was never easy, but it was always the right thing to do. Teddy Roosevelt knew it. Harry Truman knew it. Teddy Kennedy sure knew it.

No matter how hard it got, the results we're seeing today make it all worthwhile. Millions of Americans now have coverage, and even more have better health care, thanks to the work you did.

Take a moment to let that sink in.

It's proof that when people come together and fight for what they believe in, real, lasting change is possible.

I can't thank you enough,

Barack Obama






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Tuesday, April 24, 2012

when you are having yourself a day

The Ballad of Pancho and Lefty
by Townes Van Zandt
Livin' on the road my friend 
Was gonna keep you free and clean 
Now you wear skin like iron 
And your breath's as hard as kerosene 
You weren't your mama's only boy 
But her favorite one it seems 
She began to cry when you said goodbye 
And sank into your dreams


Pancho was a bandit, boys 
His horse was fast as polished steel 
Wore his gun outside his pants 
For all the honest world to feel 
Well, Pancho met his match you know 
On the deserts down in Mexico 
And nobody heard his dyin' words 
Ah but that's the way it goes


All the Federales say 
Could of had him any day 
Only let him hang around 
Out of kindness I suppose


Lefty, he can't sing the blues 
All night long like he used to 
The dust that Pancho bit down south 
Ended up in Lefty's mouth 
The day they laid poor Pancho low 
Lefty split for Ohio 
Where he got the bread to go 
There ain't nobody knows


Well, the poets tell how Pancho fell 
And Lefty's livin' in a cheap hotel 
The desert's quiet and Cleveland's cold 
So the story ends, we're told 
Pancho needs your prayer's it's true 
But save a few for Lefty too 
He just did what he had to do 
And now he's growin'old


A few gray Federales say 
Could have had him any day 
Only let him go so long 
Out of kindness I suppose




i heartily recommend sleuthing as many covers as you can of pancho & lefty when you are having yourself a day:  emmylou harris merle haggard bob dylan steve earle willie nelson gillian welch david rawlings sam beam glen hansard clay george rodney crowell halfway home kris kristofferson darius rucker johnny bush jim burns specs hildebrand roger clyne andy hersey the cumberland trio jason isbell browan lollar andrea parodi massimiliano larocca hurray for the riff raff jim dalton johnny hickman ian siegal cody canada stoney larue

the one leading off this post is lovely, by gillian welch and david rawlings, on september 27, 1997, for acoustic stage at the fireman's kitchen, in hickory, north carolina.  that's 30 3rd St NW, Hickory, NC, 28601-6135. 

everything has to happen somewhere.

if you're really havin' yourself a day, about now you'll be wondering what the hell ever happened to that sweet little nanci griffith, so best take a break.  wasn't she a school teacher marm?  just joshing, nanci's got a new album out, intersections, which, unfortunately, is being described as "adenoidal" and "pleasant," not terms you'd expect to share a review.

this is turning into a train wreck.  quick, shift gears!  or, rather, do some activity appropriate to a train.

watch the last waltz, your favorite bits of it, while averaging the manor electric bill for january through march, as you are supposedly working on amending the 2012 utilities budget.  don't throw the paperwork on the floor until you're done with it.

if you are having yourself a day, remember that you were once a member of the afl-cio.  march in a small circle;  nap yourself a power nap and dream you saw joe hill last night.

but mostly, what i do, when i am having myself a real day?  i just sit smack dab in the middle of mr. townes van zandt.  but that's the kind of day i have.



I come from a long line
High and low and in between
Same as you
Hills of golden
Hails of poison
Time's thrown me through
And I believe I've come to learn
That turnin' round
Is to become confusion
And the gold's no good for spending
And the poison's hungry waiting


What can you leave behind
When you're flyin' lightning fast
And all alone? 
Only a trace, my friend,
Spirit of motion born
And direction grown.
A trace that will not fade
In frozen skies
Your journey will be
And if her shadow doesn't seem much company
Who said it would be?

There is the highway
And the homemade lovin' kind
The highway's mine
And us ramblers are getting the travelling down
You fathers build with stones
That stand and shine
Heaven's where you find it
And you can't
Take too much with you
But daddy, don't you listen
It's just this highway talkin'


All things at our life
Are brothers in the soil
And in the sky
And I believe it
With my blood
If not my eyes
I don't know why we can't
Be brothers here
I know we should be
Answers don't seem easy
And I'm wonderin'
If they could be

yep, i'm having myself a real day.  too sweaty from the cold and too shivering hot to get much into complaining.  things hurt, enough said?

my family, by which i mostly mean my brother-units and myself, came individually to love and honor pancho & lefty, itself just a song, to us an archetypal memory. (though none of us remember precisely when, exactly, townes van zandt juiced and sluiced our genes in the hopes of -- in the hopes of, oh i don't know! not slipping away?)

