November 22, 1968: The White Album is released. Where were you then? What were you like?
DEAR PRUDENCE
(Lennon/McCartney)
DEAR PRUDENCE
(Lennon/McCartney)
JOHN 1980: "'Dear Prudence' is me. Written in India. A song about Mia Farrow's sister, who seemed to go slightly balmy, meditating too long, and couldn't come out of the little hut we were livin' in. They selected me and George to try and bring her out because she would trust us. If she'd been in the West, they would have put her away... We got her out of the house. She'd been locked in for three weeks and was trying to reach God quicker than anybody else. That was the competition in Maharishi's camp-- who was going to get cosmic first. What I didn't know was I was 'already' cosmic." (laughs)
PAUL circa-1994: "He (John) wrote 'Dear Prudence, won't you come out and play...' and went in and sang it to her, and I think that actually did help."
I'M SO TIRED
(Lennon/McCartney)
(Lennon/McCartney)
JOHN 1980: "'I'm So Tired' was me, in India again. I couldn't sleep, I'm meditating all day and couldn't sleep at night. The story is that. One of my favorite tracks. I just like the sound of it, and I sing it well."
PAUL circa-1994: "It has that very special line, 'And curse Sir Walter Raleigh/ He was such a stupid git.' That's a classic line and it's so John that there's no doubt who wrote it. I think it's 100 percent John."
PIGGIES
(Harrison)
(Harrison)
GEORGE 1980: "'Piggies' is a social comment. I was stuck for one line in the middle until my mother came up with the lyric, 'What they need is a damn good whacking' which is a nice simple way of saying they need a good hiding. It needed to rhyme with 'backing,' 'lacking,' and had absolutely nothing to do with American policemen or Californian shagnasties!"
JOHN 1980: "I gave George a couple of lines about forks and knives and eating bacon."
EVERYBODY'S GOT SOMETHING TO HIDE EXCEPT FOR ME AND MY MONKEY
(Lennon/McCartney)
(Lennon/McCartney)
JOHN 1980: "That was just a sort of nice line that I made into a song. It was about me and Yoko. Everybody seemed to be paranoid except for us two, who were in the glow of love. Everything is clear and open when you're in love. Everybody was sort of tense around us-- you know, 'What is SHE doing here at the session? Why is she with him?' All this sort of madness is going on around us because we just happened to want to be together all the time."
citations from here.
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