Showing posts with label Thurber. Show all posts
Showing posts with label Thurber. Show all posts

Wednesday, July 18, 2012

A Rewrite: Dad laid down and went to sleep

Brother-Unit Grader Boob has returned to his own Home Land after seeing to the Father-Unit's cremation and memorial service, whose attendance was apparently mostly made up of beach locals:

"[A] waitress from their favorite eatery, the guy who does their lawn, their Mr. Fix-It, the brokerage guy from their bank, some guys he hung out with and drank coffee with down at the local BP station..." and a smattering of actual relations.  I'm betting that the waitress knew him best.  I'm betting he smoked when he dropped by at odd hours, alone, ordering some "regular" food item that she prepared just right.  He was a sucker for lemon pie -- maybe he developed a thing for the more available key lime -- the lemon pie was a specialty of his mother's.  Lemon Ice Box Pie.  Awfully graham-crackery and pucker::pucker tart.  But it was "hers" so we "loved" it, air quotes proving our citric credibility.

A scattering of his ashes is planned for Atlantic waters, and there don't seem to be a bunch of laws standing in the way.  Not like over at the western end of that state, where some weenies decided to regulate drifting cinders.  That was my first choice, somewhere (actually, "somewhere" very specific) along the Blue Ridge.  Then a California friend, a busy mother, ceramic artist, perpetual redesigner of kitchens -- but reportedly, by kin, even, a god-awful baker -- someone who eventually went to med school and, I'm willing to wager all my investment income -- income so piled high upon itself that it is seeping out of my Gringotts Wizarding Bank magical money jail cell -- solves more medical mysteries over coffee in her torn-to-pieces kitchen than in some speckled formica-ed San Franciscan examination cubicle...

My train.  That damned train of thought.  Choo!  Choo!***

Anyway, Margaret, this California friend, began sending me a local artist's series of Point Reyes note cards, a national park, a "national seashore." A shore, headlands, grasslands, beaches, a forest, even.  [I am notoriously challenged directionally... A trip up the PCH** meant the Pacific was on the left, the forests on the right.  The return trip required the PCH to be on the right, the woods to my left.  The weeping driver asking for directions, thank God, was *always* to my left, as The Great American Writer Wannabe refused to allow me to drive his Mustang.

Margaret wasn't campaigning that I scatter my ashes anywhere in our nationally shared Point Reyes park.  It just came to bright me, it came as a longing, as a fulfillment.  And it turned out to be a pain in the caboose:


• A permit is required for all areas. 
• Remains to be scattered must have been cremated and pulverized. 
• Scattering by persons on the ground is to be performed at least 100 yards from any trail, 
road, developed facility or body of water, and 440 yards seaward from the shoreline on 
the Pacific Ocean. 
• Scattering from the air will not be performed over developed areas, facilities or bodies of 
water and will be performed at a minimum altitude of 2000 feet above the ground. 


Just at that point in your After-Existence when you're looking for the few people left who love you to have a freeing moment, a laugh in the wind?  Bullet points.  And I gotta say, "pulverized" kinda kills the good mood. Of course, I suppose that if my already cindered remains were not put through some huge spice grinder, I'd shift from a figurative to a literal portion of the Giant Floating Garbage Patch.

I do appreciate, though, the posting of allowable driving speeds.  It reads like a marvelous poem:


15 MPH: 
• The unpaved section of Mesa Road 
• Oyster Farm Access Road 
• Mount Vision Road 
• Estero Trail Access Road 
• Marshall Beach Road 
• Sacramento Landing Road 
• Chimney Rock Road 
• The following sections of trails open for administrative vehicle use: 
• Sky Trail (from Limantour Road to Sky Camp) 
• Bear Valley Trail (Bear Valley Trailhead to Glen Junction) 
• Coast Trail (Limantour Road to Coast Camp) 
• Drivable sections of the Inverness Ridge Trail (Limantour Road to the Mt. Vision 
Road) 
• Marshall Beach Trail 
• Stewart Trail (including Glen Camp Spur Trail from Stewart Trail to Glen Camp)  
• Lighthouse Road from the parking lot to the Lighthouse Visitor Center 
• Bolinas Ridge Trail 
• Randall Trail 
   
25 MPH: 
• Limantour Road (Sky Trail to Limantour Parking Lot, including the road to the southern 
parking lot) 
 

Yeah, so now?  Just put me in a cardboard box, mix with some perlite -- me and some Home Depot volcanic glass -- and plant something that you don't think I'd kill.

Brother Grader Boob wrote this about the Father-Unit:  "Sometime early in the morning of July 3, he got up and went over to his spot on the couch in the living room, laid down, and went to sleep and passed away. Mom found him when she came upstairs."

