Showing posts with label Undying Love. Show all posts
Showing posts with label Undying Love. Show all posts

Friday, October 23, 2009

Men!

Truly, I don't want to sound like one of those women who routinely heave sighs before languidly kvetching: "Men!" I don't roll my eyes, either.

In my situation, it's either gonna be frustration with Fred, or frustration with La Bonne et Belle Bianca Castafiore -- so it's even odds that you'll hear "Men!" or "That Castafiore!" -- an exclamation of gender exasperation versus something altogether beyond gender, and very singular.

What's it gonna be today? I feel like snarling, "Guess!" -- but that would be rude. So let's go with:

Men!

Please allow me to trace the progressive locations of what began as a pile of dirty clothes. What day is it? Ah, ever-blessèd Friday.

On Tuesday, I was not feeling well. Believe it or not, my degree of well-being has a fair bit of variance to it! It's okay, with only this blog as a source of information? There's no way you could know!

Anyway, I nonetheless felt compelled to take on a few housekeeping tasks, among them, throwing some of my dirty clothes into the washer. That's not all that difficult an undertaking. Sometimes, though, due to my issues with arms and shoulders, I am not able to lift the weight of the laundry when wet, not able to transfer it to the dryer.

So Fred is accustomed to my requests for assistance and is normally great about doing that for me, as well as getting the dry clothes out and putting the finished laundry on our bed so that I can fold it. (Okay, so sometimes my arms and shoulders, or the lack thereof, prohibit the folding, as well.)

Dear Gentle Readers, allow me a moment of meditation about the bed.

Oh bed! oh bed! delicious bed!
That heaven upon earth to the weary head
--Thomas Hood

Sorry! Some people experience the Call of the Wild. Moi? The Call of the Bed. We frequently swap out headboards and other design elements, here at Marlinspike Hall, deep, deep in the Tête de Hergé (très décédé, d'ailleurs) -- yes, I got the memo from the Archduke, that trickster! Bed changes are especially common during the shift of seasons, when we also break out whatever linens are more appropriate to the new range of temperatures.

The Castafiore actually discovered the bed that Fred and I are currently rolling around in -- we call it a "reproduction" because it's a hodgepodge of styles and inspirations, but the suspicion is that it's an original (original what is the question). The posts fairly scream "British Isles, most likely Welsh! Tra La La!" The headboard proper is Gothic, and by that, I do not reference waxy-black lipstick or dog collars, though it is a look I admire. There's a classic barley twist to the posts -- slender, tapering, meandering, all bendy-like. The panels were made from Flame Mahogany, which all you furniture nuts know better as "crotch-cut": "'Flame' or 'crotch-cut' mahogany is cut at the crotch where a limb protruded from the trunk of the tree, producing a flame-like figuring. It is a cutting technique also used with other fine hardwoods, including walnut, and is extremely expensive, given the small number of major limbs on any trunk. It is a hallmark of quality in furniture construction and is highly-prized for its inherent beauty."

The finials defy description. Yes, I am stumped, rendered mute, by finials, of all things.

In case you are wondering? Why, *yes*, I am having trouble sleeping, even in our fine, fine bed. What was your first clue? Part of it may be that I have been combining all the recent Mother-Unit health emergencies, and their incumbent increase in Stressed Family Contact, with a previously planned drug holiday. Why did I proceed with the drug holiday? I really don't know. Pig-headedness, perhaps. Plus, the whole point is to see what changes when a medicine is withdrawn... and announcing the probability of change spoils the effort.

Yes, Fred has been with me through thick and thin, through neurotic and reasonable. Okay, so let it be established that Fred is a StudMuffin! There, are you happy now? I know I need to do a better job of singing his praises.

If you would kindly stay on message, keep on track? Is that too much to ask of my esteemed readership? Snark and snarl, snarl and snark!

Harrumph.

For some reason, we were having an unacknowledged fight on Tuesday -- a fit of pique rumbling around, inchoate. I cannot even recall the slightest detail of my dissatisfaction but could make a stab at guessing -- the divergence of our schedules, my anger at being waked, his anger at my whining about it. Mother's illness, conflicting feelings là-dessus. The aforementioned drug holiday -- which he might not have known about. Knowing in advance leads to things like extended trips to Sam's Club [still something of a novelty in Tête de Hergé (très décédé, d'ailleurs)] and sudden interest in hour upon hour of American Football.

Given all that indeterminate junk, I chose to leave him a note under his coffee cup -- "Please transfer clothes from washer to dryer. Thank you."