"it came from out of the blue.  it came through me.  it's a real nice song..." says townes, making outrageous claims about pancho villa and being a songwriter and not having had a drink since last night.






i think i adore townes van zandt and appreciate all the time he spent channeling me when he might have been living.

kim ruehl -- who has likely had a few days, herself -- has some thoughts about pancho and about lefty.  (she's one of my favorite writers about the folk, uh, scene.)
"Pancho and Lefty" is confusing. Townes left a lot of the story out, which I believe is the source of the song's strength. You can't do that with any other form of storytelling, not in the same way at least. With novels and poetry, you can only leave things out after you've convinced the reader their opinion is part of the story. With songs, you don't have to involve the listener in order to leave space. You do, however, have to manipulate a melody so that it gives the listener room to fill in the holes on their own while you take a break between verses.
The instrumental breaks in "Pancho and Lefty," at least in Townes' version, seem deliberately un-developed. There's no show-off guitar solo, no sudden, out-of-left-field other instrument to pull your mind along the journey. There's some slight development, but it's so distant and understated that it's easy to not even hear it. You're left to follow your own train of thought.
He sets up the story - about a couple of outlaws, their friendship (if that's what it is...I sometimes think it's a love affair, but that's another matter), their exploits, their mistakes and ultimate failures. He gives you a few context clues, a few verses and lines about their personal lives. Most telling, in my opinion is this line from early in the song: "You weren't your mama's only boy, but her favorite one it seems / she began to cry when you said goodbye and sank into your dreams." It's not clear whether the "you" here is Pancho or Lefty, and it almost seems irrelevant. It's also not clear whether the "you" is the one sinking into their dreams, or whether it's their mother who, no doubt, was more saddened by her son's dreams than he was. Dreams aren't generally something you sink into, unless they're misguided. It's probably one of the most fantastic lines to set up a song that I've ever heard.
Townes had a way of nailing life's complexities and shortcomings, expressing pity for people's personal plights. His songs, all of them, shed light on the numerous layers of everything, underscoring the fact that no story is cut-and-dry. What has made "Pancho and Lefty" more resonant than some of the others is confusing to me. It's not my personal favorite from his body of work. How many of us can truly relate to the overall story? Sure, most people can relate to lines like "Lefty can't sing the blues all night long like he used to." We get the way life changes us, though we often don't understand why. This song nails how it feels for life to slip away on its own, leaving one to catch up to their own self. Early into the final verse, he sings, "The desert's quiet and Cleveland's cold / so the story ends, we're told." Then he continues with the story, which only makes a point that the story never really ends. Nothing ends as simply as a camera panning away on a quiet desert and a cold city. Even a made-up story in a song is more complex than that.
What makes this and, for that matter, all of Townes' songs great, are the spaces he leaves. The unexplainable emptinesses. It doesn't require any understanding or participation from the listener. It simply sheds light on the parts of us which emerge in its presence. When the song backs off, away from the narrative and the lyrics, when it breathes, and when it ends on that unresolved chord, it leaves us with our ideas exposed. In such an unassuming, subtle way, it pulls something to the surface.
not too shabby a post for a day, y'know?  i mean, there's audio,  a video,  an informed quote.  i hammered out a budget, watched the greatest rock film ev-er, and imagined myself sitting alone in the middle of the worn wide boards at the heart of this salvaged pine floor.

oh, i guess i should confess that pancho and lefty have forever been manifestations, to me, of lucky and pozzo.  in fact, i will not be surprised to find, when i reread this later, lucky and lefty, transposed.                                                                                                                                                                                                      

Lucky and Pozzo in Waiting for Godot by Samuel Beckett
  


and, happy conundrum, townes van zandt makes me think of samuel beckett, were he in a wordy way.  for some of the same reasons put forth by kim ruehl do i think this way, as i have myself quite the damn day.  silences and spaces, literal holes in the story.


like pavlov's dogs, every mention of waiting for godot necessitates the memory of how nary a one of my students ever argued for pozzo to be god, if god had to be godot.  no, my students were too engaged in a sartrean struggle to establish vladimir and estragon as the first homosexual couple of western literature