Photographic evidence shows that he was skinny beyond belief.  I doubt now that he strolled much on the beach, his front lawn, because he surely would have been lifted high as a kite.

I guess Brother-Unit Grader Boob has scads of photos and such to go through -- the inevitable gift to the family photographer (They've never seen TW's work). To lighten things up, and to make me snort coffee up my nose, he sent his "current favorite" of the degrading pictures:





I actually remember that day. We'd been out shopping for carpets for the Father-Units' parents, and someone clearly thought I looked great in shades of eggplant.  I hope to goodness that that was not the carpet we chose.  The box, I believe, was a gift from a stinky cigar-smoking uncle named, quite inappropriately, "Happy," and his wife, the lovely, sweet Doris.  It was a piggy bank.  Without the piggy.  It did some sort of magic trick -- you know, like it took your money and disappeared it.

The funeral, Grader Boob said, was very much against Father-Unit's will.  I wish I knew more as to why he did not want one.

You may not remember [!], but I dreamt of Dad's watch a few nights before he died.  In the dream, it was simply heavy, silver, and nothing special.  Here is a close up of the apparently meaningful item (no matter the number of times I insist on its ordinariness):





Various peer-reviewed studies suggest these interpretations:
--To dream of a watch is a symbol that you are too caught up in structure. Control, rules, and laws rule your day. You are unable to relax and let go. 
--A generation or two ago, a gold watch was the standard gift presented to a valued employee at retirement. So in this sense, a dream of a gold watch would suggest that something was coming to a good, satisfactory conclusion. Alternatively, any watch or clock represents time and gold symbolizes great value. Together they represents the value of time.  [Please note that, in my dream, there was no allusion to "gold" or "great value";  In fact, the opposite asserted itself.]
--Being late or early (or a fear of being so), short on time, or having too much time, or the idea of adhering to a schedule.

Oh, all right.  It's not hard.  I lost my time with him, I ran out of time, but maybe, maybe, maybe -- there is something that is timeless?

__________________________________________________________________________________________________________________________________________________________________

***One day when we were on the subject of transportation and 
distribution, it came Bolenciecwz's turn to answer a question. “Name 
one means of transportation,” the professor said to him. No light came 
into the big tackle's eyes. “Just any means of transportation,” said the 
professor. Bolenciecwz sat staring at him. “That is,” pursued the 
professor, “any medium, agency, or method of going from one place to 
another.” Bolenciecwz had the look of a man who is being led into a 
trap. “You may choose among steam, horse-drawn, or electrically 
propelled vehicles,” said the instructor. “I might suggest the one which 
we commonly take in making long journeys across land.” There was a 
profound silence in which everybody stirred uneasily, including 
Bolenciecwz and Mr. Bassum. Mr. Bassum abruptly broke this silence 
in an amazing manner. “Choo-choo-choo,” he said, in a low voice, and 
turned instantly scarlet. He glanced appealingly around the room. All of 
us, of course, shared Mr. Bassum's desire that Bolenciecwz should stay 
abreast of the class in economics, for the Illinois game, one of the 
hardest and most important of the season, was only a week off. “Toot, 
toot, too-toooooootf” some student with a deep voice moaned, and we 
all looked encouragingly at Bolenciecwz. Somebody else gave a fine 
imitation of a locomotive letting off steam. Mr. Bassum himself 
rounded off the little show. “Ding, dong, ding, dong,” he said, 
hopefully. Bolenciecwz was staring at the floor now, trying to think, his 
great brow furrowed, his huge hands rubbing together, his face red.
“How did you come to college this year, Mr. Bolenciecwz?” 
asked the professor. “Chuffa chuffa, chuffa chuffa.”
“M'father sent me,” said the football player.
“What on?” asked Bassum.
“I git an allowance,” said the tackle, in a low, husky voice, 
obviously embarrassed.
“No, no,” said Bassum. “Name a means of transportation. What 
did you ride here on?”
“Train,” said Bolenciecwz.
“Quite right,” said the professor. 


-- "University Days," James Thurber


**State Route 1 (SR 1) is a major north-south state highway that runs along most of the Pacific coastline of the U.S. state of California. Highway 1 has several portions designated as either Pacific Coast Highway (PCH), Cabrillo Highway, Shoreline Highway, or Coast Highway. Its southern terminus is at Interstate 5 (I-5) near Dana Point in Orange County and its northern terminus is at U.S. Highway 101 (US 101) near Leggett in Mendocino County. Highway 1 also at times runs concurrently with US 101, most notably through a 54-mile (87 km) stretch in Ventura and Santa Barbara Counties, and across the Golden Gate Bridge.
The highway is famous for running along some of the most beautiful coastlines in the USA, leading to its designation as an All-American Road. In addition to providing a scenic route to numerous attractions along the coast, the route also serves as a major thoroughfare in the Greater Los Angeles Area, the San Francisco Bay Area, and several other coastal urban areas.