You do remember the laundry, don't you? As in: it all began on Tuesday, with a pile of dirty clothes...

Later, I trained my ear in the direction of the Laundry Suites -- and heard the reassuring rumblemumblerumble of the clothes tumbling in the dryer. As I often do, I promptly forgot about it. I've been absolutely spoiled by Fred's willingness to pitch in and help me finish the tasks I start.

A neverending dispute that vacillates between being of moderate and minor importance? Fred tosses his towels in the dryer everyday after he showers. The towels are not clean, though he argues that they must be, as they have only touched his impeccably clean skin. My issue is that they *smell*. True enough, it is not noticable to anyone but me... but I count, don't I? I really dislike putting anything in the dryer after he's done his towels.


He peppers me with dissent, his favorite question being: "And just what do they smell like, Ms. Smarty-Pants?"


Like Dirty Boy! Like Locker Room Chic! Like Stale Eau de Man!

Anyway, Wednesday afternoon, after his shower, I remembered the load of clothes from the day before, only when I happened to hear some noises of dissatisfaction emanating from the laundry suites. Oops! He wanted to toss in those nasty wet towels but found my clothes still hanging out in the dryer.

I was feeling evasive, so I evaded. After he left for his regular Wednesday night church meeting, I puttputted out there and discovered my clothes piled on top of the washer.


The phone rang. It proved to be yet another Important Call, all about organs and pathology and various failures to communicate and and I forgot about my clothing, yet again.

Yesterday morning, as I cursed my inability to sleep, it occured to me that maybe folding clothes would put me back into a restful mode (due to the repetitive, dull nature of the task), so I headed out, making a ghostly appearance in that famed first century AD Roman mirror of blown glass coated with molten lead, that serves as a sort of night light for the passageway to The Laundry Suites.

Even mundane things take on amplified affect around the Haddock Family holdings! We are faced with such dissonance daily -- the plastic tumbler sweating rings on the Corinthian capitals of the neoclassical mantel in the Renaissance Rec Room comes to mind, or the collection of toothbrushes atop the antique marble Holy Water basin (recycled religious antiquary having well served the earliest plumbers at work in Marlinspike Hall).


Examples, I'm full of 'em. {sniff}


The dryer was empty.


There were no clothes on top of the washer.


The laundry basket, likewise, was but a void.

How mad had he been? I wondered.

Marlinspike Hall is beyond huge. I rode around, peeking in the Carriage Room, the various ballrooms, even checking out Captain Haddock's private wine cellar, accessible only by elevator from the Cigar Room. (Oh, the joys of maintaining those separate ventilation systems! Why he linked up these spaces that each require vastly different humidity levels is beyond me...) No, there were no shirts among the humidors, no pants craddling the pinot noir. No sign of my clothes anywhere. No bras air-drying from chandeliers, no socks strung up on deer antlers.

The sun was up by then, as was my ire, and so I indulged in coffee and a good book for a few hours. I even managed a nap, during which I vaguely heard Fred stumble out of the bedroom, down a few hallways toward the Main Manor Foyer, outside, across the drawbridge, all the way out to the mailbox by Haddock Way.


What? I have excellent hearing... in my sleep.




His treks to the mailbox are famous for their regularity and the fact that he's yet to undertake the journey while awake.

The rest of my day was devoured by endless minutia, more pain than my mind could tolerate, and the search could not resume until today. Fred proved unfazed by my best-to-date efforts at The Silent Treatment.


I had been abed for six hours when he climbed into Our Welsh Four-Poster at 7 am, but none of those hours included any sleep.


"I'm going to hold your hand," he warned. This is a habit developed from familiarity with CRPS. Try and touch me without this advisory and I'm not responsible for the ensuing carnage.


We murmured back and forth, with plenty of soft spaces for listening, and yes, he held my hand.


Our differences patched, we dozed. I didn't sleep long, but I slept well.


I sat in the funkified Breakfast Nook, a loop off of the Medieval Kitchen (and the only place in the Manor dressed up with wallpaper), and could not keep my mind from wandering back to the problem of my missing laundry. Laying next to Fred, I hadn't wanted to sully our sweet reconciliation with demands for tee shirts and undies, and he continued to act as if no details remained to be negotiated.


It was becoming difficult to ignore, my lack of clean clothes!


Still, I decided nothing would tarnish the beautiful beginning to this day. Mother is going home from the hospital this afternoon (we hope); My drug holiday has been tempered with various realities (that is, I allowed myself breakthrough pain medication, which provided a bit of peace to the rest of the household); and I decided it to be worth my while to toss his offensive Man Towels into the wash... Should I ever do laundry, again, that is.