Definition of SARTREJean-Paul 1905–1980 Fr. philos., dram., & nov.— Sar·tre·an or Sar·tri·an  adjectiveRhymes with SARTREartcartchartChartresdartfarthartHarteheart,kartmartpartsmartstarttartBrowseNext Word in the Dictionary: SassoonPrevious Word in the Dictionary: Saroyan

nearing the end of my having-myself-a-day day, i plugged "what does pancho and lefty mean to you?" into my preferred search engine.  the first of the responses that i read, "meditation on poncho and lefty by fort worth songwriter townes van zandt," did not disappoint. [pOncho?]  but even after straining my poor brain, i cannot reliably report which of my former duke students authored the central probing analysis, cleverly presented as "the editor," though i have pegged a few of the way astute comment writers as core members of my 8 o'clock session, spring semester, 1999 intro to french lit class ["ou l'optimisme..."].  these five "meditation" responders, for instance, are clearly meghan, lorenzo, tom, adele, and constance:





Thanks for the heads up on the author. I never went that deep before now, I just thought it would make a kick-ass video

I thougt it might be lefty dizz or lefty frizell. But just recently another lefty died who may have been him – lifespan alittle longer than lefty dizz. 

I will have to investigate/muse over this.


poncho and lefty were identical twins.werent his mothers only so but the favourite one means that poncho had a brother – probably leftyponcho met his match one day means lefty was his identical brotherthe dust that poncho bit etc means I think that poncho killed lefty , assumed his identity and fled.he cant sing the blues anymore cause he is not lefty he is poncho masquerading as lefty.thats why we say prayers for lefty – he is the dead one



The story of Poncho and Lefty is not about any of those stories mentioned above. Instead it is about Poncho and his friend, Lefty, who may or may not be related to Poncho, and what had to happen as the end for Poncho grew near. Lefty was a Villa sympathizer. What he only did was what Poncho wanted. I know because my grandfather I believe was Lefty and the story that he told is pretty convincing that he indeed was Lefty. As I heard about the story growing up, the song Poncho and Lefty was something neither he, my Dad or I even knew about. It was not until my Dad passed away in 2005 that I heard the song and finally put it all together.



Thursday, February 18, 2010

REPOST: "the unintelligible terms of an incomprehensible damnation"

2/18/2010: Why another repost? Well, it seems high time to move the previous post out of its position of primacy. Oddly enough, this repost also contains the early ruminations about cyberstalkers -- comedically known as inveterate "yes, but"-ers! So why *really* is this being reposted? Because as I watch the Olympic skiers, I remember my darling Bill.

Oh, unclench your orifice! It is a good thing this time. I am getting better at this.

I loved him. He loved skiing. So why in the world should I cringe and cry before the evidence of all that joy? I am twisting and turning, laughing and shaking off the real snow flakes on the shoulders of my imaginary faux-fur lined parka. I see him in every face.

And if, now and then, his voice sounds, trailing away in little boy tones on that long-ago telephone? It was gut-wrenching then, and still sometimes now... but at least I can recognize what an honor it was, just to be there, hanging on to that land line like it was the tether to the whole goddamn ball of wax.

It was what it was and I am getting better at remembering with honesty. They're a special breed, these alpinistes!

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

(ORIGINALLY POSTED 11/2009)I have rarely been afraid to write here, or anywhere. Certainly, grad school and trepidation went well together, but like labor pain, that pain has faded so that I almost don't remember the minor agonies that birthed my degrees. Unfortunately, the life of those degrees is not the extension of self that a child might be.

I am afraid to write to you, but will conquer that fear with this post. (Don't flee before my MollyBloomEsque monologues, as they matter to the story!)

After my love-and-hate relationship with the sciences, and inspired by working 40-hour weekends in a CCU so that my scholarship money might actually cover tuition and books, I decided on a BA in French. So as not to fall prey to the frustrations of teaching forever in some backward schoolhouse in the boondocks, I decided to shoot for [my concept of] the Upper Room of Literary Criticism and go for a Master's at UC-Berkeley.

As part of my plot, er... plan, to get the hell out of Dodge and into the Cradle of My Civilization in the sanfranciscobayarea, I decided to compete for a scholarship to "do" linguistics at the Université de Montréal. I saw it as a way to simultaneously beef up my education and also legitimately respond to a growing personal interest.

So the two years leading up to the exodus to California were, obviously, frenetic and academically challenging. I managed to cram three years of study into two, do two minors, the aforementioned 40-hour weekends, and pursue a pretty active social life, as well. Indeed, during some of that period, I was head-over-heels in love.

But what you cannot deduce without more information is that these years were also the absolute worst of my life. I actively work at not remembering, and am talented at that particular waste of The Life Force -- until someone does something, or something happens, that calls it up. Then? Then I relive it as if it has never stopped happening. Not to sound too SamuelBeckett but it feels as if the events of that time are always and forever on the verge of happening.

It was an insightful prof who lead me by the hand to Beckett's continually becoming body of work. My friends, colleagues, patients, and loves all traveled together, rocking to the sound of his gravelly voice. I drank and drugged, coffee'd and smoked, and knew only that because I could not speak, I had to speak.