SR 1 was built piecemeal in various stages, with the first section opening in the Big Sur region in the 1930s. However, portions of the route had several names and numbers over the years as more segments opened. It was not until the 1964 state highway renumbering that the entire route was officially designated as Highway 1. Although SR 1 is a popular route for its scenic beauty, frequent landslides and erosion along the coast have caused several segments to be either closed for lengthy periods for repairs, or re-routed further inland.

Friday, April 6, 2012

Pure Knack

If you've never read James Thurber, I hope you will real soon.  Maybe you'll have a free moment after you pay the gas bill, lower this month, since you negotiated that new price per therm.  Try to get hold of a copy of The Thurber Carnival and just read straight through.

My favorite introduction to his world is "The Night the Bed Fell," but all most people seem to remember is Walter Mitty.  Ask them about Bach, and to a person they will tell you he was deaf.  Bring up Ronald Reagan to hear about the Jelly Belly Candy Company, even though it wasn't incorporated until 2001.  People are fickle, so just read straight through, though "More Alarms at Night" makes an obvious companion piece to "The Night the Bed Fell."

Here, wet your whistle on the opening paragraphs of the story:

I suppose that the high-water mark of my youth in Columbus, Ohio, was the night the bed fell on my father. It makes a better recitation (unless, as some friends of mine have said, one has heard it five or six times) than it does a piece of writing, for it is almost necessary to throw furniture around, shake doors, and bark like a dog, to lend the proper atmosphere and verisimilitude to what is admittedly a somewhat incredible tale. Still, it did take place.


It happened, then, that my father had decided to sleep in the attic one night, to be away where he could think. My mother opposed the notion strongly because, she said, the old wooden bed up there was unsafe- it was wobbly and the heavy headboard would crash down on father's head in case the bed fell, and kill him. There was no dissuading him, however, and at a quarter past ten he closed the attic door behind him and went up the narrow twisting stairs. We later heard ominous creakings as he crawled into bed. Grandfather, who usually slept in the attic bed when he was with us, had disappeared some days before. (On these occasions he was usually gone six or seven days and returned growling and out of temper, with the news that the federal Union was run by a passel of blockheads and that the Army of the Potomac didn't have any more chance than a fiddler's bitch.)


We had visiting us at this time a nervous first cousin of mine named Briggs Beall, who believed that he was likely to cease breathing when he was asleep. It was his feeling that if he were not awakened every hour during the night, he might die of suffocation. He had been accustomed to setting an alarm clock to ring at intervals until morning, but I persuaded him to abandon this. He slept in my room and I told him that I was such a light sleeper that if anybody quit breathing in the same room with me, I would wake Instantly. He tested me the first night-which I had suspected he would by holding his breath after my regular breathing had convinced him I was asleep. I was not asleep, however, and called to him. This seemed to allay his fears a little, but he took the precaution of putting a class of spirits of camphor on a little table at the head of his bed. In case I didn't arouse him until he was almost gone, he said, he would sniff the camphor, a powerful reviver.


Briggs was not the only member of his family who had his crotchets. Old Aunt Alelissa Beall (who could whistle like a man, with two fingers in her mouth) suffered under the premonition that she was destined to die on South High Street, because she had been born on South High Street and married on South High Street. Then there was Aunt Sarah Shoaf, who never went to bed at night without the fear that a burglar was going to get in and blow chloroform under her door through a tube. To avert this calamity -for she was in greater dread of anesthetics than of losing her household goods-she always piled her money, silverware, and other valuables in a neat stack just outside her bedroom, with a note reading,: "This is all I have. Please take it and do not use your chloroform, as this is all I have." Aunt Gracie Shoaf also had a burglar phobia, but she met it with more fortitude. She was confident that burglars had been getting into her house every night for four years. The fact that she never missed anything was to her no proof to the contrary. She always claimed that she scared them off before they could take anything, by throwing shoes down the hallway. When she went to bed she piled, where she could get at them handily, all the shoes there were about her house. Five minutes after she had turned off the light, she would sit up in bed and say "Hark!" Her husband, who had learned to ignore the whole situation as long ago as 1903, would either be sound asleep or pretend to be sound asleep. In either case he would not respond to her tugging and pulling, so that presently she would arise, tiptoe to the door, open it slightly and heave a shoe down the hall in one direction, and its mate down the hall in the other direction. Some nights she threw them all, some nights only a couple of pair.