Before anything else, I needed to shower and don my last decent outfit of sweat pants and a former lovers' oversized soft sweater.


I tiptoed my wheelchair into Our Suite and over to our most modern piece of furniture, a cedar-lined, simply-designed wardrobe.


Fred was blowing bubbles in his sleep...


And my clean clothes were neatly folded within. They had that settled look of having been there a good while.


I haven't decided yet whether or not to confess my pettiness. After I fix his favorite meal, laugh at his bad jokes, and plant kisses on my beloved's pate -- I'm sure the right thing to do will come to me.


Men!




photo credit

Sunday, June 7, 2009

Dreaming Chakras



It just now occurred to me that the novel I am reading may have something to do with it: The Interpretation of Murder by Jed Rubenfeld. Freud and Jung figure prominently among the characters. Rubenfeld also includes G. Stanley Hall, Abraham A. Brill, Ernest Jones, and Sandor Ferenczi.

In 1909, Freud, Ferenczi, and Jung truly did travel to the United States, to a bustling New York City that was enthralled by the idea and actuality of skyscrapers, bossed by Tammany Hall, and obsessed by the idea of modernity, before continuing to Massachusetts.

Clark University, of which G. Stanley Hall was president, was honoring Freud with a doctorate and an invitation to deliver a week's worth of lectures on psychoanalysis -- for which Freud was pulling down a hefty $714.60. Jung was also to lecture. Ferenczi, a close friend to Freud and disciple of psychoanalysis, seemed to be along for the ride, thrilling to America.

After insuring his life for 20,000 marks--$4,764--Freud took a train to Bremen to join Jung and Ferenczi the day before boarding their ship. Hosting a farewell lunch, Freud ordered wine. Jung, a teetotaler, didn't want wine, but at Freud's insistence he agreed to have some. Curiously, after Jung capitulated and drank,Freud fainted.

(Jesus wept.)

While the three were in the city, Brill served as the primary tour guide. Jones came from England, via Canada, to join the group.

The first place Brill took his illustrious friends? Coney Island.

After the success of his lectures, and the receipt of his first, and only, academic honor, Freud spent 8 more days in the U.S., "...and most of it was downhill. He was in constant pain not only from his prostatic condition but also from intestinal disorders, which he blamed on American cooking. He felt that his hosts were not sympathetic enough toward his illness. He disliked not being understood when he spoke in German, resented the lack of Old World manners, disapproved of the inhibitions and prudery he perceived in most Americans. Forever after, Freud rarely had a kind word for the U.S. He told Jones, 'America is a mistake; a gigantic mistake, it is true, but none the less a mistake.' He told Hanns Sachs, who later taught psychology in Harvard Medical School, 'America is the most grandiose experiment the world has seen, but, I am afraid, it is not going to be a success.'"

Rubenfeld couches his fiction in Freud's dislike of America and in a series of murders --which, of course, require the careful application of the new analysis.

A victim survives the murderous attack, but loses her ability to speak, as well as her memory for the event. Certain that the young woman is an hysteric (and was, prior to the attack, of course), Freud endeavors to cure her, so that she will be able to provide police with a description of her assailant.

I'm only about a third of the way into the book.

The book has to be behind it, don't you think? Behind the dream, my incredible dream?

I didn't think it possible to dream so intricately within a 45 minute period, a time marked by severe discomfort and a measure of indigestion from a surprise dinner of Chinese food -- one dish of which was coated with a questionable garlic sauce.

My dreams are notorious for their boring and literal nature. If I have spent the day correcting papers, by night I dream of working through essays with a trusty red pen. Even interesting opportunities for rich dreaming are made facile by my mind -- the day I first read Saussure and discussed the arbitrary nature of signs, I simply re-experienced a long walk down Shattuck Avenue, seeing once again the lone cast-off black patent leather Mary Jane shoe sitting in the middle of the sidewalk, pristine. Thoughts of a [one-legged?] goth with style. Worry for that goth. Was she alright?

Wow. Where in the world did that come from? The mind, the mind! What a wonder. Even one like mine, in decline, my mind! The arbitrary nature of signs has been the fundamental nagging element since the dream was dreamed.

Strange, isn't it, that I am psychically caught up in these early years of the 20tho century?


Fred served up a surprise dinner and you'd have thought we hadn't had proper food in weeks, the way we devoured it. We ate in that awful way -- with the television blaring, sitting up in bed, surrounded by cats. And not ten minutes afterward, I was asleep.