Beckett taught me how to live the story of my life without a plot, how to speak my pure monologues in order to stay alive, how to live detached, how to sit, peacefully,separately, in the middle of an unnamable, disjointed, haunted mess -- always, always, speaking, telling, voicing, in order to exist, in the hope of existence.

I return to L'innomable the way some turn to The Bible -- it is my floating driftwood when vessels flounder. It is something entirely different from a "favorite novel," because we all know that would be Lynne Sharon Schwartz's Disturbances in the Field. Or Anouilh's Becket ou l'honneur de Dieu. It's a tough call.

Sometimes, I think it is the relative ease of moving from French to English, English to French, that ramps up the usefulness of S. Beckett, because the language never leaves the author's intent; We have the author's best in either.

And so from L'innomable, this phrase bent over my shoulder and offered itself up as The Expression of That Mean Time.

the unintelligible terms of an incomprehensible damnation: “Where now? Who now? When now? Unquestioning. I, say I. Unbelieving. Questions, hypotheses, call them that. Keep going, going on, call that going, call that on.”

Yes, I could keep going and you might think me rambling, but it isn't but I must say it, I simply must, or I will never write again the possibility, the possibility of writing.

Between my freshman year at an elite, private college and the richer aggregate of time at a large, mediocre, public university, I took what is known as "a break." You are likely familiar with the concept! [If you took "a break" at some point in your life, stop a moment, and remember, smiling.]

The first experience was a snooty education geared to the production of doctors, lawyers, and presbyterian ministers. Emblematic of my issues there? I was clearly destined to be pre-med but most enjoyed calculus and p-chem when seen more as competing philosophies. I adored biology but enjoyed training as an EMT better. Because I am tall, I was appointed to stand under the basket when my dormitory hall participated in mandatory intramural athletics - often of a Sunday afternoon, after a Sunday morning in mandatory Chapel. Yet every weekday that I was able, I ran to the empty tennis courts to play Wall Ball. I wasn't good enough to even make the tennis team, despite having an undefeated high school record (we stacked a good deck!).

I wouldn't have minded being pulled in multiple directions, if my honest interests were represented, but it quickly became clear that they weren't.

On a purely emotional plane, the pushme-pullyou nature of things continued. One of the reasons I chose this snotty school was that my biological mother, stepfather, and two half-siblings had come from Turkey and settled nearby. She wanted to reconnect. I thought with me, but that was an interpretive error. She yearned for the three young kids she'd abandoned 14 years earlier, not the three young adults that actually existed. Of the three, I was the only one to make any move to meet her, there where she had decided to make her stand.

It's unfortunate that I did not know of her obsession with Brother-Unit Tumbleweed, whose photography serves as windows from this blog. His decades of picturing the canyon can be found at one of his blogs, American Idyll. Anyway, Tumbleweed had long been gone from my life when I started college -- he ran, he ran, he ran away just a few years after she left us high and dry in a foreign land. It was heartbreaking that no one told her, and I confess to thoughts of fleeing, myself, when the second thing she said to me upon our reunion was "How is myfirstchild?" I developed a stammer that lasted the whole evening.

"He's... gone. He left. Didn't you know?"

I accented every final syllable. Her eyes became, and stayed, a wasteland. [And now she, too, is dying.]

We had two brief meetings, carefully brokered by lawyers, while I was in high school, but now, as a pseudo-adult, I wanted to use some of my college time getting to know her and her family.

Much as with the ivy-leaved bricks, there was a wall; I just couldn't do it. We were all so fundamentally different one from another and the word love flew off of loose lips at a rate that I found both alarming and insulting.

I still do not trust anyone who blathers on and blithers about the meaning of friendship, and lovelovelove. "Show me," I beg, silent.

So... that's why I took a break.

I worked in a hospital, in the post-intensive neuro ward, and took courses (like World Civilization and Death as Metaphor, plus several creative writing workshops) in a catch-as-catch-can sort of way. I lived with some incredible and mind-boggling people -- a respiratory-therapist-turned-waitress who took at least three new men to bed per week, was on probation for selling drugs, and who racked up several DUIs during my stay... and a woman who was just plain looney-tunes.

I'm just sayin'.

Lastly, I lived with Bill, the real and true love of my life.

By the time Bill had to move home to Ohio because he suffered a recurrence of an aggressive brain cancer, I was ready to leave the mountains, head back east, and throw myself into forgetfulness.

And so I did.

I am not crying as I write this. I hold the picture-snap memories at a cold distance while I share with you the bare minimum of moments.

It's not as if I have the words to say the feel of the weight of him on top of me, his long black hair in my mouth, as I hold on to dear life.