But I am straying from the remarkable incidents that took place during the night that the bed fell on father.  [CONTINUE HERE]

Thurber is the source of a particular sort of chuckle -- a complex guffaw / chortle type of thing that can, and will, if the circumstances permit, cause you physical harm. Were you to read him too soon post-appendectomy, for example. Were you to try and read a story aloud and fall out of your chair, for another.

As a teacher, I've always enjoyed "University Days," and still find young Bolenciecwz's dilemma a compelling one.


It's a pleasure to find a true raconteur in the course of a day's rambling.  I've been a fan of Shadowfax and his blog Movin' Meat for a while, and hereby confess that admiration to be based on pure storytelling knack.  One of several hundred bloggers I follow with Google Reader, he hasn't written much of late, so I checked out a new entry this morning with real hope for entertainment.  He did not disappoint.  After you've finished your Thurber refresher, head on over to Movin' Meat and read "He says he's not dead."

Wednesday, April 7, 2010

For TW on the Occasion of His Birthday



Thanks, Fresca, for encouraging me to pursue giving to TW in the rich spirit of his own recent gifts.

I put it all in action, anyway, by asking my Brother-Units last year to consider packing boxes of Important Stuff From Their Lives in lieu of shrink-wrapped, brand-spanking new orders from Amazon.

Send only used items, I said. Send things that have mattered to you, at different times, over the years, I urged.

Grader Boob, ever difficult, sent me a $300 gift certificate to Amazon.com -- 'nuff said.

TW took me at my word and sent me a box of music, books, videos, prayer flags -- I held my breath, I am still holding my breath.

I understood the enormity of the gift, and my appreciation knows no bounds (He sent me another box for my birthday in January.).

But I did not understand the risk; I did not understand the fear. (TW subsequently joked that he was sure he would never hear from me again.)

Both need to be transcended, of course, for the gift to be given. Hell, for the gift to make it to the car for the trip to the Post Office, one has to be at a kind of peace.

I know this because the contents of my box for TW -- he shares Hitler's birthday, the one piece of trivia I always remembered about my lost older brother -- how he lamented that coincidence! I know this because the contents of my box for TW lie before me on a faded patchwork quilt. I cannot find a box big enough to hide everything in, so it is all there, mocking me.

But I am at a kind of peace.

I have resisted the urge to enclose a "blank sheet of paper... by way of explanation."

Do you remember that line? From Raise High the Roofbeams, Carpenters? I always felt (pretty much like every Perpetually Misunderstood Perpetual Adolescent when left alone with Salinger) that my brothers and I were Franny, Zooey, Buddy, and Seymour, that we were capable of every fey bit of wit, and might have authored each slight, or unwieldy, whimsy.

That line figures among the choice few to which my mind clings with relative accuracy. Funny, but while there's nothing of Holden Caulfield in my memory, there are a dozen or so references from the Glass Family series, and Nine Stories. (Haven't you chuckled to yourself, then hummed, just before crowing to your love, busy pulling a tee shirt over his wet-haired, curly head: "It's a fine day for banana fish, darling!"? Of course, if you were as sharp as you like to think you are, you would have chirped "This is a perfect day for bananafish." But who would say such a thing?)


An old man, compact, tiny, an old deaf-mute man, affixed with a cigar and mute eloquence, this old man gloms onto Buddy as he dashes around town the day of Seymour's wedding. It's hot to the point of melting good will, notes are being left in lipstick on mirrors, ice is melting in gin, lightly clinking, and the Matron of Honor brays like a donkey, she is that mad. The old and tiny deaf-mute, impeccable in his wedding duds -- Muriel's uncle, if it matters -- nods and smiles at whatever he imagines is going on, and, clearly, the goings-on have morphed into something downright congenial and civilized for the dear man.


It's a lot to load on the shoulders of a fictive game piece (He's always figured in my head as one of the Monopoly game piece do-dads -- but now that I have seen them, I see that he is not all there, not at all.

He is adequately depicted by the Top Hat, I suppose. Or is that a Bowler?

No, it's always been: dog, top hat, wheel barrow, race car, boot, iron, ship, and thimble. Not Lincoln's stern stovepipe, but not a squat close-fitting bowler either.


Well, obviously, I have the whole thing confused in my extra-leaky sieve-of-a-noodle -- confused, maybe, with the Monopoly Man?