In the dream, I resided in a large house that may have been a museum -- it was empty except for a central area that contained only one piece. A piece of art? No... it was a beautiful thing but the sense was that it had utility. And was very important. I was its guardian.

My brother-unit TW arrived. There were moments of long silence, and we walked and talked on a rolling green lawn that stretched out from the back glass walls of the house/museum. From the outside, you could see that the house/museum was built of distressed white brick.

We spent a long while standing in the dark, out on the lush green (it sort of glowed), looking in at the lights and airy space inside the house. Always, though, our eyes were drawn to the careful kaleidoscope of color of the... beautiful thing.

I don't know what to call it. There was a moment there at the end when I knew precisely what it was -- in the dream. But, awake and remembering, I cannot see how it could actually be what it was.

We went back in and stood in front of the beautiful thing.

Suddenly, it was reduced to a single item, a lovely, gleaming glass bowl, full of highlights of various blues with swirling creams. I held it up, told TW that I was entrusting it to him "for keeping, for keeping safe."

"She will need it," I declared, adding: "It is worth 5.5 million dollars."

Don't ask me, I don't know -- who *she* is, why $5.5 million?

And I handed the bowl to him. He reached out to take it, but instead came away with what looked like a large coat button. The button, like the bowl, was swirling blue-cream glass, but broken. In half.

He looked at it, quizzically. "It's a chakra," I said.

"It's a broken chakra, and we have to have it fixed."

At that point, TW delivered a speech, the content of which is fading.

That's a lie. It's not fading, I just don't want to remember it.

It was about feeling unworthy, and sad at having missed so many occasions of import in *her* life.

Uncomfortable listening to him, I shushed him by saying that he had been chosen to safeguard this gift, this broken chakra, worth so much. He obviously mattered, he obviously was a part of a whole.

Transformed back into the bowl alone, TW and I carried the glass swirl of a beautiful thing out the back, down across the long, long lawn, and out onto what looked like a busy old-timey English village -- consult your own subconscious for that visual!

We took the first road to the right, which dipped down into a sudden, unexpected forest. Suddenly, we stood before a wonderfully stereotypical cottage -- right out of Hansel and Gretel. A very nice, and obviously fairy-tale wise, elderly woman invited us in.

Somehow, we knew she was An Expert. In Chakra? In beautiful things? In brother-unit feelings of abandonment and worthlessness? I kept waiting for her to fall fully into her role of wise and wizened matron, hoping, to be honest, that she might serve tea.

The bowl turned back into a broken glass button. I handed it to her, and she smiled, then did magic.

The button became whole, vibrant, shiny, milky-blue, smooth.
It grew, with a sound like a ((pop)) -- but was only briefly in its prior incarnation as a bowl -- it kept going, morphing.

I think it had a copper wire "skeleton," the structure that resulted. From the copper wires were hung many bright sterling silver beads and filigree -- delicate wire work, again in silver, but some in gold. Metallic lace. I have the impression of woven baskets supported by all of that airy interlacing wire.

Impression, because when I focus my eyes, they are no longer woven baskets, but rather an expanded set of those magical glass bowls -- now golden swirls along with cream and blue, a deep but distant teal.

Without any of us discussing how it could be so, we agreed that it was the most beautiful bassinet we had each ever seen...

and that *she* would love it.

Tuesday, January 13, 2009

Which Dylan at 1:26 am (Tuesday) of the New Year?

Thinking still of my brother-units, and of the songs that have played in my head through all these many years of wanting, somehow, to make things absolutely okay. I'll Keep It With Mine has always been steadily there, in spite of Nico's cover ("akin to eating a sandwich after a funeral...").

Just kidding. She was brilliant.





I'll Keep It With Mine


You will search, babe,
At any cost.
But how long, babe,
Can you search for what's not lost?
Ev'rybody will help you,
Some people are very kind.
But if I can save you any time,
Come on, give it to me,
I'll keep it with mine.

I can't help it
If you might think I'm odd,
If I say I'm not loving you for what you are
But for what you're not.
Everybody will help you
Discover what you set out to find.
But if I can save you any time,
Come on, give it to me,
I'll keep it with mine.

The train leaves
At half past ten,
But it'll be back tomorrow,
Same time again.
The conductor he's weary,
He's still stuck on the line.
But if I can save you any time,
Come on, give it to me,
I'll keep it with mine.

Copyright ©1965; renewed 1993 Special Rider Music