Bill's parents did not like me much. I was the Harlot that had spirited away their talented son. It must be the brain tumor that chose the Harlot, they said. Otherwise, he would be doing as they expected him to do, which involved a born again Christian woman from a family already in their sainted circle.

And so at first it was a rocky relationship, the bizarre telephone routine that developed between me and Bill's Mom. Bill felt the décalage, the disconnect, between his physical decline and his image of what he was able to do, and he did not deal well with it. Then, after he did make his peace with his loss of coordination and stamina, with the terrible head aches and fog, he had no weapon against his loss of recent memory. He had to learn and relearn hard, painful lessons.

His mind apparently would go back to our time living together, and he decided, somehow, that every order he did not like coming from (primarily) his mother merited a phone call to me. I would have to support her demands, explain them over and over, while walking to and fro in the sunny living room I now shared with my best friend The Radical Iranian Lesbian.

The hardest thing was The Nap. They were trying to help him cope by entreating him to nap every afternoon -- it also coincided with the timing of some important medications. It mattered, is what I am trying to say.

At least, it mattered until the day it just didn't anymore.

Shit. I am crying. Excuse me, I'm gonna go cook something. I'm thinking a One Pot Wonder, starting with onions, garlic, sea salt, cumin, turmeric, and so on. A grain, some protein in the form of lentils and peanuts. I need to finish off some veggies, too.

Okay, I'm back and does it smell good in here! Yum... It turned out to be a marathon due to the comingling of foodstuffs requiring very different cooking times.

So... the last phone tag game Bill's Mom and I played, indeed, the last time we "spoke," was a conversation that went around and around the topic of The Nap.

We would hammer out the Why of The Nap, he would murmur assent, and then within 30 seconds, he would say, "But Retired Educator! I don't want to take a nap!" Yes, he sounded sweetly sleepy and all of two years old.

He told me he wanted to go for a ride in the car but that they wouldn't (of course) give him the keys.

He told me he didn't like the medicine.
He told me he was tired.
He told me he didn't know who I was.
He told me he loved me.
He told me he hated me because he didn't want to take a nap and he hated his medicine and why wouldn't his mother just leave him alone, and how much he loved his mother, and his dad.

And I was worn out, my floor was being worn out with the pacing, I needed to throw up or smoke a joint.

And his Mom got back on and I told her, "I cannot do this anymore..." And she answered, not missing a beat, and I didn't even know we had a cadence, and she said, "I don't think you'll have to."

A neat story would finish: And he died in his sleep the very next day.

But he didn't. He hung on for months. We spoke but less and less, as there was nothing to say.

Then he died. I have no idea if he died peacefully, or well. (I have an unfortunate belief that dying well is very important, as so I did not ask, as I could not bear knowing.)

The last six months of Bill's life, I began to date Brian. I met Brian before Bill, actually, and found him interesting, but mostly just found him... available.

We were very compatible sexually, liked much of the same music, and that was about it.

Not being someone who was able to see a sort of morbid leitmotif running through my romantic life, it didn't matter much to me that he was a hemophiliac, that we made a couple of runs a month to the Emergency Room so that he could receive Factor 8. He had a tendency to bleed into his knees and hips.

I thought he had a great attitude about it, and admired his determination to try and live a normal life, especially his insistence on fun, fun, fun. We had sex and went to concerts, and enjoyed food shopping and experimental cook offs. He was handsome and smart. I close the lids of my eyes today -- I see him. Full-lips, wheat hair, a baritone voice.

These days, I cannot sleep because of pain, and now I understand why Brian could not sleep. I was an insomniac because of the constant thoughts of what was happening to Bill, my 40-hour weekends, and my obsessive perfectionism in my schoolwork.

Sleep would have provided an unwelcome opportunity for dreams.

We did drugs, we drank, we smoked. All of that aside? It was a pretty healthy life. {coughcoughcough}

After Bill died at the ripe old age of 24, I thought I'd be relieved, thought that after grief came release. But -- possibly because I was slightly repressive with my emotions {coughcoughcough} -- that's not what happened.

NOTHING happened. The world didn't stop, or even pause, in its turning. I could not understand why all of nature did not weep.

I had set so much in motion academically that it was easy to just stay in kind of a latent, milky, sexy, depressive denial. The harder a task, the better. And there was always Brian.

At some point, Brian began to feel threatened by Bill, and his death did not diminish his feelings. I must confess that, even now, I don't understand how or why it came to bother him so. It began to be apparent to my co-workers and friends that while I was not serious, Brian was. Terribly.