It's hard, dealing with resounding meanings, seeking to rely on memory, cultural memories and personal ones, too. It's confusing. [A remembered image of GW Bush springs up, unbidden, unwanted, and there he is, shaking his large head and cartoon face above some podium, somewhere, lamenting "It's hard work..." over and over and over again.



Anyway, I've resisted the urge to explain to Tumbleweed the rationale driving the choice of items in his birthday box. How to say that seven times, already, in the course of my years, I have gotten rid of what mattered the most to me, materially. A few times, it was after heartbreak. A few more times, the culling harvest came on the heels of deep depression (once this involved a good Beaujolais and burning things in a crackling fire). A couple of instances simply reflected the need for money, and so my treasures were sold off, piece by piece. Several years ago, I realized that Fred had hoarding tendencies. I always knew this, I guess, but it reached a crisis point when my pain and disability began to dictate some real physical limitations. I was his defense against chaos -- not just my harpy's tongue, but my inbred need for cleanliness and order. I had always at least set the boundaries for his mess -- his office, his workroom, and so on.


But one day, his books were piled on my shelves. His collection of fine backscratchers were piled on top of my sundries, things much more genteel, Gregorian Chant and seashells.



Somewhere along the way, through the many moves, the incessant cleaning and sorting, stuff had lost its importance. I was filled with an urgency, a growing need to get rid of things. And so, I did. The difference between this latter instance and the times before? I did not reacquire. After I sent my favorite novel to the thrift store, along with a fine assemblage of American fiction, I did not reorder it six months later, desperate to reread what had once been so important.



Believe it or not, I did not finger meaningfully each besotten Memory Charm. I didn't sit with it, second-guessing, sighing. I remember tearing up one of two pictures I had of my paternal grandfather, disposing of several chapters from my thesis, preparing some fine Irish linens for donation -- all without a hint of a muscle twitch in my face.



It was, simply, time. I had enough, more than enough, and my gathering of things no longer represented me.



In other words, I was sure that there was nothing here for me to send to Tumbleweed, nothing that meant anything to me, nothing that met the requirements I had set last year for The Gifting. Any music I might choose was already music he would have, for I was instructed in things musical by our brother Grader Boob, who had been schooled, early on and most lastingly, by TW, himself.


Besides, he had given me the gift of his DeadHead days -- I had not tramped around the country making recordings, living large. No, I had it easy. And maybe I am a bit of what TW most derides -- maybe I am of the bourgeoisie, maybe I am a bit "pop" instead of "cool." His bookcases are full of resplendent nonfiction works of revolutionary ideology. I have all the Harry Potter, and I like Maeve Benchy.



He photographs, religiously, the Grand Canyon. I snap pictures of pink azaleas.



Yes, I almost defeated myself before beginning. He's my big brother and I want him to think well of me.



So I took the me out of it, in order to represent me, truly. I began to play a question game and let the answers commandeer the choices. Then I employed some common sense and returned those items beyond the pale of personal to their proper places in my home. TW does not have the right to everything meaningful, particularly when -- without that "blank sheet of paper... by way of explanation" -- the defining context for the thing is left out, left aside, or best left unsaid.





Beyond the pale. Yes, that's it, richly.



From Gary Martin's website, The Phrasefinder, the origins of beyond the pale:


Meaning: Unacceptable; outside agreed standards of decency.

Origin: Firstly, let's get get clear what word we are talking about here. It's
pale, and certainly not pail, - the phrase has nothing to do with buckets. The everyday use of the word pale is as the adjective meaning whitish and light in colour (and used to that effect by Procol Harum and countless paint adverts). This pale is the noun meaning 'a stake or pointed piece of wood'. It is virtually obsolete now except in this phrase, but is still in use in the associated words paling (as in paling fence) and impale (as in Dracula movies).

The paling fence is significant as the term pale became to mean the area enclosed by such a fence and later just the figurative meaning of 'the area that is enclosed and safe'.
So, to be 'beyond the pale' was to be outside the area accepted as 'home'.

Catherine the Great created a 'Pale of Settlement' in Russia in 1791. This was a western border region of the country in which Jews were allowed to live. The motivation behind this was to restrict trade between Jews and native Russians. Some Jews were allowed to live, as a concession, beyond the pale.

Pales were enforced in various other European countries for similar political reasons, notably in Ireland (the Pale of Dublin) and France (the Pale of Calais, which was formed as early as 1360).

The phrase itself comes later than that. The first printed reference comes from 1657 in John Harington's lyric poem
The History of Polindor and Flostella.

