Anacoluthe!

"Billions of bilious blue blistering barnacles in a thundering typhoon! Subtropical sea-louse! " I stared, enthralled, at her pink sweaty face while La Belle et Bonne Bianca Castafiore paused to take a breath.

"Swine! "


That apparently exhausted her reserve of beloved Captain Haddock exhortations in English, for the next thing I knew, she was belting them out in French:


"Perroquet bavard! Sale menteur!
Anacoluthe!
Analphabète!"

Clearly, she enjoys the alliteration in English, and the vagaries of a lost insult in French.

Vagaries? Maybe to us... mais pour le capitaine Haddock? No, he was schooled by Tête de Hergé himself! "Anacoluthe"? Nothing but a blurt-out? Not hardly, as the kids say.

The Blessed Wikipedia explains:

An anacoluthon is a rhetorical device that can be loosely defined as a change of syntax within a sentence. More specifically, anacoluthons (or "anacolutha") are created when a sentence abruptly changes from one structure to another. Grammatically, anacoluthon is an error; however, in rhetoric it is a figure that shows excitement, confusion, or laziness. In poetics it is sometimes used in dramatic monologues and in verse drama. In prose, anacoluthon is often used in stream of consciousness writing, such as that of James Joyce, because it is characteristic of informal human thought.

In its most restrictive meaning, anacoluthon requires that the introductory elements of a sentence lack a proper object or complement. For example, if the beginning of a sentence sets up a subject and verb, but then the sentence changes its structure so that no direct object is given, the result is anacoluthon. Essentially, it requires a change of subject or verb from the stated to an implied term. The sentence must be "without completion" (literally what "anacoluthon" means). A sentence that lacks a head, that supplies instead the complement or object without subject, is anapodoton.

And "analphabète"? Well, that's just pee-in-your-pants funny. Ah, but the poor dear was not in a joshing mood, all pink and sweaty, her violet-besotten frock-and-sash a muddled mess. Still, even at such a moment, Bianca is one of the few women whose strong calf muscles will always nicely set off a red pointy-toed stiletto pump. Such natural gifts, in fact, are divine appointments of grace in this anxiety-driven, pain-filled world of ours.

You see, la Belle et Bonne Bianca Castafiore had just been pulled over by the cops --a mere kilomètre from Marlinspike Hall, the warm hearth of home -- and given two tickets and a summons to appear on August 12. Before I could express both my wrath that she was driving my darling Ruby to begin with, and my pleasure that, whatever the circumstances, both she and Ruby were apparently unharmed, the Dastardly Diva exclaimed:

"Et c'est tout à fait de ta faute, toi! And it is all your fault!"

My eyes narrowed in suspicion. "Comment ça?"

It turns out that she would never have forgotten to renew her driver's license if I had not been such a distraction, with all my drama, fever, infection and such. When I pointed out that she had been absent for a good period of the "drama," and was not overly concerned when she actually had been at The Manor, she looked me square in the eye, and... sniffed.

There was a brief lull during which either one of us might have chosen the higher way and opted to be the better person.

"The only reason le flic nabbed me for speeding was that I was practicing getting you from zee Manor to zee 'opital in whatisityoucall? Ah, yes! Zee no time flat! Comme je t'ai dit, tout, tout, tout -- c'est tout à fait de ta faute!"

This may have been when I felt compelled to make a few observations relating to personal and communal responsibilities, perhaps even a remark or two on hygiene -- I don't sniffin' remember.

Even though I had promised the more levelheaded Fredster not to make mention of it, I found myself, in my best scary voice, relating how, on a frigid, late-spring, early afternoon during one of her lighthearted jaunts around Europe, icicles were glinting on the Marlinspike's eaves -- and the alluring scent of two putrid cans of half-eaten Libby's Vienna Sausage* stuffed in the serpentine bottom drawer of a 16th century French armoire -- beautifully restored as a well-stocked wet bar -- led Fred and me, on behalf of our spry-tongued seafaring benefactor (and hers) -- the good Captain Haddock -- to jimmy the lock of her appartement. {don't touch my paragraph}

Slowly she turned... her BB-gun pupils a steely grey -- "Yes? Ah. Oui?"

"Yes," I continued, "we have been inside. We have seen it with our own eyes, and we are shocked, Castafiore, shocked! Whatever could you have been thinking? What will our spry-tongued seafaring benefactor conclude when he hears about this abomination, this perversion of his family's ancestral home?"

La Belle et Bonne Bianca hung her head. Without looking up, in a steady voice, sounding well-practiced, she recounted the story of Her Fall, beginning with the unthinkable -- how the Faust of Gounod had finally, and for the first time, had a closing night -- and how all those arty Anglophiles were rubbing it in with glee: The Mousetrap wins; It has never stopped running since its premier at London's Ambassador’s Theatre in 1952.

There would be no more "je ris de me voir si belle dans ce miroir" until the financial wizards of the world managed to staunch the bleeding that was hemorrhaging the bottom lines of the operatic universe.

The Castafiore, out of work and desperate to continue to earn a living, fell back on her early training as itinerant seamstress to the Wandering Renaissance Reenactors of Belgium, and, unexpectedly, Wales. All that time we assumed that she was touring Faust -- and okay, yes, I was a tad bit self-absorbed with the cartography of my own navel.

Still. Still! "Bianca... How? Where did you get the money?"

"I borrowed it, it was easy. I borrow, then I borrow again, at a better rate, and swap-switch the debt. You know -- take from Peter and give to Paul and, above all, keep washing the Messiah's feet -- no one ever takes a close look at the beautiful chica whose long hair and boobies are all hanging out..." said my friend, her bitterness spilling over. "I just wanted to be able to send money back to my familia rustica, trapped down on the farms outside Roma. Is that so wrong?"

"You really have a flair, you know. If I did not know quite a bit about Chenonceau, I might have fallen for it. I mean, really, Castafiore! How much were you going to charge?"

"That is the trick, mon amie. I would ask 'only for what you can spare, to defray the costs of upkeep.' The tourists? They would squirm in guilt, they would take out their portefeuilles and fill the coffers with their monies. After all, Francois Ier is the epitome of the Renaissance... and toss about the story of Leonardo da Vinci having died in his arms, cared for during his final days in the King's own bed chamber." Her eyes were glowing; She was far away.

She and her unemployed theatre cohorts got it in their minds to gut the Captain's appartement and build a replica of Francois Ier's bedroom at Chenonceau. Never mind how confused her explanations could get in an attempt to distinguish his digs at Chenonceau from the official residence at Château de Blois, and how they managed to confuse the one with the other in her imaginary trip down the Loire Valley.

And how was she going to get people in and out of the place without stirring, umm, lots of suspicion? Easy... cut a door through the three feet of stone leading to that nice shady spot at the northern end of the moat.

We never would have seen or heard a thing.

Hard times... they surely do bring something out of people. We sat and stared at one another -- me, determined to never complain again, because that risks causing people to be carted off to jail, so abstracted are they by my constant grief, and The Castafiore? Sorry mostly at having been caught, but also regretting the end to subterfuge, she was thinking of all those nice doublets waiting to be sown and beaded at 600 Euros a pop.

*"Vienna sausages are life’s 'fuck you' waiting in the cabinet when you’re hung over and depressed..."