So I began the breaking-up process, that ugly dance. I became less available. I shared less. I talked about my academic plans, the moves that were coming up, my plans to do some preliminary great work in Québec, then Paris, all before Berkeley. I got breathless just laying out the itinerary.

Did I pause to notice that Brian's life was set in stone, that no matter whom he dated, his struggle with hemophilia and a sadly dysfunctional family would always define his existence, and chokes his dreams? Yes and no, both. Of four sons with hemophilia, only two were still living. Brian lived with his mother; And his mother lived in a time warp, in a place in her head where her children had been born well, and happy, not cursed by blood-borne disease.

I actually wrote down a heartless plan for the final week of our romance -- I thought I could organize and execute the rupture with cold precision. The day I had indicated as the last day? He came over unexpectedly that morning; We had plans to meet for dinner. He put a big grocery bag on the kitchen counter, full of the makings for a cheese souffle. It was only about 9:30 in the morning, and I was honestly distracted by some last minute reading for a seminar, and so was surprised when I got up to find him in the bath, candles lit, music soft.

It was one of his favorite things to do -- in part, I surmise now, due to the comfort of warm water on his joints. At the time, it just screamed "sex" to me! And on that particular day? Break-up Day? Well, I came close to screaming, and the words coming out of my mouth weren't related to sexual pleasure. No, I think I unleashed my grief at him, my sense of drowning came rushing out, water swirled round and round, clockwise because we were North of the equator.

I didn't know much about mental health. If I had, I might've realized that Brian was no longer functioning in reality. He was suffering psychotic breaks. He made numerous suicide attempts.

By the time he stormed out of my place that day? Brian was my stalker.

That word wasn't much used, then. Guidelines were not in place, authorities were blissfully unconcerned, even in my university town. How do I know? Because I ended by seeking help everywhere I could and there was none to be had. Except for counseling! I went into counseling! Actually, the counselor was a good egg, a wonderful friend by the end.

Brian knew my schedule backward and forward. He knew when I turned on the radio, and would dedicate songs to me. He waited for me in the library stacks. He followed me in the hospital, until he decided, via incomplete suicidal gestures, to become a patient in the very unit I worked. I was sent home several times because he had become a patient in the CCU. Once, he overdosed on aspirin, the hemophiliac's inside joke.

The unit had 16 beds, 8 per hourglass side. We tried having me work the other end, ducking as I went room to room! But he would see me and begin to wail, "Retired Educator, Retired Educator, I did it because of yoouuuuu!"

This went on for about 3 months, I think, steadily escalating.

I came to value friendship, and understand it, as never before. My friends organized themselves as lookouts, and as the situation got more and more dangerous, went themselves to the cops and Brian's new psychiatrist.

An aside: I cannot remember her last name, but Anne was possibly the worst psychiatrist in the entire world. If she had listened to us -- and I believe I was but one of five people who barged into her office -- Brian might still be alive. I might be a happier camper, who knows?

I did not know that stress could reach the heights my stress accomplished. I developed gastrointestinal bleeding, lost over 20 pounds.

Threatening suicide over and over -- it is a very mean and hurtful form of intensely personal attack. Just when it would seem every effort to ignore Brian should be made, I was emotionally blackmailed by an onslaught of suicidal threats. I glared, uncomprehending, at my counselor and at my co-workers when they suggested that I not respond.

How do you just not respond when someone contacts you to say that they want to end their very existence, when this is someone you have talked to through long nights, shared with, slept with? To this day, though I am now schooled in what might be called a Tougher Love, to this day... I don't know, I don't know.

I do, however, have a very healthy and robust anger that springs forth when anyone so cruelly hurts another.

Brian attacked me physically four or five times. He proved adept at breaking into, and stealing, my car.

The two times he attacked me inside my own home, though, are episodes I am able to relive in minute detail. I envy people who are able to subsume their memories into neat containers, labelled things like "scared to death." I would have to be one who, instead, can actually see and feel the hands going around my neck, squeezing, as the back of my head is slammed into the white plaster wall.

I would have to really see the weird offerings he'd leave on my front seat, particularly the last gifts: his beloved boots, The Beatles' Love Songs, sheaths of rambling writing, a red rose.

The last weekend, my friends were even on duty while I was at work. We had found it easier to track Brian constantly, and then react as needed, rather than passively wait for him to show up and do God-knows-what.

I don't think I put in more than 3 hours that Friday before I looked up to see my counselor peeking in the unit door. Brian had made another suicide attempt and one of my friends had managed to get an ambulance sent to him in time. He was combative, and was making threats.

The police consistently maintained that they could do nothing to help me (or Brian) unless I called them while actually under physical attack. They wanted to characterize his terrifying verbiage as some sort of passing love sickness.