In that work, the character Ortheris withdraws with his beloved to a country lodge for 'quiet, calm and ease', but later venture further - 'Both Dove-like roved forth beyond the pale to planted Myrtle-walk'. Such recklessness rarely meets with a good end in 17th century verse and before long they are attacked by armed men with 'many a dire killing thrust'.
The message is clearly, 'if there is a pale, you should stay inside it', which conveys exactly the meaning of the phrase as it is used today.



(Besides, I have to save some things for Future Boxes.)

This is what I am sending TW:

A hand-loomed weaving from Nicaragua, the details of which tell the story of a farmer, a scarecrow, haystacks, and the crows, themselves. I wrote a short story based on this weaving. Maybe next box, I'll send the story along, to complete the gesture. It was a mystery, a real who-done-it, and took place in Texas. The background color is a deep purple. Somehow, the bright primary colors on top of that manage to be pretty instead of garish.

A Mercedes Sosa CD, just because of Gracias A La Vida:



A CD/DVD combo of Mark Knopfler and Emmylou Harris: Real Live RoadRunning. Okay, so this is not important to me... but it's something from Grader Boob to me, and I would like TW to have it. The same goes for the Marx Brothers Silver Screen Collection. Yes, I re-gifted.

A cassette of people (Gabriel Byrne, Minnie Driver, Colm Meaney...) reading The Poetry of William Butler Yeats.

The Definitive Collection: Nina Simone. 1959-74.

Neil Young: Live at Massey Hall, 1971.

A documentary on Townes Van Zandt -- Be here to love me. (I don't think I've ever before mentioned my total, total, total love of Townes Van Zandt on this blog before. I kind of liked the guy.)

Old Friends Live On Stage: Simon and Garfunkel. From the Old Friends tour -- "Their first and quite possibly last Second Coming for the Twenty-First Century..."
I very much appreciate how Simon chose to explain the thorny relationship between himself and Garfunkel -- "I don't think of Art Garfunkel as my friend. I think of him as family."

One worn copy of Thomas Savage's The Power of the Dog, with an afterword by Annie Proulx. The inside front cover, unfortunately, bears my scribbles about various mutual funds that I apparently was considering as investments. Trust me, if any of them were great picks, I'd pass them on.

T. H. White's The Book of Merlyn. A talisman, that book. Improbably, it is the book I have discarded and then replaced maintes fois. My folksy bible? I dunno. But I actually remember the very moment I first read the passage about Arthur's final meeting with Mordred, when he had almost brokered, hammered, hobbled together, and achieved -- a bit of truce, a peace -- when one of Mordred's officers saw a snake in the grass -- real, not proverbial -- and drew his "bright sword" to slay it:

The waiting armies, taking it for treachery, raised their shout of rage. The lances on both sides bowed to rest. And, as King Arthur ran towards his own array, an old man with white hair trying to stem the endless tide, holding out the knuckled hands in a gesture of pressing them back, struggling to the last against the flood of Might which had burst out all his life at a new place whenever he had dammed it, so the tumult rose, the war-yell sounded, and the meeting waters closed above his head.

Lancelot arrived too late.


Vasari's Lives of the Artists. I am having a hard time letting it go... but it will go.

The Thurber Carnival -- I am having a hard time letting it go, too, but only because it is a superb help when I am sick. It will go, too, but I am not sure that is the height of wisdom.

Despite TW's deep and abiding atheism, Thomas Merton's Conjectures of a Guilty Bystander -- because this is about what has been meaningful and important to me, and something must represent the considerable amount of time I have spent forcing myself on various fine monks at various fine monasteries -- my ideal vacation for many years! Odd that the dozen or so passages I marked up (at least I used a pencil) now leave me cold. But Merton stole my heart when I discovered he also read Oppen. [There is no need to send TW any copies of Oppen's poetry, as that is something I did within weeks of first finding him two years ago. If you are dear to me? You will, in short order, possess two books: George Oppen's Selected Poems and Disturbances in the Field by Lynne Sharon Schwartz. The latter is pure self-indulgence but I have tired of pretending to care. I like it, that's all. If you are especially beloved, there is much more to the Reading List, but also a greater likelihood that I will make you listen to Important Book Passages during Extended Late Night Readings. It's part of my secret plan to keep that group very, very small.]

A slim volume, also something I have discarded and repurchased a few times, but out of need and not want: A Tomb for Anatole by Stéphane Mallarmé, with daring translations by Paul Auster. [Uh-oh! In looking up that link to Amazon, I happened to see that there is a new version out, For Anatole's Tomb, Patrick McGuinness (Translator). I do not DARE scratch that itch in the face of my declarations about divestment, above!] I have little love for Mallarmé, in general, but abiding love of this project of his, to which I have returned each time the death of a child has joltingly brought the world to an end.

