Attack of the Difficult Poems: Essays and Inventions
by Charles Bernstein
University of Chicago Press, 2011
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Contents:
I. Professing Poetics
The Difficult Poem
A Blow Is Like an Instrument: The Poetic Imaginary and Curricular Practices
Against National Poetry Month as Such
Invention Follies
Creative Wreading & Aesthetic Judgment
Wreading, Writing, Wresponding
Anything Goes
Our Americas: New Worlds Still in Progress
The Practice of Poetics
II. The Art of Immemorability
Every Which Way but Loose
The Art of Immemorability
Making Audio Visible: Poetry’s Coming Digital Presence
The Bound Listener
Hearing Voices
Objectivist Blues: Scoring Speech in Second Wave Modernist Poetry and Lyrics
III. The Fate of the Aesthetic
McGann Agonist
Poetry and/or the Sacred
The Art and Practice of the Ordinary
Electronic Pies in the Poetry Skies
Poetry Plastique: A Verbal Explosion in the Art Factory (with Jay Sanders)
Speed the Movie or Speed the Brand Name or Aren’t You the Kind That Tells
Breaking the Translation Curtain: The Homophonic Sublime
Fraud’s Phantoms: A Brief Yet Unreliable Account of Fighting Fraud with Fraud
Fulcrum Interview
Radical Jewish Culture / Secular Jewish Practice
Poetry Scene Investigation: A Conversation with Marjorie Perloff
Is Art Criticism Fifty Years Behind Poetry?
Poetry Bailout Will Restore Confidence of Readers
IV. Recantorium
Recantorium (a bachelor machine, after Duchamp after Kafka)
I love this review! -----> “I regret to inform you that Charles Bernstein’s Attack of the Difficult Poems is highly unsuitable (not suitable) for National Poetry Month. Not suitable for acceptance by the publications of the Modern Language Association or its affiliate, the Annual Convention. Not suitable for readers under the age of five. Not suitable for endorsement by the Paris Review. Not suitable for your average television sitcom. Not suitable for tenure. Not suitable for free distribution. Not suitable for variations in the ontological condition. Not suitable for readers of generic poetry. Not suitable for the MFA. For everyone else: priceless.” — Tan Lin
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