My counselor begged me to leave work and go stay with his family for the night. Really, I wish, right now, that I could hug that man and thank him, yet again. I think he probably saved my life.

They released Brian around midnight. Yes, you read that right. They just let him go.

The Brian-Monitoring Gang was, like me, exhausted. I imagine that night as the first night in a long while when we all got a decent sleep.

They found Brian early the next morning, in his car, parked in a wildlife reserve. He ran a hose from the exhaust into the driver's side window.

He left notes everywhere. In the car. In my home. In his Mom's kitchen. And he made sure to mail a bunch of stuff as well, from different places, that I began receiving on Tuesday. [That's a detail that eats at me for some reason. Why did he travel such far distances in order to mail different pieces of hateful correspondance?] [And why do I persist in wanting anything he did to make sense? He was delusional; He was psychotic.]

I could go on and on, but I am sure you want this post to end, and I KNOW that this has been a huge and tremendous drain (and simultaneous boon) on my mental reserves.

Brian was consistent in his final messages. He wrote, in as many permutations as possible, that "I am dead because Retired Educator refused to love me back."

So they buried Brian next to his brothers. I met his surviving brother, a novelist and playwright. When I moved, years and years later, guess who was living three blocks away from me? No shit!

I was barred from the funeral. Brian's admonition that he was dead because I would not love him back? It took on a life of its own after he died, blue and stiff, and cold. Words are lively, and tenacious.

I did not miss a beat. Back to the rigor of school and work, getting ready to go to Montréal to work on the linguistics of joual.

Oh yes, I forgot. I made what might be called the "finals" of the scholarship competition. The last task was to write a long devoir in a five hour period -- the questions only unveiled the day I sat for it.

Two of the five hours were spent trying to escape Brian and his patented grab-her-by-the-neck-slam-her-into-the-grey-cinderblocks technique. I had been consigned to a large, mostly empty classroom building adjacent to the Foreign Language Department. I might also have died that day had not my sponsor decided to drop in to see how my work was going. Instead, she found me huddled in the corner of the room with a bruised neck and face, flecks of blood in my hair.

I remember my shock at her shock. Somehow, I thought everyone knew what was going on. I saw her at least a dozen times a week, for class, for chats. How could she not know about Brian? About Bill? Had I really remained mute through it all?

Back in September of this year, a friend to whom I had been serving as a kind of mentor got herself caught up in some kind of feud with another person, online. I had "known" her for over 2 years. I knew she had a lot of problems but I also believed her when she said she was working on them, overcoming them. I believed her when it seemed that, overnight, the whole world was against her.

It's a long and boring story, and sadly, it doesn't seem to end.

She has become my cyber-stalker. I know, in my head, that she won't come and bash my head into the thick walls of Marlinspike Hall, at least, I hope she won't.

Cause I hate when that happens!

I did not know that all the feelings from that sexy, heavy, wet, slow, warm and cold, thick, dead, frenetic time could be revived -- by a woman known to me only through words on a screen, and pictures.

Once again, my stomach bleeds, my intestines churn, I cannot eat, I cannot sleep, I am drowning in it all again, and it isn't easier for water having passed under the mossy mossy bridge.

the unintelligible terms of
an incomprehensible damnation

the unintelligible terms of an incomprehensible damnation
the unintelligible terms of an incomprehensible damnation the unintelligible terms of
an incomprehensible damnation



I want to leave you with the only words I feel like I have ever really known.

Please approach the translation below as if it were a holy space, because it is. This is called the last sentence of Beckett's The Unnamable -- "Parsed and Punctuated by Colin Greenlaw."

If you wish to ignore it, move your hand slowly to your mouse and cursor; Create some distraction to draw my eyes away, make a scene.

"Look, Retired Educator, a brontosaurus!"

Where? Where?
If you are open to the experience, pour yourself a stiff one, or brew some largely unknown form of tea, and dive in. Don't forget to tell someone where you have gone, in the event of an emergency.
I don't hear everything, that must be it, the important things escape me: it's not my turn. (The topographical and anatomical information in particular is lost on me.) No, I hear everything (what difference does it make?), the moment it's not my turn: my turn to understand, my turn to live, my turn of the life-screw (it calls that living!), the space of the way from here to the door. It's all there, in what I hear, somewhere - if all has been said, all this long time. All must have been said. But it's not my turn to know what: to know what I am, where I am, and what I should do to stop being it, to stop being there (that's coherent), so as to be another (no? the same? I don't know), depart into life, travel the road, find the door, find the axe (perhaps it's a cord) for the neck, for the throat, for the cords. (Or fingers: I'll have eyes, I'll see fingers.) It will be the silence. (Perhaps it's a drop: find the door, open the door, drop. Into the silence.)