Except for a small clay figurine of a bonsai master, a malleable brooch in the shape and color of an autumn leaf, and a sample of my astounding collection of islamic prayer beads (I use them as Worry Beads), there remains only one more item for TW's box, this go-round:

The Complete Letters of Vincent Van Gogh Volumes I-III bound by the New York Graphic Society. These are my most prized of tomes, and I am happy to be sending them to my big brother, for I know that he will read and treasure them, in his turn. ["This collection requires, and rewards, a devoted reader."] These are the entire texts of every extant letter Vincent wrote to his brother Theo, with beautifully reproduced facsimiles interspersed throughout. Bought from an English professor at the University of Virginia who auctioned them on eBay, I opened his heavy box to find he had enclosed what amounts to a formal Letter of Introduction:

I am so pleased that these books have found an appreciative home.
I know that I enjoyed them and I am sure you will. I trust that you and
Vincent will have many enjoyable hours together.


If I can manage to find it, I plan to include a picture of Sleepy John Estes' hands. It is beautiful, a gift from many years back. It was an image from a CD liner that a photographer friend enlarged for Fred, who then had it framed for me. My best recollection is that I broke the frame, Fred was gonna repair it... and at that point, Sleepy John's hands are lost.

Maybe I will take on the search in time for Christmas. Someone should have those beautiful, bowed hands to look at.

Thursday, May 21, 2009

The Great Gate of Theleme

The fever is in my eyes this evening -- fecund burning, staring, staring. The felines are fed, Fred is in deep communion with his Important Work, tucked safely away in his office, in the big black chair. When I am not looking, he spins round and round in that big black chair, and goes woooooooo!

You can't fool me.

When febrile, I do the darnedest things. I put dirty clothes in the dryer, thereby cutting my workload in half. I sometimes throw away our flatware. That kind of thing. Oh, and I cry, but the tears are meaningless. Really!

The life of a feverish brain is fascinating. For example, look at what I put by the bed to read this afternoon: Thurber! Rabelais! It is my habit to read several works at once. The principle that guides my choices is the simple requirement that there be dialogue, a measure of synthesis that I hope results in something new (small nod -- and a wink -- to crazy Pound) between my delicate pink ears.

Rabelais' bawdy Gargantua and Pantagruel amuse me at a good quivering belly level, much as James Thurber can send me into ladylike throes of snorting, hooting, and general hilarity.

I am that rare scholar who juxtaposes at will, at whim, for whimsy! Indeed, I am Treasurer of the Local Chapter of Academics for Whimsy. Through me are channeled the elegant guffaws of an early humanist benedictine monk and physician, delicately intertwined with the comic doodles of a comedian of the Common Man, subset urbane (Polite, yes. Polished? Not so much.).

A footnoted Wikipedia entry tells us that:

Thurber had two brothers, William and Robert. Once, while playing a game of William Tell, his brother William shot James in the eye with an arrow.[1]

Now *that* is a factoid begging for a desperate graduate student from the Midwest.

(Wikipedia, the free encyclopedia that anyone can edit! Anyone! Do you not shake your head in wonder? I know I do! Why, I begin to believe we *can* do anything.)

Aw, crap, my head is still shaking.

Anyway, I defy you to make it through The Night the Bed Fell without mirth, merriment, and milk up the nose or to refrain from intoning "choo choo" to Bolenciecwcz, as he struggles with his modes of transportation. It's a universe of self-effacing gentle men chez Thurber. We all know a Walter Mitty. Cough. Sniff. (Okay, so I am sometimes myself a vaguely heroic, altogether inscrutable, brandy-downing, suicidal puppy-biscuit buyer.)

What inspired me to place the sketch, the flip of a wrist short stories alongside something so... well, gargantuan as Gargantua and Pantagruel?

Brow furrowed, I carry my finger down the chapter listings, see How Gargantua, in combing his head, made the great cannon-balls fall out of his hair, laugh out loud, and go on, sick hot brain, sick hot eyes, trying to remember, hoping that dandruff humor is not going to be my answer. How Panurge had a flea in his ear, and forbore to wear any longer his magnificent codpiece. Ar! Still, no...

Ahhh. Here it is, Chapter 54. That little bit of nothing that I'd like at the virtual entrance to this blog, on the tombstone I will have, on a refrigerator magnet, as something slightly oily in the water.

The inscription set upon the great gate of Theleme [Abbey]:

Here enter not vile bigots, hypocrites,
Externally devoted apes, base snites,
Puffed-up, wry-necked beasts, worse than the Huns,
Or Ostrogoths, forerunners of baboons:
Cursed snakes, dissembled varlets, seeming sancts,
Slipshod caffards, beggars pretending wants,
Fat chuffcats, smell-feast knockers, doltish gulls,
Out-strouting cluster-fists, contentious bulls,
Fomenters of divisions and debates,
Elsewhere, not here, make sale of your deceits.

Your filthy trumperies
Stuffed with pernicious lies
(Not worth a bubble),
Would do but trouble
Our earthly paradise,
Your filthy trumperies.

Here enter not attorneys, barristers,
Nor bridle-champing law-practitioners:
Clerks, commissaries, scribes, nor pharisees,
Wilful disturbers of the people’s ease:
Judges, destroyers, with an unjust breath,
Of honest men, like dogs, even unto death.
Your salary is at the gibbet-foot:
Go drink there! for we do not here fly out
On those excessive courses, which may draw
A waiting on your courts by suits in law.

Lawsuits, debates, and wrangling
Hence are exiled, and jangling.
Here we are veryFrolic and merry,
And free from all entangling,
Lawsuits, debates, and wrangling.

Here enter not base pinching usurers,
Pelf-lickers, everlasting gatherers,
Gold-graspers, coin-gripers, gulpers of mists,
Niggish deformed sots, who, though your chests
Vast sums of money should to you afford,
Would ne’ertheless add more unto that hoard,
And yet not be content,—you clunchfist dastards,
Insatiable fiends, and Pluto’s bastards,
Greedy devourers, chichy sneakbill rogues,
Hell-mastiffs gnaw your bones, you ravenous dogs.

You beastly-looking fellows,
Reason doth plainly tell us
That we should not
To you allot
Room here, but at the gallows,
You beastly-looking fellows.

Here enter not fond makers of demurs
In love adventures, peevish, jealous curs,
Sad pensive dotards, raisers of garboils,
Hags, goblins, ghosts, firebrands of household broils,
Nor drunkards, liars, cowards, cheaters, clowns,
Thieves, cannibals, faces o’ercast with frowns,
Nor lazy slugs, envious, covetous,
Nor blockish, cruel, nor too credulous,
—Here mangy, pocky folks shall have no place,
No ugly lusks, nor persons of disgrace.

Grace, honour, praise, delight,
Here sojourn day and night.
Sound bodies lined
With a good mind,
Do here pursue with might
Grace, honour, praise, delight.
Here enter you, and welcome from our hearts,
All noble sparks, endowed with gallant parts.
This is the glorious place, which bravely shall
Afford wherewith to entertain you all.
Were you a thousand, here you shall not want
For anything; for what you’ll ask we’ll grant.
Stay here, you lively, jovial, handsome, brisk,
Gay, witty, frolic, cheerful, merry, frisk,
Spruce, jocund, courteous, furtherers of trades,
And, in a word, all worthy gentle blades.

Blades of heroic breasts
Shall taste here of the feasts,
Both privily
And civilly
Of the celestial guests,
Blades of heroic breasts.

Here enter you, pure, honest, faithful, true
Expounders of the Scriptures old and new.
Whose glosses do not blind our reason, but
Make it to see the clearer, and who shut
Its passages from hatred, avarice,
Pride, factions, covenants, and all sort of vice.
Come, settle here a charitable faith,
Which neighbourly affection nourisheth.
And whose light chaseth all corrupters hence,
Of the blest word, from the aforesaid sense.

The holy sacred Word,
May it always afford
T’ us all in common,
Both man and woman,
A spiritual shield and sword,
The holy sacred Word.

Here enter you all ladies of high birth,
Delicious, stately, charming, full of mirth,
Ingenious, lovely, miniard, proper, fair,
Magnetic, graceful, splendid, pleasant, rare,
Obliging, sprightly, virtuous, young, solacious,
Kind, neat, quick, feat, bright, compt, ripe, choice, dear, precious.

Alluring, courtly, comely, fine, complete,
Wise, personable, ravishing, and sweet,
Come joys enjoy.
The Lord celestial
Hath given enough wherewith to please us all.

Gold give us,
God forgive us,
And from all woes relieve us;
That we the treasure
May reap of pleasure,
And shun whate’er is grievous,
Gold give us,
God forgive us.

Over on Amazon.com, I come across Nelson Richardson's Listmania! List, entitled "A Shelf from Theleme Abbey." Guess what Nelson Richardson says of his Listmania! List? He says:

"Books have lineages. I like to read ancestors and descendants, slowly and repeatedly, going up and down the chain through time."

There's always already someone wonderful out there, ready to save my butt.

Thurber and Rabelais: Separated at Birth?

Carry me back to old Valhalla...