It won't be I. I'll stay here - or there (more likely there). It will never be I, that's all I know. It's been done already, said and said again: the departure, the body that rises, the way (in colour), the arrival, the door that opens, closes again. It was never I. I've never stirred, I've listened.



I must have spoken?



Why deny it? Why not admit it, after all? (I deny nothing, I admit nothing.) I say what I hear? I hear what I say? I don't know. One or the other. Or both. (That makes three possibilities: pick your fancy.)



All these stories about travellers, these stories about paralytics: all are mine. I must be extremely old (or it's memory playing tricks). If only I knew if I've lived, if I live, if I'll live - that would simplify everything! Impossible to find out, that's where you're buggered. I haven't stirred, that's all I know. (No, I know something else: it's not I - I always forget that.) I resume (you must resume): never stirred from here, never stopped telling stories, to myself (hardly hearing them, hearing something else, listening for something else), wondering now and then where I got them from. Was I in the land of the living? Were they in mine? And where? Where do I store them? (In my head? I don't feel a head on me.) And what do I tell them with? With my mouth? (Same remark.) And what do I hear them with?



And so on, the old rigmarole. It can't be I. Or it's because I pay no heed: it's such an old habit, I do it without heeding. Or as if I were somewhere else.



There I am far again, there I am absentee again: it's his turn now, he who neither speaks nor listens, who has neither body nor soul. It's something else he has: he must have something, he must be somewhere. He is made of silence (there's a pretty analysis), he's in the silence. He's the one to be sought, the one to be, the one to be spoken of, the one to speak. But he can't speak: then I could stop, I'd be he, I'd be the silence, I'd be back in the silence, we'd be reunited, his story the story to be told.



But he has no story, he hasn't been in story? It's not certain: he's in his own story, unimaginable, unspeakable. That doesn't matter: the attempt must be made, in the old stories incomprehensibly mine, to find his. It must be there somewhere. It must have been mine, before being his. I'll recognize it, in the end I'll recognize it: the story of the silence that he never left, that I should never have left, that I may never find again, that I may find again. Then it will be he, it will be I, it will be the place: the silence, the end, the beginning, the beginning again - how can I say it? That's all words, they're all I have - and not many of them: the words fail, the voice fails. So be it. I know that well. It will be the silence, full of murmurs, distant cries. The usual silence, spent listening, spent waiting, waiting for the voice.



The cries abate, like all cries. (That is to say they stop.) The murmurs cease, they give up. The voice begins again (it begins trying again). Quick now before there is none left, no voice left, nothing left but the core of murmurs, distant cries: quick now and try again, with the words that remain. Try what? (I don't know, I've forgotten, it doesn't matter, I never knew.) To have them carry me into my story, the words that remain? (My old story, which I've forgotten, far from here.) Through the noise, through the door. Perhaps I'm at the door! (That would surprise me.) Perhaps it's I! Perhaps somewhere or other it was I! I can depart! All this time I've journeyed without knowing it: it's I now at the door. (What door? What's a door doing here?)





It's the last words, the true last. Or it's the murmurs: the murmurs are coming, I know that well. No, not even that. You talk of murmurs, distant cries, as long as you can talk. You talk of them before and you talk of them after. More lies: it will be the silence (the one that doesn't last) spent listening, spent waiting (for it to be broken, for the voice to break it). Perhaps there's no other, I don't know. It's not worth having, that's all I know. (It's not I, that's all I know.) It's not mine. It's the only one I ever had? That's a lie: I must have had the other, the one that lasts - but it didn't last. (I don't understand.) That is to say it did: it still lasts. I'm still in it. I left myself behind in it. I'm waiting for me there. (No, there you don't wait, you don't listen.)



I don't know: perhaps it's a dream, all a dream. (That would surprise me.) I'll wake, in the silence, and never sleep again. (It will be I?) Or dream (dream again), dream of a silence, a dream silence, full of murmurs (I don't know, that's all words), never wake (all words, there's nothing else).





You must go on, that's all I know.



They're going to stop, I know that well: I can feel it. They're going to abandon me. It will be the silence, for a moment (a good few moments). Or it will be mine? The lasting one, that didn't last, that still lasts? It will be I?



You must go on.



I can't go on.



You must go on.



I'll go on. You must say words, as long as there are any - until they find me, until they say me. (Strange pain, strange sin!) You must go on. Perhaps it's done already. Perhaps they have said me already. Perhaps they have carried me to the threshold of my story, before the door that opens on my story. (That would surprise me, if it opens.)



It will be I? It will be the silence, where I am? I don't know, I'll never know: in the silence you don't know.



You must go on.



I can't go on.



I'll go on.